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Feel the passion of John Ruskin in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

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John Ruskin
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Individual Customization Options
John Ruskin

John Ruskin

    February 8, 1819   -   January 20, 1900
Nonclassified artists   •   Wikipedia: John Ruskin

Where to begin, with this Leonardo da Vinci of the 19th century, who pursued such wide-ranging interests and left such a clear mark on the history of art? In his memoirs, John Ruskin mentions that he taught himself to read and write while still at pre-school age. He accompanied his parents on business trips first to the British Isles, later to France, Belgium, Germany and Switzerland. He visited stately homes, gardens, galleries and other culturally interesting institutions with them. Thus the foundation for his interest in architecture, history and art was laid at an early age. The Alps and other extraordinary views of nature made an equally lasting impression on him. Rather unmotivated, he graduated from Oxford and worked for nearly 20 years on his "History of Modern Painting," which produced a close encouragement and attachment to the British painter William Turner. Ruskin was one of the most prominent members of the Arts and Crafts movement, the English counterpart to continental Art Nouveau. He defended the painting style of the Pre-Raphaelite John Everett Millais, although the latter stole his wife. In general, he was unlucky in his relationships with women. He had to settle for platonic friendships or rejected marriage proposals.

All the more enthusiastically Ruskin pursued his art historical studies. With the treatises "The Seven Lamps of Architecture" and "The Stones of Venice" he presented milestones of architectural theory. He laid the foundations for dealing with contemporary architecture as well as for theory and practice in the preservation of historical monuments. The latter were at odds with the views of the Frenchman Eugène Viollet-le-Duc, as Ruskin advocated the preservation of historical transformations in architectural monuments, while Viollet-le-Duc advocated restoring historic buildings to their original condition. Ruskin paid particular attention to the Gothic period, which was readily reinterpreted as neo-Gothic in the 19th century and found its way into architecture as well as decorative arts and painting. He held a chair of art history at Oxford, and for over half a century Ruskin was publicly concerned with nature, geology, architecture, art and literature. He considered economic aspects, contributed to the field of mythology, and discussed ethical, historical, or religious issues. His scepticism about increasing industrialization, his concerns about the loss of manual skills and last but not least his social criticism of capitalism and Marxism influenced numerous personalities, below you for example Mahatma Gandhi.

As a writer, art historian and social philosopher, his work in the field of painting and graphic art concentrated on detailed architectural views, realistic landscape impressions and selected nature studies, which reflect his wide-ranging interests. With his self-portraits, on the other hand, he seemed to have explored purely himself and his manifold interests.

John Ruskin

    February 8, 1819   -   January 20, 1900
Nonclassified artists   •   Wikipedia: John Ruskin John Ruskin

Where to begin, with this Leonardo da Vinci of the 19th century, who pursued such wide-ranging interests and left such a clear mark on the history of art? In his memoirs, John Ruskin mentions that he taught himself to read and write while still at pre-school age. He accompanied his parents on business trips first to the British Isles, later to France, Belgium, Germany and Switzerland. He visited stately homes, gardens, galleries and other culturally interesting institutions with them. Thus the foundation for his interest in architecture, history and art was laid at an early age. The Alps and other extraordinary views of nature made an equally lasting impression on him. Rather unmotivated, he graduated from Oxford and worked for nearly 20 years on his "History of Modern Painting," which produced a close encouragement and attachment to the British painter William Turner. Ruskin was one of the most prominent members of the Arts and Crafts movement, the English counterpart to continental Art Nouveau. He defended the painting style of the Pre-Raphaelite John Everett Millais, although the latter stole his wife. In general, he was unlucky in his relationships with women. He had to settle for platonic friendships or rejected marriage proposals.

All the more enthusiastically Ruskin pursued his art historical studies. With the treatises "The Seven Lamps of Architecture" and "The Stones of Venice" he presented milestones of architectural theory. He laid the foundations for dealing with contemporary architecture as well as for theory and practice in the preservation of historical monuments. The latter were at odds with the views of the Frenchman Eugène Viollet-le-Duc, as Ruskin advocated the preservation of historical transformations in architectural monuments, while Viollet-le-Duc advocated restoring historic buildings to their original condition. Ruskin paid particular attention to the Gothic period, which was readily reinterpreted as neo-Gothic in the 19th century and found its way into architecture as well as decorative arts and painting. He held a chair of art history at Oxford, and for over half a century Ruskin was publicly concerned with nature, geology, architecture, art and literature. He considered economic aspects, contributed to the field of mythology, and discussed ethical, historical, or religious issues. His scepticism about increasing industrialization, his concerns about the loss of manual skills and last but not least his social criticism of capitalism and Marxism influenced numerous personalities, below you for example Mahatma Gandhi.

As a writer, art historian and social philosopher, his work in the field of painting and graphic art concentrated on detailed architectural views, realistic landscape impressions and selected nature studies, which reflect his wide-ranging interests. With his self-portraits, on the other hand, he seemed to have explored purely himself and his manifold interests.

Artworks by John Ruskin

Artworks by John Ruskin

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258 artworks found

John Ruskin
Part of Saint Mark's Basilica, V...
1846 | watercolour and bodycolour and ink over graphite on grey wove paper

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John Ruskin
Study of a Kingfisher, with domi...
1871 | watercolour and bodycolour over graphite on wove paper

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John Ruskin
The Ducal Palace, Renaissance Ca...
1851 | lithograph

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John Ruskin
The Matterhorn, Switzerland, fro...
1849 | Pencil and watercolour on paper

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John Ruskin
Apse of the Duomo, Pisa, 19th ce...
Undated | Pencil and watercolour on paper

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John Ruskin
The Duomo of San Martino, Lucca,...
1874 | graphite, watercolour and bodycolour on paper, some lines ruled

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John Ruskin
Study of rocks and ferns in a wo...
1843 | watercolour on paper

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John Ruskin
The Baptistery, Florence: Study ...
1872 | bodycolour/watercolour/pencil

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John Ruskin
Tracery from the Campanile of Gi...
1894 | engraving

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John Ruskin
The Palazzo Contarini-Fasan, Ven...
1841 | graphite, watercolour and bodycolour, with some scratching out, on grey paper

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John Ruskin
A Wild Strawberry Plant, 5 - 6 J...
1873 | watercolour and bodycolour over graphite on blue wove paper

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John Ruskin
Apse of the Duomo, Pisa, 28 Apri...
1872 | bodycolour/pencil/watercolour

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John Ruskin
Pilaster on the Facade of Sant A...
1869 | watercolour and bodycolour over graphite on paper, some lines ruled

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John Ruskin
Aiguilles de Chamonix, c.1850 (p...
Undated | pencil, pen and ink and wash on card

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John Ruskin
Rochers de Lanfon, Lake Annecy, ...
Undated | watercolour and gouache on paper

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John Ruskin
Study of Dawn: purple Clouds, Ma...
1868 | watercolour and bodycolour over faint graphite lines on blue-grey paper

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John Ruskin
Part of the Facade of the destro...
1846 | watercolour/pencil

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John Ruskin
Exterior of Ducal Palace, Venice...
Undated | pen, ink and wash on paper

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John Ruskin
Dawn Coniston, 1873 (wc on paper)
1873 | watercolour on paper

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John Ruskin
La Cascade de la Folie, Chamonix
Undated | watercolour on paper

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John Ruskin
The Ponte della Pietra, Verona, ...
1869 | watercolour and bodycolour over graphite on grey wove paper

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John Ruskin
 
Undated | Watercolor, gouache and pen and black ink on medium, slightly textured, cream wove paper

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John Ruskin
 
Undated | watercolour

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John Ruskin
Study of the Marble Inlaying on ...
1845 | watercolour, bodycolour and pen and ink over graphite on pale grey wove paper

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John Ruskin
The Duomo of San Martino, Lucca,...
1874 | bodycolour/pencil/watercolour

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John Ruskin
Study of Pisan Gothic Part of th...
1890 | watercolour/bodycolour

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John Ruskin
Torcello, Capital of Nave Pillar...
1851 | lithograph

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John Ruskin
Afternoon in Spring, with south ...
Undated | watercolour and bodycolour over graphite on pale grey wove paper

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John Ruskin
Study for Detail of the Sarcopha...
1852 | graphite and watercolour on wove paper

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John Ruskin
 
1874 | bodycolour/pencil/watercolour

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John Ruskin
Southern Porch of St. Vulfran, A...
Undated | pencil, ink and wash on paper

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John Ruskin
Mont Dauphiny, near Chartreuse (...
Undated | watercolour and pencil on paper

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John Ruskin
Part of the Facade of the destro...
1845 | bodycolour/watercolour

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John Ruskin
Recto: The Glacier des Bossons, ...
1849 | pen and wash in sepia ink, and bodycolour, over graphite on wove paper

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John Ruskin
Alpine Peaks: Jungfrau and other...
1846 | watercolour on paper

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John Ruskin
 
Undated | pen and black ink, pencil and brown washes on paper

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John Ruskin
 
1861 | watercolour and bodycolour over graphite on pale brown wove paper

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John Ruskin
A Window of the Palazzo Tolomei,...
1870 | watercolour and bodycolour over graphite on blue wove paper

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John Ruskin
Arabian Windows, In Campo Santa ...
1851 | aquatint

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John Ruskin
The Valley of Lauterbrunnen, Swi...
Undated | watercolour

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John Ruskin
 
1868 | bodycolour/watercolour

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John Ruskin
Morning in Spring, with north-ea...
1849 | watercolour/pencil

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John Ruskin
A Window of the Palazzo Tolomei,...
1870 | watercolour and bodycolour over graphite on blue wove paper

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John Ruskin
Ornamental Study with Acanthus M...
Undated | pen and brown ink with watercolor and graphite on wove paper

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John Ruskin
 
Undated | pen, brown ink and wash over pencil on paper

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John Ruskin
View from the Palazzo Bembo to t...
1870 | graphite and watercolour on paper

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John Ruskin
The Tomb of Frederick II in the ...
1874 | watercolour and bodycolour over graphite on paper

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John Ruskin
Mountain Landscape, Macugnaga, 1...
1845 | pen and brown ink and wash over pencil on paper

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John Ruskin
The Head of a common Golden Eagl...
1870 | watercolour/bodycolour

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John Ruskin
 
Undated | Pen and brown ink, with brush and watercolor, over graphite, on ivory wove card

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John Ruskin
The Matterhorn, Switzerland, fro...
1849 | Pencil and watercolour on paper

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John Ruskin
'Swiss Mountain Landscape', 19th...
1839 | watercolour/watercolour

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John Ruskin
The Tomb of Mastino II, Santa Ma...
Undated | Pencil and watercolour on paper

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John Ruskin
Facade of The Doge's Palace, Ven...
Undated | watercolour, ink and pencil on paper

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John Ruskin
The Pope and the Emperor, fresco...
Undated | watercolour on paper

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John Ruskin
Ivy-Leaved Toadflax 'Oxford Ivy'...
1852 | bodycolour/ink/pen/watercolour

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John Ruskin
The South West Portico of St,
Undated | pencil and brown wash heightened with white, on an etched base

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John Ruskin
Study of a Niche surrounding the...
1869 | pencil/watercolour

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John Ruskin
Study of Rock with Quartz veinin...
Undated | watercolour

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John Ruskin
 
Undated | watercolour, ink and pencil on paper

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John Ruskin
d View of Sion, Valais, from the...
Undated | watercolour and bodycolour over graphite on paper

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John Ruskin
Loggia of the Ducal Palace, Veni...
Undated | watercolour

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John Ruskin
 
1841 | pencil/pen/watercolour/ink

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John Ruskin
The Tomb of Cansignorio (d.1375)...
Undated | Pencil and watercolour on paper

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John Ruskin
Study of Gneiss Rock, Glenfinlas...
1854 | bodycolour/ink/pen/pencil

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John Ruskin
Drawing of Abraham parting from ...
1845 | pen and ink over graphite on wove paper

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John Ruskin
Sketch of Lioness and Cubs from ...
1870 | watercolour and bodycolour over graphite on blue-grey wove paper

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John Ruskin
Stormy Sunset
Undated | watercolour on paper

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John Ruskin
Pencil Outline of a Part of the ...
1845 | pencil

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John Ruskin
The Head of a Miser: enlarged Dr...
Undated | ink wash and graphite on wove paper

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John Ruskin
Cornice Moulding, From a Tomb in...
1851 | lithograph

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Jacopo della Quercia
The Tomb of Ilaria del Caretto i...
1874 | bodycolour/watercolour/pencil

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John Ruskin
Ivy-Leaved Toadflax ('Oxford Ivy...
1852 | watercolour, bodycolour and pen and ink over graphite on blue wove paper

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John Ruskin
 
Undated | Pencil heightened with white paint

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John Ruskin
Study for General Chiaroscuro of...
1869 | graphite on paper

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John Ruskin
Study for Detail of the Market-P...
1868 | Graphite on off-white paper

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John Ruskin
Part of the Façade of the destro...
1846 | watercolour over graphite on wove paper

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John Ruskin
 
Undated | etching on paper

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John Ruskin
View of Luzern from above, Octob...
Undated | graphite with touches of pen and ink on pale grey wove paper

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John Ruskin
Kapelbrucke, Lucerne, 19th century
Undated | watercolour on paper

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John Ruskin
The Court of the Ducal Palace, V...
1841 | graphite, watercolour, bodycolour and pen and ink on pale grey wove paper

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John Ruskin
View from my window at Mornex wh...
1862 | watercolour on paper

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John Ruskin
Study of the Head of the Angel G...
1870 | watercolour/bodycolour

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John Ruskin
 
Undated | Pen and brown ink, with brush and gray and brown wash and white gouache, over graphite, on gray wove paper

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John Ruskin
 
Undated |

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John Ruskin
The Palazzo Gambacorti, Pisa, 27...
1872 | watercolour over graphite on wove paper

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John Ruskin
A Window of the Broletto, Como: ...
1869 | watercolour/bodycolour

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John Ruskin
Sketch of Lioness and Cubs from ...
1870 | bodycolour/watercolour

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John Ruskin
The Head of a common Golden Eagl...
Undated | watercolour and bodycolour over graphite on wove paper

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John Ruskin
 
1870 | watercolour, bodycolour and pen and ink over graphite on pale brown wove paper

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John Ruskin
Under-surface of a dried Spray o...
1878 | watercolour and bodycolour over graphite on wove paper

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John Ruskin
 
Undated | pencil and watercolour on card

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John Ruskin
The Head of a Kite, from Life, 3...
1870 | watercolour/bodycolour

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John Ruskin
Stormy Sunset from Brantwood, Ru...
Undated | Gouache on paper

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John Ruskin
Study of a dragons head after Mi...
Undated | ink on paper

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John Ruskin
The Palazzo della Ragione and Pi...
1841 | graphite, watercolour, bodycolour and pen and ink on grey paper

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
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+43 4257 29415 · office@meisterdrucke.com
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