James Abbott McNeill Whistler | Page 45

James Abbott McNeill Whistler | Page 45

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James Abbott McNeill Whistler
Turkeys
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Millbank, 1861 (etching on paper)
1861 | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Lobster Pots - Selsea Bill
Undated | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
A Sketch from Billingsgate, 1878...
1878 | drypoint

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James Abbott McNeill Whistler
Monitors, from a set of twelve e...
1887 | etching

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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black ink with stumping, on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Battersea Bridge.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Venice, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithotint on blue laid china paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in brown on laid paper

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James Abbott McNeill Whistler
Violet [Note?]...The Return of t...
Undated | watercolor on paperboard

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James Abbott McNeill Whistler
Old Battersea Bridge, 1879, publ...
1879 | Lithograph, in black ink, with scraping, on white plate paper

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James Abbott McNeill Whistler
Chelsea Shops, c1855, 1904
1855 | watercolour

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Black Lion Wharf
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | watercolor and gouache on paperboard

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on off-white chine, laid down on white plate paper

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James Abbott McNeill Whistler
 
Undated | Pen and black ink over graphite on cream wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Victoria Club, 18791887.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Greenwich Pensioner, 1859.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Street at Saverne, 1858, 1903
1858 | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | crayon and pastel on brown paper

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James Abbott McNeill Whistler
 
Undated | Lithotint in black ink with scraping and incising, on a prepared half-tint ground, on off-white plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Tyzac Whiteley and Co, 1859 1904.
1904 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Woods's Fruit Shop, c. 18861888.
Undated | etching

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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Portrait of Whistler with a Hat,...
Undated | oil on canvas

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James Abbott McNeill Whistler
Churchyard, 1887.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
From Billingsgate, 1878.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph from a prepared half-tint ground, in black ink, with scraping, on grayish ivory wove proofing paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne, 18791880.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Tall Bridge, 1878.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Back of The Gaiety Theatre.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
The Mantle.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1887 | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with drypoint cancellation, in brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | crayon and pastel on brown paper

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James Abbott McNeill Whistler
Eagle Wharf Tyzac Whiteley and C...
Undated | etching

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Temple Bar, 19th century 1904.
1904 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Return to Tilbury.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Soupe à Trois Sous
Undated | etching in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Pool of London, 1859, 1904
1904 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne: The River at Battersea...
1878 | lithotint

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James Abbott McNeill Whistler
The Butcher's Dog, 1896.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1879 | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Rotherhithe, 1860 1904.
1904 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nursemaids: Les Bonnes du Luxemb...
Undated | lithograph

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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Butchers Dog, 1896.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Viswinkel in Chelsea The Fish-S...
Undated | paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Broad Bridge, 1878.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Thames Police, 1859.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne, from the First Venice ...
Undated | etching and drypoint

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Two scenes by a river, 1858 (pen...
1858 | Pencil on off-white wove paper

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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on off-white laid paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory Japanese paper

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James Abbott McNeill Whistler
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Page 45 / 47



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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