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James Abbott McNeill Whistler | Page 29

James Abbott McNeill Whistler | Page 29

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4.687 artworks found

James Abbott McNeill Whistler
Justice Walk, Chelsea
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Tour St. Antoine, Loches
Undated | etching in dark brown on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Erith–Evening
Undated | watercolor on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Chelsea Bridge and Church, from ...
Undated | etching

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James Abbott McNeill Whistler
The Little Steps, Lyme Regis, 18...
Undated | lithograph on paper

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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Venus Standing Nude, 1869.
Undated | crayon/chalk

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on chine collé

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Velvet Dress, 1873.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream laid paper

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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Vauxhall Bridge, 1861 (etching, ...
1861 | etching, black carbon ink on Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Letter (Maud, seated)
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Thames, 1896.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
""Caprice en pourpre et or : le ...
Undated | painting

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James Abbott McNeill Whistler
The Little Lagoon, from the Firs...
Undated | Etching on antique handmade laid paper dating to 1670s and containing watermark of Dutch paper maker, Pieter Van der Ley

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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Upright Venice, 1879-1880.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Marchande de Moutarde, 1858.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
San Biagio, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Baby Leyland, 1895 1903-1904.
1903 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on ivory wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on wove paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Annie Haden, 1860.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Lindsay Row, Chelsea, 1888.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream laid paper

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James Abbott McNeill Whistler
Seymour, Seated.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Mouth of the River, 187677
Undated | watercolour on paper

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James Abbott McNeill Whistler
Portrait of a man
Undated | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A two-sided drawing of Fumette a...
Undated | chalk

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James Abbott McNeill Whistler
Long Venice from The Second Veni...
1879 | etching with plate tone

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James Abbott McNeill Whistler
 
Undated | etching and drypoint in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Forge, 1875.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to buff

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A Sketch on the Embankment, c. 1...
Undated | etching

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James Abbott McNeill Whistler
Annie, Seated, 1858.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Soupe à trois sous (Soup for thr...
Undated | Etching with foul biting in black ink on off-white Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Little Venice.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph, in black ink, with scraping, on ivory Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Billingsgate, 1859.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black on grayish ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Steamboats off the Tower, 1875 (...
1875 | drypoint on paper

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James Abbott McNeill Whistler
 
Undated | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Model Resting: Printing plat...
Undated | copper

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James Abbott McNeill Whistler
 
Undated | oil on canvas

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on laid paper

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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on cream laid paper discolored to buff

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Swan, Chelsea, c. 1870.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
Moreby Hall, c1883 1904.
1904 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
J. Becquet, Sculptor, 1859.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Piazzetta, 1879-1880.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
1863 |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Cancelled copper plate

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne: Salute, 18791880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Forge, 1866.
Undated | drypoint/drypoint/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Long Venice, 18791880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in dark brown on oatmeal laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Brug in Amsterdam Bridge, Amste...
Undated | paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Clothes-Exchange, Houndsditch, N...
Undated | etching; ink on paper

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James Abbott McNeill Whistler
 
Undated | chalk and pastel on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Little Evelyn, 1896.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on possibly laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne, 1879-1880.
Undated |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph, from thin, transparent paper, from six stones, in dark gray (keystone), ochre, gray, pale green, pale orange, red, and yellow inks, on ivory plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching on handmade wove paper

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James Abbott McNeill Whistler
The Smithy, c. 1880.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper

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James Abbott McNeill Whistler
Battersea Reach, 1863.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on Japanese paper

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James Abbott McNeill Whistler
The Little Venice, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Early Morning, 1878.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithotint, in brown ink, with scraping, on tan laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | color lithograph on wove paper

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James Abbott McNeill Whistler
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Page 29 / 47



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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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