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James Abbott McNeill Whistler | Page 37

James Abbott McNeill Whistler | Page 37

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James Abbott McNeill Whistler
Venetian Court
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Reading a Book
Undated | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Mast, 1880.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Village Sweet-Shop
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Westminster Bridge, 1859.
Undated | etching

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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with scraping, on tan laid Japanese vellum

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithotint in brown on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
San Giorgio, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Rotherhithe, 1861.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint, with foul biting, in brown on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and dry point on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nude Model, Standing, c. 1891.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Cancelled copper etching plate

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Battersea Bridge, 1879.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on ivory wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | distemper and gold paint on paper

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James Abbott McNeill Whistler
The Scotch Widow, 1875.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | color lithograph on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | watercolor on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Rotherhithe K. 66 III from
Undated | Etching, paper: Japanese tissue

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Mother Gerard, 1858.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A group of figures around a braz...
1858 | Pencil on off-white wove paper

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James Abbott McNeill Whistler
 
Undated | drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Quiet Canal.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in brown ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Steel-faced copper

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James Abbott McNeill Whistler
La Vieille aux Loques, 1858.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Majors Daughter: Clara Vinra...
Undated | wood engraving/wood engraving/wood engraving

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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Kitchen, 1858.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
La Princesse du pays de la porce...
Undated | oil on canvas

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James Abbott McNeill Whistler
 
Undated | watercolor on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
 
Undated | Lithotint, in black ink, with scraping, on cream wove proofing paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Dyer.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
San Biagio.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Cancelled copper plate

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1894 | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1872 | chalk

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Rotherhithe, 1860.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Watercolor over graphite on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Breakfast in the Garden, 1885-18...
Undated | watercolour

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | pen and brown ink on folded wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Graphite on cream wove card, laid down on ivory wove card

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in dark brown on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in brown on laid paper

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James Abbott McNeill Whistler
Back of The Gaiety Theatre.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
Bead Stringers, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
Choose picture


James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
Choose picture


James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A Venetian Courtyard,
Undated | charcoal and pastel on gray paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Fan Model No. 3.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
Choose picture


James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black, with stumping, on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching with gray wash on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Robe rouge
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph in black ink with scraping on cream chine (Japanese paper) laid down on ivory plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Landscape with Horses, 1859.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Still life
Undated | Ink and watercolor wash on cream wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and open bite or sandpaper ground

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Greenwich Park, 1859.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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Page 37 / 47



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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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