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Balaclava. View onto the Sea by William Crimea Simpson

Balaclava. View onto the Sea

(Balaclava. View onto the sea, 1855)


William Crimea Simpson

€ 150.32
Enthält 13.5% MwSt.
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Undated  ·  Image ID: 757998

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Balaclava. View onto the Sea by William Crimea Simpson. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
landscape · france · defence · simpson · moscow · united kingdom · great britain · balaclava · black sea · graphic arts · realism · sevastopol · siege · history · balaklava · crimea · ottoman empire · sebastopol · battle of sevastopol · crimean war · colour lithograph · defence of sevastopol · siege of sevastopol · allied troops · state museum of leo tolstoy · landscape · history · simpson · william 1832-1898 · william 1832-1898 · Fine Art Images/Heritage Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 150.32
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Balaklava Looking Towards the Sea Balaklava, looking towards the sea Port of Balaclava in “Sebastopol” by Ch.Hardinge. Litho by Vincent Brooks, d. London 1855 Henry Graves The Town Batteries or Interior Fortifications of Sebastopol from the Advanced Parallel of Chapman The Cove of Cork, County Cork, Ireland Balaklava, plate from A View of Carlisle Bay and Bridgetown, Barbados Committee at Pata Pata; the goldfield extends over the distant blue range A Voyage Round the World In the Years 1803-06, in the Ship Neva Dover Harbor The Overfall Dam, near Floating Dock, and Cumberland Basin Port of Spain, from the Harbour Balaklava Showing the State of the Quays and the Shipping in May 1855 The Landing at Kinburn (Ukraine, Russia) in October 1855, a British Army Camp on the Shore, with the Fleet Anchored Offshore Including the HMS Tribune Detail of a drawing by Alejandro Malaspina and Jose del Pozo Fort Royal, Guadeloupe Camp of the 4th Division Limekiln Dock, Hotwell Road, with the brig The Railway at Balaklava looking South The Fortress of Bomarsund, on the Aland Islands, in August 1854 View of Fort Royal, Martinique Town Batteries, or Interior Fortifications of Sebastopol, Plate from San Francisco in 1851 City of Sebastopol in Camp of the 4th Division July 15th 1855
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Balaklava Looking Towards the Sea Balaklava, looking towards the sea Port of Balaclava in “Sebastopol” by Ch.Hardinge. Litho by Vincent Brooks, d. London 1855 Henry Graves The Town Batteries or Interior Fortifications of Sebastopol from the Advanced Parallel of Chapman The Cove of Cork, County Cork, Ireland Balaklava, plate from A View of Carlisle Bay and Bridgetown, Barbados Committee at Pata Pata; the goldfield extends over the distant blue range A Voyage Round the World In the Years 1803-06, in the Ship Neva Dover Harbor The Overfall Dam, near Floating Dock, and Cumberland Basin Port of Spain, from the Harbour Balaklava Showing the State of the Quays and the Shipping in May 1855 The Landing at Kinburn (Ukraine, Russia) in October 1855, a British Army Camp on the Shore, with the Fleet Anchored Offshore Including the HMS Tribune Detail of a drawing by Alejandro Malaspina and Jose del Pozo Fort Royal, Guadeloupe Camp of the 4th Division Limekiln Dock, Hotwell Road, with the brig The Railway at Balaklava looking South The Fortress of Bomarsund, on the Aland Islands, in August 1854 View of Fort Royal, Martinique Town Batteries, or Interior Fortifications of Sebastopol, Plate from San Francisco in 1851 City of Sebastopol in Camp of the 4th Division July 15th 1855
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More art prints by William Crimea Simpson

The Golden Temple, Benares The Emperor of Austria Ascending the Great Pyramid, Egypt Interior of the Mamelon Vert (plate from The Taj Mahal at Agra, as it Appeared in 1864 A Hot Day in the Batteries, plate from The Valley of the Shadow of Death, caves in the Woronzoff Road behind the 21 Gun Battery Public Library and Temple of the Winds, plate from Peshawar Market Scene, from Interior of Lord Raglan Ambair, from The Cavalry Affair of the Heights of Bulganak: the First Gun, plate from Sikh Priest Reading the Grunth, Umritsar, from North Side of the Harbour of Sebastopol, plate from Battle of the Tchernaya, August 16th 1855, plate from One of the Wards of the Hospital at Scutari, from
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More art prints by William Crimea Simpson

The Golden Temple, Benares The Emperor of Austria Ascending the Great Pyramid, Egypt Interior of the Mamelon Vert (plate from The Taj Mahal at Agra, as it Appeared in 1864 A Hot Day in the Batteries, plate from The Valley of the Shadow of Death, caves in the Woronzoff Road behind the 21 Gun Battery Public Library and Temple of the Winds, plate from Peshawar Market Scene, from Interior of Lord Raglan Ambair, from The Cavalry Affair of the Heights of Bulganak: the First Gun, plate from Sikh Priest Reading the Grunth, Umritsar, from North Side of the Harbour of Sebastopol, plate from Battle of the Tchernaya, August 16th 1855, plate from One of the Wards of the Hospital at Scutari, from
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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