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Feel the passion of Battista Agnese in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
Battista Agnese
Passionate Customer Service
Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Battista Agnese

    1500   -   1564
Nonclassified artists   •   Wikipedia: Battista Agnese

From about the 10th century onwards, Venice was one of the determining great trading powers of the Mediterranean - and thus of the 'western', the European world. It is easy to see that maritime navigation and cartography were existential for a maritime republic like Venice - about as important as the proverbial 'German engineering' was for Germany from the end of the 19th century. Battista Agnese is one of the most important cartographers in late medieval Venice - and yet already one whose works illustrate the end of Venice's supremacy. And one about whom little is known, although there was no shortage of official or private notes in the 16th century. All that is known about him is what he himself noted on his maps between 1536 and 1564. He was born around 1500 in Genoa, the former great power in the western Mediterranean, and worked in Venice from about 1515 until his death around 1564. His workshop - the production sites were distributed in Venice, Mallorca, Lisbon and Seville - is considered the most productive of the time. More than a thousand maps have been preserved, manuscripts, individual nautical charts (portolans) and atlases with up to 30 sheets spread all over Europe. Although printing technology for reproduction existed even then, Agnese's maps were intricately hand-painted parchments.

The cards have since been meticulously studied, and it has been found, for example, that namings can be assigned to a particular hand, symbols again to another hand. Agnese must have employed specialized calligraphers and experts for the colored or golden decorations and illustrations. The dimensions and shape of land and sea were already relatively accurate at that time, despite some distortions, but there is no grid of longitude and latitude, but a confusing network of lines radiating from sixteen ray centers to the edge of the map, which were used to determine direction and course.

Agneses nautical charts include information on countries, coasts, and port cities (hence the name "portolane") in addition to the chart itself. They were supplemented and updated over time with new incoming information from merchants and sailors. Thus, from the end of the 15th century, with Columbus' Atlantic crossing and Magellan's circumnavigation of the globe, the "map horizon", the mapping of the known land masses and their coasts, moved beyond the "rim" of the Mediterranean into the vastness of the West. Battista Agnese even dedicated a separate sheet to Magellan's circumnavigation, a world map showing Magellan's itinerary. Unexplored land is blurred and nebulous on world maps, and only slowly do the outlines of the just-discovered continents take shape. Thus, southern California is missing from Agnese's early maps, only to gradually take shape as a peninsula. Battista Agnese's Venice, however, a major trading power in the Mediterranean, had to be the big loser of this development, because now trade shifted westward to the Atlantic - just as for about a hundred years the Atlantic riparians have been losing importance to the countries on the Pacific.

Battista Agnese

    1500   -   1564
Nonclassified artists   •   Wikipedia: Battista Agnese

From about the 10th century onwards, Venice was one of the determining great trading powers of the Mediterranean - and thus of the 'western', the European world. It is easy to see that maritime navigation and cartography were existential for a maritime republic like Venice - about as important as the proverbial 'German engineering' was for Germany from the end of the 19th century. Battista Agnese is one of the most important cartographers in late medieval Venice - and yet already one whose works illustrate the end of Venice's supremacy. And one about whom little is known, although there was no shortage of official or private notes in the 16th century. All that is known about him is what he himself noted on his maps between 1536 and 1564. He was born around 1500 in Genoa, the former great power in the western Mediterranean, and worked in Venice from about 1515 until his death around 1564. His workshop - the production sites were distributed in Venice, Mallorca, Lisbon and Seville - is considered the most productive of the time. More than a thousand maps have been preserved, manuscripts, individual nautical charts (portolans) and atlases with up to 30 sheets spread all over Europe. Although printing technology for reproduction existed even then, Agnese's maps were intricately hand-painted parchments.

The cards have since been meticulously studied, and it has been found, for example, that namings can be assigned to a particular hand, symbols again to another hand. Agnese must have employed specialized calligraphers and experts for the colored or golden decorations and illustrations. The dimensions and shape of land and sea were already relatively accurate at that time, despite some distortions, but there is no grid of longitude and latitude, but a confusing network of lines radiating from sixteen ray centers to the edge of the map, which were used to determine direction and course.

Agneses nautical charts include information on countries, coasts, and port cities (hence the name "portolane") in addition to the chart itself. They were supplemented and updated over time with new incoming information from merchants and sailors. Thus, from the end of the 15th century, with Columbus' Atlantic crossing and Magellan's circumnavigation of the globe, the "map horizon", the mapping of the known land masses and their coasts, moved beyond the "rim" of the Mediterranean into the vastness of the West. Battista Agnese even dedicated a separate sheet to Magellan's circumnavigation, a world map showing Magellan's itinerary. Unexplored land is blurred and nebulous on world maps, and only slowly do the outlines of the just-discovered continents take shape. Thus, southern California is missing from Agnese's early maps, only to gradually take shape as a peninsula. Battista Agnese's Venice, however, a major trading power in the Mediterranean, had to be the big loser of this development, because now trade shifted westward to the Atlantic - just as for about a hundred years the Atlantic riparians have been losing importance to the countries on the Pacific.

Artworks by Battista Agnese

Artworks by Battista Agnese

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71 artworks found

Battista Agnese
Zodiac Calendar, from an Atlas o...
1553 | ink on vellum

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Battista Agnese
Map tracing Magellan's world voy...
1545 | vellum

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Battista Agnese
The Continent of Europe, from an...
1553 | ink on vellum

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Battista Agnese
The Indian Ocean, from an Atlas ...
1553 | ink on vellum

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Battista Agnese
The New World, from an Atlas of ...
1553 | ink on vellum

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Battista Agnese
World map tracing Magellan's wor...
Undated | engraving

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Battista Agnese
The Continent of Africa, from an...
1553 | ink on vellum

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Battista Agnese
Africa, from Atlas of the World ...
Undated |

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Battista Agnese
The Kingdoms of England and Scot...
1553 | ink on vellum

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Battista Agnese
The Indian Ocean and part of Asi...
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Battista Agnese
Northern Europe, from Atlas of t...
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Battista Agnese
Detail from Europe and Central A...
1553 | ink on vellum

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Battista Agnese
Nile river delta, Red Sea and Mo...
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Battista Agnese
The Pacific Ocean, from an Atlas...
1553 | ink on vellum

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Battista Agnese
Europe and Central Asia, from an...
1553 | ink on vellum

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Battista Agnese
Holy Land, Israel and Palestine,...
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Battista Agnese
Map of Northern Europe, from Por...
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Battista Agnese
Holy Land, Israel and Palestine:...
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Battista Agnese
Map of Magellan's Voyage Around ...
Undated | manuscript on vellum

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Battista Agnese
Africa: Egypt and Saudi Arabia, ...
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Battista Agnese
India and Malaysia, from an Atla...
1553 | ink on vellum

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Battista Agnese
Madagascar, from an Atlas of the...
1553 | ink on vellum

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Battista Agnese
Holy Land, Israel and Palestine:...
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Battista Agnese
The Sea of Galilee, from an Atla...
1553 | ink on vellum

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Battista Agnese
The Holy Land, from an Atlas of ...
1553 | ink on vellum

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Battista Agnese
The Middle East, from an Atlas o...
1553 | ink on vellum

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Battista Agnese
The Indian Ocean and part of Asi...
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Battista Agnese
Nile river delta, Red Sea and Mo...
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Battista Agnese
The Indian Ocean and part of Asi...
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Battista Agnese
Mount Sinai and the Red Sea, fro...
1553 | ink on vellum

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Battista Agnese
Northern Europe, from an Atlas o...
1553 | ink on vellum

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Battista Agnese
Italy, from an Atlas of the Worl...
1553 | ink on vellum

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Battista Agnese
Africa, Europe and part of Ameri...
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Battista Agnese
Ethiopia, the Red Sea and Saudi ...
1553 | ink on vellum

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Battista Agnese
South America, from an Atlas of ...
1553 | ink on vellum

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Battista Agnese
Oval planisphere of the world sh...
Undated | vellum

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Battista Agnese
Central America, from an Atlas o...
1553 | ink on vellum

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Battista Agnese
Europe, from Atlas of the World ...
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Battista Agnese
Northern Europe: Iceland, from A...
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Battista Agnese
Part of Africa, from an Atlas of...
1553 | ink on vellum

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Battista Agnese
Eastern Europe and Central Asia:...
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Battista Agnese
Africa, Europe and part of Ameri...
Undated |

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Battista Agnese
The Indian Ocean and part of Asi...
Undated |

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Battista Agnese
The Indian Ocean and part of Asi...
Undated |

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Battista Agnese
Italy, from Atlas of the World i...
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Battista Agnese
Europe: Great Britain and Irelan...
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Battista Agnese
Iceland, from an Atlas of the Wo...
1553 | ink on vellum

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Battista Agnese
Navigation chart showing China, ...
Undated | vellum

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Battista Agnese
Eastern Europe and Central Asia,...
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Battista Agnese
Africa, Europe and part of Ameri...
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Battista Agnese
Eastern Mediterranean and Aegean...
1550 | Unknown

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Battista Agnese
Moschoviae Tabula, map of Russia...
Undated | manuscript

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Battista Agnese
Eger. 2854. f.14v-15 Hemispheric...
Undated | vellum

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Battista Agnese
Fos. 11v-12r Chart 3: Indian Oce...
Undated | pen and ink and tempera on vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
Map of 'Das Heilige Land' 1554 [...
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
Zodiac as spheres with the earth...
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Battista Agnese
 
Undated | vellum

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Battista Agnese
A double-page map of the Atlanti...
1544 | illuminated manuscript on vellum

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Battista Agnese
Map of the Black Sea including p...
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Battista Agnese
 
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
Vellum chart of Cyprus
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Battista Agnese
 
Undated | vellum

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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