The 'Albrecht Dürer' watercolor board is the ideal stage for reproducing classical masterpieces based on watery color applications. Manufactured by Hahnemühle using the traditional round screen process, this laid paper combines a high cotton content with pulp in a harmonious mixture. This composition is reminiscent of the sensitive art of paper-making. The selected fibers of the raw materials create a uniform paper with a fine, classic watercolor structure. Weighing 210 g/m², it is among the lighter papers. A special coating gives the matte surface excellent printing qualities. Its natural, unbleached white enables impressive color pigmentations without compromising details.
With its authentic structure, the 'Rice' paper is the ideal canvas for Japanese ink painting. Yet, not only Asian art benefits from its advantages: Western masters like Vincent van Gogh and Rembrandt also appreciated the fine nuances that sketching with brown ink on paper allows. Many of their sketches impress with their richness of detail. Reproductions of handwritten letters, whether from Emile Zola to his friend Manet or correspondence from Van Gogh to an art friend, find an imposing stage on this classic paper. Not to forget are the breathtaking illustrations of historical works that harmoniously combine text and illustration.
Watercolor Cardboard Dürer
The 'Albrecht Dürer' watercolor board is the ideal stage for reproducing classical masterpieces based on watery color applications. Manufactured by Hahnemühle using the traditional round screen process, this laid paper combines a high cotton content with pulp in a harmonious mixture. This composition is reminiscent of the sensitive art of paper-making. The selected fibers of the raw materials create a uniform paper with a fine, classic watercolor structure. Weighing 210 g/m², it is among the lighter papers. A special coating gives the matte surface excellent printing qualities. Its natural, unbleached white enables impressive color pigmentations without compromising details.
With its authentic structure, the 'Rice' paper is the ideal canvas for Japanese ink painting. Yet, not only Asian art benefits from its advantages: Western masters like Vincent van Gogh and Rembrandt also appreciated the fine nuances that sketching with brown ink on paper allows. Many of their sketches impress with their richness of detail. Reproductions of handwritten letters, whether from Emile Zola to his friend Manet or correspondence from Van Gogh to an art friend, find an imposing stage on this classic paper. Not to forget are the breathtaking illustrations of historical works that harmoniously combine text and illustration.
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