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The Divine Comedy, Inferno, Canto 13: The suicides in the forest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) by Gustave Dore

The Divine Comedy, Inferno, Canto 13: The suicides in the forest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883)

(The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 13: The suicides in the forest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883))


Gustave Dore

€ 135.16
Enthält 13.5% MwSt.
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Undated  ·  Engraving  ·  Image ID: 932446

Romanticism

The Divine Comedy, Inferno, Canto 13: The suicides in the forest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) by Gustave Dore. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
engraving · black and white · engraving · monster · literature · tree · suicide · chatiment · imaginary character · virgil (-70 - -19) · abcdef · dante alighieri (artwork) · dante alighieri (personality) · middle age · italian · BianchettiCOR · 1265-1321 · Private Collection / Bridgeman Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 135.16
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Merlin in the Forest of Broceliande (from The Punishment of the Simonists, from Inferno, Canto 13: The suicides in the forest (illustration from The Divine Comedy) Dante and Virgil in the Inferno Dante and Virgil Looking into the Inferno, 1863 The Divine Comedy, Inferno, Canto 19: Dante rebukes Pope Nicholas III in the fourth bolgia - by Dante Alighieri - Illustration by Gustave Dore The Divine Comedy, Inferno, Canto 6: Virgil feeds Cerberus in the third circle - Illustration by Gustave Dore Then my guide, his palms expanding on the ground Harpies, Illustration from The Divine Comedy, Inferno, Canto 32: Ugolino gnaws upon the head of Archbishop Ruggieri - Illustration by Gustave Dore He, Soon as He Saw That I Was Weeping The Divine Comedy, Inferno, Canto 9: The hideous Erinyes: Megaera, Tisphone, Alecto - Illustration by Gustave Dore (1832-1883) There Stood I Like the Friar, That Doth Shrive a Wretch for Murder Doomed The Divine Comedy, Inferno, Canto 10: Farinata degli Uberti addresses Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Illustration from The Divine Comedy, Purgatorio, Canto 11: The Souls of the Prideful, Bearing Heavy Stones - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Divine Comedy, Purgatorio, Canto 13: The souls of the envious - by Dante Alighieri - Illustration by Gustave Dore The Divine Comedy, Inferno, Canto 1: The she-wolf appears - Illustration by Gustave Dore The Divine Comedy, Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri - Illustration by Gustave Doré The Divine Comedy, Purgatorio, Canto 7: The poet Sordello, astonished, kneels before Virgil - by Dante Alighieri - Illustration by Gustave Doré The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - Illustration by Gustave Dore The Divine Comedy, Inferno, Canto 5: The Soul of Francesca Speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Fables of La Fontaine: The Arbitrator, Almoner, and Hermit Vivien and Merlin Enter the Woods The Divine Comedy, Purgatorio, Canto 25: The Poets in the Seventh Circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Divine Comedy, Inferno, Canto 9: The burning sepulchres of the heresiarchs - Illustration by Gustave Dore Engraving by Gustave Dore for Inferno by Dante Alighieri Canto XV lines 28 and 29 Merlin and Viviane in the Broceliande Forest (in
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Merlin in the Forest of Broceliande (from The Punishment of the Simonists, from Inferno, Canto 13: The suicides in the forest (illustration from The Divine Comedy) Dante and Virgil in the Inferno Dante and Virgil Looking into the Inferno, 1863 The Divine Comedy, Inferno, Canto 19: Dante rebukes Pope Nicholas III in the fourth bolgia - by Dante Alighieri - Illustration by Gustave Dore The Divine Comedy, Inferno, Canto 6: Virgil feeds Cerberus in the third circle - Illustration by Gustave Dore Then my guide, his palms expanding on the ground Harpies, Illustration from The Divine Comedy, Inferno, Canto 32: Ugolino gnaws upon the head of Archbishop Ruggieri - Illustration by Gustave Dore He, Soon as He Saw That I Was Weeping The Divine Comedy, Inferno, Canto 9: The hideous Erinyes: Megaera, Tisphone, Alecto - Illustration by Gustave Dore (1832-1883) There Stood I Like the Friar, That Doth Shrive a Wretch for Murder Doomed The Divine Comedy, Inferno, Canto 10: Farinata degli Uberti addresses Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Illustration from The Divine Comedy, Purgatorio, Canto 11: The Souls of the Prideful, Bearing Heavy Stones - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Divine Comedy, Purgatorio, Canto 13: The souls of the envious - by Dante Alighieri - Illustration by Gustave Dore The Divine Comedy, Inferno, Canto 1: The she-wolf appears - Illustration by Gustave Dore The Divine Comedy, Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri - Illustration by Gustave Doré The Divine Comedy, Purgatorio, Canto 7: The poet Sordello, astonished, kneels before Virgil - by Dante Alighieri - Illustration by Gustave Doré The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - Illustration by Gustave Dore The Divine Comedy, Inferno, Canto 5: The Soul of Francesca Speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Fables of La Fontaine: The Arbitrator, Almoner, and Hermit Vivien and Merlin Enter the Woods The Divine Comedy, Purgatorio, Canto 25: The Poets in the Seventh Circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Divine Comedy, Inferno, Canto 9: The burning sepulchres of the heresiarchs - Illustration by Gustave Dore Engraving by Gustave Dore for Inferno by Dante Alighieri Canto XV lines 28 and 29 Merlin and Viviane in the Broceliande Forest (in
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Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (rose celeste) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration for Milton Illustration from Edgar Allan Poe The Valley of Tears, 1883 The Oceanids The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, Illustration from Dore Dante and the Eagle, from Destruction of Leviathan - Engraving in Inferno, Canto 1: Dante in the savage wood (illustration from The Divine Comedy by Dante Alighieri) The Darkness at the Crucifixion The Fall of the Rebel Angels, from Book I of The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (rose celeste) - by Dante Alighieri Les Saltimbanques
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Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (rose celeste) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration for Milton Illustration from Edgar Allan Poe The Valley of Tears, 1883 The Oceanids The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, Illustration from Dore Dante and the Eagle, from Destruction of Leviathan - Engraving in Inferno, Canto 1: Dante in the savage wood (illustration from The Divine Comedy by Dante Alighieri) The Darkness at the Crucifixion The Fall of the Rebel Angels, from Book I of The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (rose celeste) - by Dante Alighieri Les Saltimbanques
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The Sistine Madonna The Fourth Estate Napoleon I Bonaparte studying at the Royal Military School of Brienne. Its shadow falls on the geographic map of Europe. Illustration by Jacques Marie Gaston Onfray de Breville dit JOB Farm Garden with Sunflowers The Greifswald Market Composition VIII The Alexander Mosaic, depicting the Battle of Issus between Alexander the Great and Darius III in 333 BC, Roman floor mosaic removed from the Casa del Fauno The Embrace Sack of Rome (455) - The Destiny of Empires - Destruction - by Thomas Cole - 1836- New York Historical Society - (Rome, Roman Empire, Gaiseric, Genseric, Migration Period, Barbarian Invasions, Vandals, Fall of Western Roman Empire, Fall of Rome, Sack of Ro The Equatorial Jungle, 1909 Watercolor No. 606 Autumn Landscape with Four Trees Lake Geneva with Mont-Blanc in Morning Red Karelia and Murmansk agitation panel, 1926 Newt Pond
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The Sistine Madonna The Fourth Estate Napoleon I Bonaparte studying at the Royal Military School of Brienne. Its shadow falls on the geographic map of Europe. Illustration by Jacques Marie Gaston Onfray de Breville dit JOB Farm Garden with Sunflowers The Greifswald Market Composition VIII The Alexander Mosaic, depicting the Battle of Issus between Alexander the Great and Darius III in 333 BC, Roman floor mosaic removed from the Casa del Fauno The Embrace Sack of Rome (455) - The Destiny of Empires - Destruction - by Thomas Cole - 1836- New York Historical Society - (Rome, Roman Empire, Gaiseric, Genseric, Migration Period, Barbarian Invasions, Vandals, Fall of Western Roman Empire, Fall of Rome, Sack of Ro The Equatorial Jungle, 1909 Watercolor No. 606 Autumn Landscape with Four Trees Lake Geneva with Mont-Blanc in Morning Red Karelia and Murmansk agitation panel, 1926 Newt Pond
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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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