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James Abbott McNeill Whistler | Page 47

James Abbott McNeill Whistler | Page 47

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4.692 artworks found

James Abbott McNeill Whistler
Le Boulevard Poissoniere
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Billingsgate
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Balcony, Amsterdam
Undated | etching, drypoint and carbon ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Forge
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
Zaandam, 1889.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | oil on canvas

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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Lime-Burner, 1859.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream laid paper

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James Abbott McNeill Whistler
Lady in an armchair
Undated | Drypoint, with drypoint and scraped cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Booth, Market place, Loches
Undated | etching; ink on cream color fine laid paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | chalk and pastel on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Title Page for "Douze Eaux Forte...
Undated | etching in black on blue wove paper

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James Abbott McNeill Whistler
The Tyresmith, 1890.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Rag Shop, Milman's Row, Chelsea,...
Undated | etching; ink on paper

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James Abbott McNeill Whistler
Palaces, Brussels.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on grey laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in brownish black, with selective wiping of plate tone, on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Attendant que le linge sèche! Co...
Undated | Pencil on off-white wove paper

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James Abbott McNeill Whistler
 
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Marchande de Moutarde
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Miser, 1858-1859.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Hat.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with scraping, on ivory wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
J Becquet, sculptor
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Seymour Standing under a Tree, 1...
Undated | etching

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James Abbott McNeill Whistler
Liverdun, 1858.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint and etching, with foul biting and roulette, in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithotint in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Needlework, 1896.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | oil on wood panel

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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Steel-faced copper

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James Abbott McNeill Whistler
 
Undated | Lithotint, in black ink, with scraping, on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Bonnet-Shop, c.1884-86 (etch...
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching; ink on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | watercolor on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on buff laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Lady in an armchair
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching in black ink on ivory Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph in black ink with scraping and roulette work on ivory plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Turkeys.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Steel-faced copper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Unbekanntes Bild
Undated |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream wove proofing paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Thames Warehouses, 1859.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching, with drypoint cancellation, in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Cancelled copper plate

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
Choose picture


James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
Choose picture


James Abbott McNeill Whistler
 
Undated | etching in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph, in black ink, with scraping and touches of brush and tusche, on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | chalk and pastel on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on laid paper

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James Abbott McNeill Whistler
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Robert Frederick Blum
 
Undated | graphite on wove paper

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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
River Landscape, 1866-1878.
Undated | pencil

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Soupe à trois sous
Undated | Etching and drypoint on Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne: Palaces from The Secon...
1879 | Etching and drypoint with plate tone

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James Abbott McNeill Whistler
Ponte del Piovan from The Second...
1879 | etching

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James Abbott McNeill Whistler
 
Undated | etching with plate tone

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James Abbott McNeill Whistler
Long Lagoon from The Second Veni...
1879 | etching

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James Abbott McNeill Whistler
La Salute: Dawn from The Second ...
1879 | etching

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James Abbott McNeill Whistler
 
1879 | etching

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Page 47 / 47





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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.




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+43 4257 29415 · office@meisterdrucke.com
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