James Abbott McNeill Whistler | Page 32

James Abbott McNeill Whistler | Page 32

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James Abbott McNeill Whistler
The Garden, 1891.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Behind the Arsenal
Undated | Pastel on brown wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A Doorway in Ajaccio
Undated | brush and gray wash on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Battersea Bridge, No. 2
Undated | lithograph on paper

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James Abbott McNeill Whistler
 
Undated | Lithograph on paper (lithoprint)

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on Japanese paper

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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | pencil on white paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black with chine collé on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Soupe à Trois Sous
Undated | etching in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black, with stumping, on cream wove Japanese vellum

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Cancelled copper plate

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in dark brown ink on cream Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream laid Japanese vellum

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in various black inks, with stumping, on buff laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in brown black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph, in black ink, with stumping, on cream wove paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in brown ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
[76] Impressions from cancelled ...
Undated | Etchings and drypoints; bound, small folio, half calf, paper: van Gelder

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James Abbott McNeill Whistler
De muziekkamer The Music Room
Undated | paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph, in black ink, with scraping and touches of brush and tusche, on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper

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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
 
Undated | Lithotint in black ink with scraping and incising, on a prepared half-tint ground, on off-white plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with scraping, on cream laid paper

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with scraped and drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black ink on ivory plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in dark brown on ivory laid paper

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James Abbott McNeill Whistler
 
Undated | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Fish Shop, Busy Chelsea Fish...
Undated | etching

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James Abbott McNeill Whistler
 
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Piazzetta, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Courtyard, Brussels, 1887.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Melon-Shop, Hounsditch, c. 18861...
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Title Page for Douze Eaux Fo...
Undated | etching

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James Abbott McNeill Whistler
Becquet, 1859.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Putney, No.II, 1879.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Axenfeld, 1860.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Lagoon, 18791880.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1859 | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Blacksmith, 1895-1896 (litho...
1895 | lithograph on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Lord Wolseley.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Twelve Etchings from Nature: La ...
Undated | etching/etching/etching

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James Abbott McNeill Whistler
A Wharf.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Thames, 1896.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Two Women.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Greenwich Pensioner, 1859.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Battersea Bridge, 18791887.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Liverdun, 1858.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Billingsgate, 1859.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Westminster Bridge, 1871.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | graphite on laid paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Fruitière de la rue de Grenelle
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
 
Undated | lithograph on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on chine on Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on Asian laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Whistler with a hat
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Chalk and pastel on grey paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on buff wove paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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Page 32 / 47



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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               


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