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Feel the passion of William Hodges in our art prints.

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William Hodges
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William Hodges

William Hodges

    October 28, 1744   -   June 6, 1797
Romanticism   •   Wikipedia: William Hodges

The great expeditions of the 18th century mark the appropriation of the world by the European powers. In addition to the scientific exploration of the world, tangible military and economic interests were at the forefront. With his circumnavigations around the world and his exploration of the Pacific Ocean, James Cook laid the foundation for the colonial expansion of the British Empire. The work of the cartographers filled the white spots on the world picture of that time and brought Europe into contact with the most diverse indigenous cultures. Especially the voyages from Cook to the South Seas and to the edge of Antarctica fired the imagination of the people in a country that was at the beginning of an epochal upheaval, the industrial revolution. Parallel to Cook's travelogues, a revolutionary technology, the steam engine, emerged in the industrial centres of England. The discoveries and modern technology formed the basis for the British world power.

As part of the expeditions, in addition to representatives of cartography, the natural sciences and ethnography, a representative of the visual arts always travelled with the expedition, who took on the task of providing the images of the new worlds. For William Hodges, until then known as a theatre and landscape painter, participation in James Cook's second South Sea voyage offered the opportunity to gain popularity and recognition. The selection of Hodges by the Royal Society therefore offered two opportunities. On the one hand, to be the first artist to create the new worlds, on the other hand, to start a new career in his home country after a successful return home. In 1772, two ships under the command of James Cook set off on their round-the-world voyage. After passing Cape Horn, the expedition sailed towards Antarctica and was the first ship to cross the Southern Arctic Circle. This pioneering achievement led, among other things, to a mountain in Antarctica today being named Hodges Knoll after the artist. The ships then set course for the South Seas and New Zealand. Hodges' sketches, which were created during the voyage of discovery, are characterised by the accuracy and detail with which they depict the lives of the locals. The South Seas pictures that appeared later provided Europeans with a place of longing that stood for peaceful and serene life beyond the constraints of civilization. After the return of the expedition in 1775, Hodges was given a position with the Admiralty to work out his sketches and make them into paintings or engravings. Cook's travelogues appeared with Hodges' engravings.

However, the paintings and engravings gave rise to a heated discussion among the expedition participants. The Prussian naturalists Georg and Johann Forster, who had accompanied the expedition scientifically, criticized above all the ethnographic inaccuracies in Hodges' paintings. In the conflict between the South Sea idyll and scientific accuracy, the British painter chose the former. Hodges served the longing of his contemporaries. Everything that contradicted this painting or the moral concepts of the time has only been preserved in the original sketches.

William Hodges

    October 28, 1744   -   June 6, 1797
Romanticism   •   Wikipedia: William Hodges William Hodges

The great expeditions of the 18th century mark the appropriation of the world by the European powers. In addition to the scientific exploration of the world, tangible military and economic interests were at the forefront. With his circumnavigations around the world and his exploration of the Pacific Ocean, James Cook laid the foundation for the colonial expansion of the British Empire. The work of the cartographers filled the white spots on the world picture of that time and brought Europe into contact with the most diverse indigenous cultures. Especially the voyages from Cook to the South Seas and to the edge of Antarctica fired the imagination of the people in a country that was at the beginning of an epochal upheaval, the industrial revolution. Parallel to Cook's travelogues, a revolutionary technology, the steam engine, emerged in the industrial centres of England. The discoveries and modern technology formed the basis for the British world power.

As part of the expeditions, in addition to representatives of cartography, the natural sciences and ethnography, a representative of the visual arts always travelled with the expedition, who took on the task of providing the images of the new worlds. For William Hodges, until then known as a theatre and landscape painter, participation in James Cook's second South Sea voyage offered the opportunity to gain popularity and recognition. The selection of Hodges by the Royal Society therefore offered two opportunities. On the one hand, to be the first artist to create the new worlds, on the other hand, to start a new career in his home country after a successful return home. In 1772, two ships under the command of James Cook set off on their round-the-world voyage. After passing Cape Horn, the expedition sailed towards Antarctica and was the first ship to cross the Southern Arctic Circle. This pioneering achievement led, among other things, to a mountain in Antarctica today being named Hodges Knoll after the artist. The ships then set course for the South Seas and New Zealand. Hodges' sketches, which were created during the voyage of discovery, are characterised by the accuracy and detail with which they depict the lives of the locals. The South Seas pictures that appeared later provided Europeans with a place of longing that stood for peaceful and serene life beyond the constraints of civilization. After the return of the expedition in 1775, Hodges was given a position with the Admiralty to work out his sketches and make them into paintings or engravings. Cook's travelogues appeared with Hodges' engravings.

However, the paintings and engravings gave rise to a heated discussion among the expedition participants. The Prussian naturalists Georg and Johann Forster, who had accompanied the expedition scientifically, criticized above all the ethnographic inaccuracies in Hodges' paintings. In the conflict between the South Sea idyll and scientific accuracy, the British painter chose the former. Hodges served the longing of his contemporaries. Everything that contradicted this painting or the moral concepts of the time has only been preserved in the original sketches.

Artworks by William Hodges

Artworks by William Hodges

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180 artworks found

William Hodges
'[A] view of Maitavie Bay, [in t...
1776 |

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William Hodges
The East End of the Fort of Mong...
1787 | aquatint

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William Hodges
Pagodas at Deogur, 1787 (aquatint)
1787 | aquatint

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William Hodges
The Pass of Sicri Gully (Sakriga...
Undated | grey wash and graphite with bodycolour on laid paper

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William Hodges
Otoo, King of O-taheite, illustr...
1777 | engraving

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William Hodges
Belmont, Avenue to Portia's Hous...
Undated | lithograph

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William Hodges
Page 25a/b Osnabrug Island beari...
Undated | drawings and engravings

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William Hodges
Pl. 34 A View of the Bridge at I...
Undated | coloured etching with aquatint

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William Hodges
Page 24a Otago, chief of Amsterd...
1768 | red and white chalk

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William Hodges
Page 32 Dusky Bay, New Zealand
Undated | watercolour

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William Hodges
The Marmalong Bridge, with a Sep...
Undated | oil on canvas

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William Hodges
Page 32b New Zealand Portrait of...
1768 | red chalk

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William Hodges
Page 12 Table Mountain, Capetown
Undated | watercolour

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William Hodges
Camp of a thousand men formed by...
Undated | oil on canvas

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William Hodges
A View of Part of the city of Be...
1787 |

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William Hodges
Pl. 41 A View of the Cuttera bui...
Undated | coloured etching with aquatint

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William Hodges
Page 15 War canoe, Otaheite
Undated | pen and ink and watercolour

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William Hodges
Page 4 View of Porto Santo exten...
Undated | pen and ink and wash

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William Hodges
Study in Durham yard before the ...
Undated | chalk on paper

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William Hodges
Page 10 Table Mountain, Cape town
Undated | watercolour

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William Hodges
A View of a Mosque, at Mounheer
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William Hodges
View of the Jungle, 1788 (aquatint)
1788 | aquatint

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William Hodges
 
Undated | Graphite and gray wash on medium, slightly textured, cream laid paper

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William Hodges
A Mosque at Gazipoor, 1787 (aqua...
1787 | aquatint

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William Hodges
Group of Indian musicians playin...
Undated | oil on canvas

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William Hodges
A View of the Ruins of the Palac...
Undated | wash and graphite on paper

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William Hodges
View of an Indian Village with a...
Undated | grey wash, pen and black ink and graphite on laid paper

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William Hodges
Page 6 Island of Bonavista: 2 Pr...
Undated | pen and ink and wash

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William Hodges
Jacques and the Wounded Stag: As...
1790 |

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William Hodges
A View of the Fort of Ilionpoor ...
Undated |

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William Hodges
A view of a Mosque, at Rajemahel...
Undated | coloured aquatint

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William Hodges
 
Undated | oil on canvas

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William Hodges
A view of the Mosque at Mounheer...
Undated | pencil, pen, ink and wash on paper

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William Hodges
A waterfall in Tahiti
Undated | oil on panel

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William Hodges
View of the Rajmahal Hills with ...
Undated | grey wash, pen and black ink and graphite on paper

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William Hodges
The Forest of Arden, Act II, Sce...
Undated | lithograph

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William Hodges
Pl. 18 A view of the Mosque at M...
Undated | coloured etching with aquatint

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William Hodges
Seven Dials, Covent Garden
Undated | oil on canvas

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William Hodges
View near Fort Gwalior, India, c...
Undated | oil on canvas

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William Hodges
View of Part of the City of Bena...
Undated | grey wash with brush and ink over pencil on paper laid on wash mount

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William Hodges
A View of the Fort of Mongheer, ...
1787 |

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William Hodges
Foster 94 (88) Aurangzeb's Mosqu...
Undated | oil on canvas

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William Hodges
Page 11 Table Mountain, Cape Town
Undated | watercolour

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William Hodges
Page 31 In Dusky Bay, New Zealand
Undated | watercolour

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William Hodges
A View of the bridge at Jionpoor...
1786 |

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William Hodges
The Ice Islands on the 9th Janua...
1777 | engraving

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William Hodges
Page 27a Ice Island
Undated | watercolour

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William Hodges
Storm on the Ganges, with Mrs Ha...
Undated | oil on canvas

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William Hodges
Page 1 (a) Profile of the coast ...
Undated | pencil, pen and ink and wash

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William Hodges
Page 26 The Resolution and Adven...
Undated | watercolour

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William Hodges
A Mosque at Gazipoor(
Undated |

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William Hodges
A View of the Fort of Mongheer, ...
1787 |

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William Hodges
A View of the Cuttera built by J...
Undated |

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William Hodges
Page 15a Canoes, Otaheite
Undated | watercolour

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William Hodges
A View of the Cuttera Built by J...
Undated | grey wash and pencil on paper

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William Hodges
A View of a Hill Village in the ...
1783 | grey wash and graphite on two joined pieces of paper

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William Hodges
Omai, engraved by J.Caldwall, 17...
1777 | engraving

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William Hodges
Page 19a Portrait of a native, 1...
1768 | red chalk

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William Hodges
Page 5 View of Porto Santo beari...
Undated | pen and ink and wash

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William Hodges
 
Undated | oil on canvas

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William Hodges
View of part of Owharre [Fare] h...
Undated | oil on canvas

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William Hodges
 
Undated | watercolour

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William Hodges
View from the Pass of Sakrigali ...
Undated | grey wash, pen and black ink over graphite on laid paper

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William Hodges
A View of a Musjid, i.e. Tomb at...
1787 |

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William Hodges
Page 25 Resolution Bay in the Ma...
Undated | watercolour

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William Hodges
View of the inside of a Zananah,...
Undated | engraving

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William Hodges
 
Undated | oil on panel

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William Hodges
 
Undated | oil on canvas

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William Hodges
A View of the Mosque at Futtipoo...
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William Hodges
 
1784 | oil on canvas

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William Hodges
The landing at Tanna (Tana), one...
Undated | oil on panel

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William Hodges
 
Undated |

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William Hodges
Review of the war galleys at Tahiti
Undated | oil on panel

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William Hodges
Page 37a A Sketch of Block Islan...
Undated | pen and ink

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William Hodges
Seven Dials, Covent Garden oil o...
Undated | oil on canvas

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William Hodges
View of the Fort of Bidjegur (Bi...
Undated | grey wash and graphite on joined pieces of mounted paper

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William Hodges
A Mosque at Gazipoor, c.1781 (pe...
Undated | pencil, pen, ink and wash on paper

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William Hodges
 
Undated | oil on panel

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William Hodges
Pickersgill Harbor, Dusky Bay (N...
Undated | oil on wood

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William Hodges
The Resolution in a stream of pa...
Undated | wash and watercolour on laid paper

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William Hodges
Pl. 33 A View of the Fort of Ili...
Undated | coloured etching with aquatint

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William Hodges
 
Undated | oil on canvas

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William Hodges
A View of the Mosque, at Mounhee...
Undated |

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William Hodges
[A] view of Maitavie Bay, [in th...
Undated | oil on canvas

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William Hodges
Page 14b Explanation of a double...
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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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