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Inferno, Canto 12: Nessus by Gustave Dore

Inferno, Canto 12: Nessus

(Inferno, Canto 12 : Nessus)


Gustave Dore

€ 138.11
Enthält 13.5% MwSt.
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1885  ·  digital gefärbte Gravur  ·  Image ID: 630257

Romanticism

Inferno, Canto 12: Nessus by Gustave Dore. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
Private Collection / Bridgeman Images
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 138.11
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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One Cried from Far: Say to What Pain Ye Come Condemned The Divine Comedy, Inferno, Canto 12: Nessus and the Centaurs - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Centaurs throw arrows against damns coming out of the Styx marshes. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861 We to those beasts, that rapid strode along, drew near, when Chiron took an arrow forth The Divine Comedy, Inferno, Canto 12: The Centaurs Attack the Souls in Boiling Blood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Een in Like Manner Adams Evil Brood Centaurs, Illustration from Soon as both embarked, cutting the waves Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Now Seest Thou, Son! The Souls of Those, Whom Anger Overcame, c1890 Unceasing was the play of wretched hands, c1890 Amid this dread exuberance of woe ran naked spirits winged with horrid fear Sketch of a Shipwreck Inferno, Canto 18: Devils and seducers, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 14: The violent, tormented in the rain of fire, illustration from This Said, They Grappled Him with More Than Hundred Hooks, c. 1890 The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 18: Devils and seducers - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) The Divine Comedy, Inferno, Canto 21: Devils torment the barrators - Illustration by Gustave Dore David Offers His Sword in Loyalty to Saul King of Israel (Illustration from the Dore Bible) I Could Not Hear What Terms He Offered Them Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from Recite of the feats of Felix-Mars d Now Mark How I Do Rip Me! Lo! How is Mahomet Mangled!, c1890 ...all-searching Justice, dooms to punishment the forgers Inferno, Canto 25: Agnello transforming into a serpent (illustration from The Divine Comedy) The Fall of the Walls of Jericho. Engraving by Gustave Dore The Flood Call thou to mind Piero of Medicina, if again returning Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885
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One Cried from Far: Say to What Pain Ye Come Condemned The Divine Comedy, Inferno, Canto 12: Nessus and the Centaurs - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) The Centaurs throw arrows against damns coming out of the Styx marshes. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861 We to those beasts, that rapid strode along, drew near, when Chiron took an arrow forth The Divine Comedy, Inferno, Canto 12: The Centaurs Attack the Souls in Boiling Blood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Een in Like Manner Adams Evil Brood Centaurs, Illustration from Soon as both embarked, cutting the waves Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Now Seest Thou, Son! The Souls of Those, Whom Anger Overcame, c1890 Unceasing was the play of wretched hands, c1890 Amid this dread exuberance of woe ran naked spirits winged with horrid fear Sketch of a Shipwreck Inferno, Canto 18: Devils and seducers, illustration from The Divine Comedy by Dante Alighieri, 1885 Inferno, Canto 14: The violent, tormented in the rain of fire, illustration from This Said, They Grappled Him with More Than Hundred Hooks, c. 1890 The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 18: Devils and seducers - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) The Divine Comedy, Inferno, Canto 21: Devils torment the barrators - Illustration by Gustave Dore David Offers His Sword in Loyalty to Saul King of Israel (Illustration from the Dore Bible) I Could Not Hear What Terms He Offered Them Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from Recite of the feats of Felix-Mars d Now Mark How I Do Rip Me! Lo! How is Mahomet Mangled!, c1890 ...all-searching Justice, dooms to punishment the forgers Inferno, Canto 25: Agnello transforming into a serpent (illustration from The Divine Comedy) The Fall of the Walls of Jericho. Engraving by Gustave Dore The Flood Call thou to mind Piero of Medicina, if again returning Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885
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Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration from Edgar Allan Poe The Valley of Tears, 1883 The Oceanids The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Fall of the Rebel Angels, from Book I of “Paradise Lost” by John Milton (1608-74), c. 1868
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More art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration from Edgar Allan Poe The Valley of Tears, 1883 The Oceanids The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Fall of the Rebel Angels, from Book I of “Paradise Lost” by John Milton (1608-74), c. 1868
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A selection of our top sellers

The Girls A Moonlit Lane. Two lovers at a gate The Tower of Babel (Vienna) Battle of Waterloo, 18th June 1815, 1898 A Bar Return of the Prodigal Son Horse Study The Fox, 1913 The Cave of the Storm Nymphs, 1903 Swans in the Reeds, c. 1820 The Stadtbahn Pavilion of the Vienna Underground Railway, design showing the exterior and a view of the railway platform, c.1894-97 The Holy Trinity, 1420s Still Life with Fruit Bowl Path in the Wheat at Pourville, 1882 Pandemonium, 1841
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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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+43 4257 29415 · support@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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