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First Anglo-Afghan War 1838-1842 by James Atkinson

First Anglo-Afghan War 1838-1842


James Atkinson

€ 152.83
Enthält 13.5% MwSt.
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1842  ·  lithograph  ·  Image ID: 759942

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First Anglo-Afghan War 1838-1842 by James Atkinson. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
animal · people · animals · horses · horse · riding · rider · landscape · mountain · mountains · mountain range · country · valley · british · geography · color · colour · ruins · ruin · dress · column · pillar · pillars · camel · camels · location · century · camp · marching · britain · soldiers · soldier · concept · ruined · army · warfare · 19th century · afghanistan · afghan · nineteenth century · ann ronan pictures · afghani · anglo-afghan war · colonialism · geographical feature · imperialism · lithograph · landscape · james atkinson · atkinson · james · Ann Ronan Picture Library/Heritage-Images
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 152.83
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Surrender of Dost Mohammad Khan, Kabul, First Anglo-Afghan War, 1838-1842 The Entrance into Caubul from Killa-Kazee, from Entrance into Caubul from Killa-Kazee The Valley of Maidan and Buzrak Tower The City of Kandahar The Tomb of the Emperor Baber The City of Kandahar Looking from the South Towards Baba Wali Mountain Tomb of Emperor Babur, Kabul, First Anglo-Afghan War The Tomb of the Emperor Baber, from Travellers with Escort in the Ancient Province of Kattywar, 1908 The City of Candahar, from Jugdelluk, the Last Stand Made by General Elphinestone Encampment of the 1st Bengal European Regiment, First Anglo-Afghan War 1838-1842 The Village of Urghundee Army Emerging from the Shutargardan Pass into the Logar Valley The Second Descent through the Koojah Pass Supply Base of the British Army at the Balaclava Harbour First Anglo-Afghan War, 1838-1842 British Army Camp at Dadur at the Entrance to the Bolan Pass, First Anglo-Afghan War The Encampment at Dadur, with the Entrance to the Bolan Pass The Approach to the Fortress of Kwettah, c.1839 A Ruling Prince of Western India with His Vassals, 1908 The Entry of Shah Soojah into Cabool Jugdelluk, The Last Stand by General Elphinstone The Troops Emerging from the Narrow Part of the Defile in the Koojah Pass, from The Third Descent of the Khojak Pass, c.1839 Supply base of the British Army at the Balaclava harbour
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Similar artworks selected for you

Surrender of Dost Mohammad Khan, Kabul, First Anglo-Afghan War, 1838-1842 The Entrance into Caubul from Killa-Kazee, from Entrance into Caubul from Killa-Kazee The Valley of Maidan and Buzrak Tower The City of Kandahar The Tomb of the Emperor Baber The City of Kandahar Looking from the South Towards Baba Wali Mountain Tomb of Emperor Babur, Kabul, First Anglo-Afghan War The Tomb of the Emperor Baber, from Travellers with Escort in the Ancient Province of Kattywar, 1908 The City of Candahar, from Jugdelluk, the Last Stand Made by General Elphinestone Encampment of the 1st Bengal European Regiment, First Anglo-Afghan War 1838-1842 The Village of Urghundee Army Emerging from the Shutargardan Pass into the Logar Valley The Second Descent through the Koojah Pass Supply Base of the British Army at the Balaclava Harbour First Anglo-Afghan War, 1838-1842 British Army Camp at Dadur at the Entrance to the Bolan Pass, First Anglo-Afghan War The Encampment at Dadur, with the Entrance to the Bolan Pass The Approach to the Fortress of Kwettah, c.1839 A Ruling Prince of Western India with His Vassals, 1908 The Entry of Shah Soojah into Cabool Jugdelluk, The Last Stand by General Elphinstone The Troops Emerging from the Narrow Part of the Defile in the Koojah Pass, from The Third Descent of the Khojak Pass, c.1839 Supply base of the British Army at the Balaclava harbour
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More art prints by James Atkinson

Bazaar at Kabul during the fruit season, First Anglo-Afghan War The First Descent Through the Koojah Pass, from A Portrait of His Majesty Shah-Soojah-Ool-Moolk (from George Augustus Frederick Fitzclarence, 1st Earl of Munster, Engraved by W.H. Cook, from The Durbar-Khaneh of Shah Shoojah-Ool-Moolk, at Caubul, from Charakpuja, the Hook-swinging Festival The Opening into the Narrow Pass Above the Siri Bolan, from General Avitabile seated at a table reading, with a woman on his knee, possibly his favourite, Begum Peri Caubul, from a Burying Ground on the Mountain Ridge, North-East of the City, from The Town of Roree, and the Fortress of Bhukker, on the Indus, from A String of Blind Beggars, Cabul The Avenue at Babers Tomb, from Sketches in Afghanistan, engraved by Charles Haghe and Louis Haghe, published by Henry Graves, 1842 Bivouac in the Pyrenees, the Night Before the Battle Fortress and citadel of Ghazni, First Anglo-Afghan War, 1838-1842 c1850 Shah Shoja, Puppet of the British, Holding a Durbar at Kabul, First Anglo-Afghan War
Show more works by James Atkinson

More art prints by James Atkinson

Bazaar at Kabul during the fruit season, First Anglo-Afghan War The First Descent Through the Koojah Pass, from A Portrait of His Majesty Shah-Soojah-Ool-Moolk (from George Augustus Frederick Fitzclarence, 1st Earl of Munster, Engraved by W.H. Cook, from The Durbar-Khaneh of Shah Shoojah-Ool-Moolk, at Caubul, from Charakpuja, the Hook-swinging Festival The Opening into the Narrow Pass Above the Siri Bolan, from General Avitabile seated at a table reading, with a woman on his knee, possibly his favourite, Begum Peri Caubul, from a Burying Ground on the Mountain Ridge, North-East of the City, from The Town of Roree, and the Fortress of Bhukker, on the Indus, from A String of Blind Beggars, Cabul The Avenue at Babers Tomb, from Sketches in Afghanistan, engraved by Charles Haghe and Louis Haghe, published by Henry Graves, 1842 Bivouac in the Pyrenees, the Night Before the Battle Fortress and citadel of Ghazni, First Anglo-Afghan War, 1838-1842 c1850 Shah Shoja, Puppet of the British, Holding a Durbar at Kabul, First Anglo-Afghan War
Show more works by James Atkinson

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Moonrise Moon Over Landscape The Kiss Birth of Jesus, from the Book of Hours of the Master of Jacques de Besançon Water-Lilies ( Forest Irises Ruby, Gold and Malachite Farm Garden with Sunflowers The White Cat The Typewriter of Julio Antonio Mella, Mexico City, 1928 The Crucifixion, from the Isenheim Altarpiece Virgin and Child Self-Portrait in Fur Coat Sunflowers
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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