James Abbott McNeill Whistler | Page 42

James Abbott McNeill Whistler | Page 42

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James Abbott McNeill Whistler
A Fire at Pomfret, c.1858 (wc on...
Undated | Watercolour on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Rotherhithe
Undated | Etching with drypoint and foul biting in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Stéphane Mallarmé
Undated | Transfer lithograph in gray-black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Traghetto, No.II
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to buff

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Het toilet
Undated | paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on laid paper

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A man reclining on a bed, 1858.
Undated | pencil

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Hôtel de la Croix Blanche
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint, with foul biting, in brown on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Thames Police, 1859.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Pencil on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Red House, Paimpol, 1893.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithotint in black with chine collé on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A man seated on the edge of a wall
Undated | pencil on white paper

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James Abbott McNeill Whistler
 
Undated | Pastel and black chalk

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Pool (etching)
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Jolie New Yorkaise
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Kitchen, from the French Set...
Undated | Etching on Asian paper

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James Abbott McNeill Whistler
Soupe à Trois Sous
Undated | etching in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Figures by a fountain, 1858 (pen...
1858 | Pencil on off-white wove paper

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James Abbott McNeill Whistler
Fruit-Stall, 1880.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on off-white laid paper

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James Abbott McNeill Whistler
The Lime-Burner (etching and dry...
Undated | etching and drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé)

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Belle Dame Paresseuse
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Photo-lithographic reproduction in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Ratcliffe Highway, 1861 (drypoin...
1861 | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Count Robert de Montesquiou, No....
Undated | lithograph

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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Marchande de Moutarde
Undated | etching in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nursemaids: Les Bonnes du Luxemb...
Undated | lithograph

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James Abbott McNeill Whistler
Old Hungerford Bridge, 1861.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Ramparts, Sandwich, c. 1887.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Battersea Bridge, 1879.
Undated | etching

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James Abbott McNeill Whistler
Nocturne: The River at Battersea...
1878 | lithotint

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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Lady in an armchair
Undated | Drypoint, with drypoint and scraped cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne: Furnace, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Au Sixième
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Liverdun, 1858.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Forge, 1861.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Little Wapping, 1861.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
An Artist Sketching, 1858.
Undated | pencil

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Two Ships.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Bibi Valentin, 1859.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Form Study. c1868
1868 | crayon

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Wych Street, London, 1877.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
'Snowstorm: Nocturne', 1854-1903
1854 | oil painting

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James Abbott McNeill Whistler
 
1872 | chalk

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | watercolor and traces of gouache on off-white paper mounted on paperboard

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A group of figures on an esplanade
Undated | Pencil on off-white wove paper

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James Abbott McNeill Whistler
Black Lion Wharf, from the Thame...
Undated | Etching on beige recycled ledger paper with medium rough texture

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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nursemaid and Child, 1859.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
San Biagio, Venice, 1879-80
1879 | etching and drypoint printed in dark brown ink on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Soupe à trois sous (Soup for thr...
Undated | Etching with foul biting in black ink on buff wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Weary, 1863 (drypoint & roulette)
1863 | drypoint and roulette

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Joseph Pennell, No. 2, 1896.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1890 | oil on canvas

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Twelve Etchings from Nature: Ann...
Undated | etching/etching/etching

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James Abbott McNeill Whistler
Under Old Battersea Bridge, 1879...
1904 |

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with scraped and burnished cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
Little Evelyn, 1896 (litho on pa...
1896 | lithograph on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Group of four men
Undated | Pencil on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Watercolor and opaque watercolor on cream wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Tall Bridge, 1878.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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Page 42 / 47



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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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+43 4257 29415 · office@meisterdrucke.com
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