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Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from

Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from 'The Divine Comedy' by Dante Alighieri

(Inferno, Canto 28 : The severed head of Bertran de Born speaks to Dante, illustration from 'The Divine Comedy' by Dante Alighieri)


Gustave Dore

€ 136.39
Enthält 13.5% MwSt.
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1885  ·  digitally coloured engraving  ·  Image ID: 1651310

Romanticism

Inferno, Canto 28: The severed head of Bertran de Born speaks to Dante, illustration from 'The Divine Comedy' by Dante Alighieri by Gustave Dore. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
13th century · 14th century · 19th century · hell · france · europe · trecento · doré gustave (1832-1883) · painter · artist · 14 14th xiv xivth century · medioevale · enfer · moyen age · 14 14o xiv xivo secolo · medieval period · hell · italie italien italienne italiens italiennes · poesia · poetry · 13 13th xiii xiiith century · moyen-age · gravure · middle age · engraving · literature · virgilio · littérature · incisione · letteratura · poésie · uomo · trovatore · inferno · troubadour · medioevo · italia · homme · 1265-1321 · mzengraving · dore gustave · Private Collection / Bridgeman Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 136.39
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 The crust came drawn from underneath in flakes, c1890 Inferno, Canto 14: The violent, tormented in the rain of fire, illustration from Wherefore doth fasten yet thy sight below amongst the maimed and miserable shades, c1890 Purgatorio, Canto 13: Sapia cleanses his guilty life (illustration from The Divine Comedy) The Burden of Pride, from The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - Illustration by Gustave Dore Engraving by Gustave Dore for Inferno by Dante Alighieri Canto XV lines 28 and 29 Not more furiously on Menalippus temples Tydeus gnawed The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 18: Virgil shows Dante the shade of Thaïs - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) Sir! Brunetto! And are ye here, c1890 Then my guide, his palms expanding on the ground, c. 1890 Inferno, Canto 5: Francesca Da Rimini describes her death (illustration from The Divine Comedy) The Divine Comedy, Purgatorio, Canto 19: The souls of the avaricious: Adrian V speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) There stood I like the friar, that doth shrive a wretch for murder doom Thy City Heaped with Envy to the Brim, c1890 Purgatorio, Canto 23: Dante recognizes the shade of Forese Donati among the gluttons, illustration from The Divine Comedy by Dante Alighieri, 1885 Now Mark How I Do Rip Me! Lo! How is Mahomet Mangled!, c1890 And there at point of the disparted ridge lay stretched the infamy of Crete Why Greedily Thus Bendest More on Me, c. 1890 To the gate he came, and with his wand touched it, c.1890 Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedy) illustrated by Gustave Dore. French edition of 1861. "E in su la punta della rotta lacca/L ...all-searching Justice, dooms to punishment the forgers That Pierced Spirit...Was He Who Gave the Pharisees Council The Divine Comedy, Inferno, Canto 5: The Soul of Francesca Speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Inferno, Canto 25: Agnello transforming into a serpent (illustration from The Divine Comedy) Virgil (70-19 BC) and Dante Looking at the Spider Woman, illustration from Purgatorio, Canto 3: The company of souls upon the cliff (illustration from The Divine Comedy) Call thou to mind Piero of Medicina, if again returning
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Inferno, Canto 18: Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 The crust came drawn from underneath in flakes, c1890 Inferno, Canto 14: The violent, tormented in the rain of fire, illustration from Wherefore doth fasten yet thy sight below amongst the maimed and miserable shades, c1890 Purgatorio, Canto 13: Sapia cleanses his guilty life (illustration from The Divine Comedy) The Burden of Pride, from The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - Illustration by Gustave Dore Engraving by Gustave Dore for Inferno by Dante Alighieri Canto XV lines 28 and 29 Not more furiously on Menalippus temples Tydeus gnawed The Divine Comedy (La Divina Commedia, La Divine Comédie), Inferno, Canto 18: Virgil shows Dante the shade of Thaïs - by Dante Alighieri (1265-1321) - Illustration by Gustave Doré (1832-1883) Sir! Brunetto! And are ye here, c1890 Then my guide, his palms expanding on the ground, c. 1890 Inferno, Canto 5: Francesca Da Rimini describes her death (illustration from The Divine Comedy) The Divine Comedy, Purgatorio, Canto 19: The souls of the avaricious: Adrian V speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) There stood I like the friar, that doth shrive a wretch for murder doom Thy City Heaped with Envy to the Brim, c1890 Purgatorio, Canto 23: Dante recognizes the shade of Forese Donati among the gluttons, illustration from The Divine Comedy by Dante Alighieri, 1885 Now Mark How I Do Rip Me! Lo! How is Mahomet Mangled!, c1890 And there at point of the disparted ridge lay stretched the infamy of Crete Why Greedily Thus Bendest More on Me, c. 1890 To the gate he came, and with his wand touched it, c.1890 Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedy) illustrated by Gustave Dore. French edition of 1861. "E in su la punta della rotta lacca/L ...all-searching Justice, dooms to punishment the forgers That Pierced Spirit...Was He Who Gave the Pharisees Council The Divine Comedy, Inferno, Canto 5: The Soul of Francesca Speaks to Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883) Inferno, Canto 25: Agnello transforming into a serpent (illustration from The Divine Comedy) Virgil (70-19 BC) and Dante Looking at the Spider Woman, illustration from Purgatorio, Canto 3: The company of souls upon the cliff (illustration from The Divine Comedy) Call thou to mind Piero of Medicina, if again returning
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Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration from Edgar Allan Poe The Oceanids The Valley of Tears, 1883 The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Fall of the Rebel Angels, from Book I of “Paradise Lost” by John Milton (1608-74), c. 1868
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More art prints by Gustave Dore

Paradiso, Canto 31: The saintly throng form a rose in the empyrean The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (celestial rose) - by Dante Alighieri (1265-1321) Camelot, illustration from Illustration from Edgar Allan Poe The Oceanids The Valley of Tears, 1883 The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Doré Dante and the Eagle, from Don Quixote in his Library, engraved by Héliodore Joseph Pisan (1822-90), c. 1868 King Louis IX (1217-70) before Damietta, illustration from Destruction of Leviathan - the destruction of the Leviathan, the marine monster of the Old Testament - engraving in “The Illustrated Bible” by Gustave Doré (1832-1883) - engraving from “The Doré Bible” Inferno, Canto 1: Dante in the Savage Wood, illustration from "The Divine Comedy" by Dante Alighieri, 1885 The Vision of Death, engraved by Heliodore Joseph Pisan (1822-90), c.1868 The ‘Night-mare Life-in-Death’ plays dice with Death for the souls of the crew, scene from ‘The Rime of the Ancient Mariner’ by S. T. Coleridge, published by Harper und Brothers, New York, 1876 (wood engraving) The Fall of the Rebel Angels, from Book I of “Paradise Lost” by John Milton (1608-74), c. 1868
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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