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Feel the passion of Edwin Austin Abbey in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
Edwin Austin Abbey
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Edwin Austin Abbey

Edwin Austin Abbey

Edwin Austin Abbey, born in Philadelphia on April 1, 1852, was an artist whose career unfolds before us like a colorful painting. His artistic development began with simple illustrations for magazines such as Harper's Weekly and Scribner's Magazine. His creative line was influenced by European black and white art, and his skills grew visibly as he illustrated the works of Charles Dickens, Robert Herrick, and Oliver Goldsmith. With these works, Abbey proved that he was as skilled with a pen as other artists were with a brush.

In 1878, at the request of his employers, Abbey moved to England to illustrate the poetry of Robert Herrick. His illustrations were so successful that he eventually settled in England. In 1883, he was elected to the prestigious Royal Institute of Painters in Water-Colors. It was around this time that Abbey began to become known for his paintings as well. His watercolor "The Evil Eye" and other works such as "The Rose in October," "An Old Song," "The Visitors," and "The Jongleur" have lost none of their original magic to this day. Abbey also created wonderful pastels such as "Beatrice," "Phyllis," and "Two Noble Kinsmen," which demonstrate his extraordinary ability to master the gentle tones of this technique. Abbey first showcased his skills with oils in 1890 with his painting "A May Day Morn." His participation in the Royal Academy in London marked an important milestone in his career. Equally notable was his commission of the painting for the coronation of King Edward VII in 1901, which earned him well-deserved recognition.

The 1890s took Abbey to the Boston Public Library, where he created an impressive series of murals. The series, depicting "The Quest and Attainment of the Holy Grail," was a massive undertaking that took Abbey eleven years to complete in his English studio. It was a true masterpiece that continues to impress visitors to the library today with its ingenuity and perfect craftsmanship. An art print of one of his works from this series would certainly enhance any home or office. Another project Abbey undertook was the creation of a series of murals and artwork for the Pennsylvania State Capitol in Harrisburg, Pennsylvania. This ambitious project, begun in 1908, presented the ultimate challenge to his artistic abilities. Unfortunately, his health deteriorated at this time and he was unable to complete all of the works himself. Edwin Austin Abbey left an impressive artistic legacy. His works are exhibited in many prestigious museums, including the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. Although Abbey is no longer with us, his presence remains in the masterpieces he left behind. He is proof that true art can transcend time and space, touching the hearts and souls of people long after the artist's death.

Edwin Austin Abbey

    Illustration   •   Wikipedia: Edwin Austin Abbey Edwin Austin Abbey

Edwin Austin Abbey, born in Philadelphia on April 1, 1852, was an artist whose career unfolds before us like a colorful painting. His artistic development began with simple illustrations for magazines such as Harper's Weekly and Scribner's Magazine. His creative line was influenced by European black and white art, and his skills grew visibly as he illustrated the works of Charles Dickens, Robert Herrick, and Oliver Goldsmith. With these works, Abbey proved that he was as skilled with a pen as other artists were with a brush.

In 1878, at the request of his employers, Abbey moved to England to illustrate the poetry of Robert Herrick. His illustrations were so successful that he eventually settled in England. In 1883, he was elected to the prestigious Royal Institute of Painters in Water-Colors. It was around this time that Abbey began to become known for his paintings as well. His watercolor "The Evil Eye" and other works such as "The Rose in October," "An Old Song," "The Visitors," and "The Jongleur" have lost none of their original magic to this day. Abbey also created wonderful pastels such as "Beatrice," "Phyllis," and "Two Noble Kinsmen," which demonstrate his extraordinary ability to master the gentle tones of this technique. Abbey first showcased his skills with oils in 1890 with his painting "A May Day Morn." His participation in the Royal Academy in London marked an important milestone in his career. Equally notable was his commission of the painting for the coronation of King Edward VII in 1901, which earned him well-deserved recognition.

The 1890s took Abbey to the Boston Public Library, where he created an impressive series of murals. The series, depicting "The Quest and Attainment of the Holy Grail," was a massive undertaking that took Abbey eleven years to complete in his English studio. It was a true masterpiece that continues to impress visitors to the library today with its ingenuity and perfect craftsmanship. An art print of one of his works from this series would certainly enhance any home or office. Another project Abbey undertook was the creation of a series of murals and artwork for the Pennsylvania State Capitol in Harrisburg, Pennsylvania. This ambitious project, begun in 1908, presented the ultimate challenge to his artistic abilities. Unfortunately, his health deteriorated at this time and he was unable to complete all of the works himself. Edwin Austin Abbey left an impressive artistic legacy. His works are exhibited in many prestigious museums, including the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. Although Abbey is no longer with us, his presence remains in the masterpieces he left behind. He is proof that true art can transcend time and space, touching the hearts and souls of people long after the artist's death.

Artworks by Edwin Austin Abbey

Artworks by Edwin Austin Abbey

1481 artworks found
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1.481 artworks found

Edwin Austin Abbey
Who Is Sylvia What Is She, That ...
1896 | oil on canvas

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Edwin Austin Abbey
 
Undated | Oil with applied gold leaf on wood panel

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Edwin Austin Abbey
Men at an Anvil, study for The S...
1904 | oil on canvas

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Edwin Austin Abbey
The Queen in "Hamlet"
Undated |

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Edwin Austin Abbey
Figure study for the Castle of t...
Undated | Black and white chalks, Light brown laid

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Edwin Austin Abbey
Turpentine Distillery, North Car...
1938 |

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Edwin Austin Abbey
 
Undated | Pen and ink, Wove

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Edwin Austin Abbey
Petruchio banters Katharina (stu...
Undated | Charcoal and white chalks, Brown wove

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Edwin Austin Abbey
The King to the Prince of Wales:
Undated | oil on canvas

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Edwin Austin Abbey
'O, Mistress mine where are you ...
Undated | colour lithograph

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Edwin Austin Abbey
Sketch of a young man (unidentif...
Undated | Black chalk, green laid

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Edwin Austin Abbey
 
Undated | Gouache, Composition board

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Edwin Austin Abbey
Trees on bank of river (?)
Undated | Graphite, white chalk on brown wove

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Edwin Austin Abbey
Figure study for The Spirit of V...
Undated | Black and white chalks, Light gray laid

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Edwin Austin Abbey
 
Undated | pen and black ink

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Edwin Austin Abbey
Sketch of three feet (recto); Sk...
Undated | Black and white chalks, on green laid paper

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Edwin Austin Abbey
Marriage Morning of Theseus and ...
Undated | Pen and ink, Composition board

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Edwin Austin Abbey
Study for the figure of a Labore...
Undated | Pastel on grey paper

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Edwin Austin Abbey
Nude male figure study, life class
Undated | Graphite, Wove

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Edwin Austin Abbey
Figure study for the Knighting o...
Undated | Black and white chalks; squared in graphite, Green-brown laid

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Edwin Austin Abbey
Who Is Sylvia What Is She, That ...
Undated |

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Edwin Austin Abbey
Tomb Scene - Romeo finds Juliet,...
Undated | Pen and ink, Composition board

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Edwin Austin Abbey
Figure study for The Spirit of V...
Undated | Black and white chalks, squared in black chalk, Blue laid

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Edwin Austin Abbey
Claudio (reads from a scroll):
Undated | Pen and ink on composition board

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Edwin Austin Abbey
 
Undated | Pen and ink on composition board

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Edwin Austin Abbey
Sketch of weeds
Undated | Graphite, Wove

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Edwin Austin Abbey
Preliminary sketch of Helena and...
Undated | Pen and ink, Brown wove

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Edwin Austin Abbey
Figure study for Sir Lancelot an...
Undated | Black and white chalks, Light brown laid

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Edwin Austin Abbey
Sketch of two young women in bon...
Undated | Black chalk, Cream wove

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Edwin Austin Abbey
Figure study for the Seven Deadl...
Undated | Black chalk, squared in graphite, Green wove

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Edwin Austin Abbey
 
Undated | Ink wash over graphite underdrawing, heightened with white gouache, on Academy board

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Edwin Austin Abbey
Study for figure of Abundance in...
Undated | graphite

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Edwin Austin Abbey
Study for central figure in
Undated | Pastel, Green laid

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Edwin Austin Abbey
Study of kneeling woman, probabl...
Undated | Pen and ink, Composition board

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Edwin Austin Abbey
Cartoon of two men and broken pot
Undated | Graphite and ink wash on paper

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Edwin Austin Abbey
Sketch of a woman, stooped and p...
Undated | Black chalk, Wove

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Edwin Austin Abbey
The Re-entrance of the Players, ...
Undated | Pen and ink on composition board

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Edwin Austin Abbey
Study for the figure of Johann K...
Undated | Charcoal and pastel on grey paper

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Edwin Austin Abbey
Crusaders Sighting Jerusalem, 1901.
1901 |

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Edwin Austin Abbey
Trial of Queen Catharine, study
Undated | Graphite, White wove, bordered with red marbled paper, squared in graphite

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Edwin Austin Abbey
Fair is my Love, c1900, c1930.
1930 |

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Edwin Austin Abbey
Study for the reclining figure o...
Undated | Black and white chalks on blue laid paper

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Edwin Austin Abbey
 
Undated | Black and white chalks, Light brown wove

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Edwin Austin Abbey
Study for the figure of Captain ...
Undated | Pastel on grey paper

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Edwin Austin Abbey
A Citizen, costume sketch for He...
Undated | Watercolor, charcoal, White wove

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Edwin Austin Abbey
Brighton in the Time of Our Gran...
Undated | engraving

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Edwin Austin Abbey
Angelo and Isabella (study for ....
Undated | Pen and ink (recto and verso), Wove

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Edwin Austin Abbey
The King armed, costume sketch f...
Undated | Watercolor, charcoal, with overleaf in graphite, White wove with a thin drafting paper overleaf

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Edwin Austin Abbey
Figure study for Castle of the G...
Undated | Black and white chalks, Blue laid

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Edwin Austin Abbey
Sketch of one hand grasping a pole
Undated | Black and white chalks, Green laid

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Edwin Austin Abbey
Study for Puck, from A Midsummer...
Undated | Pen and ink, graphite, Composition board

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Edwin Austin Abbey
Sketch of women in an interior -...
Undated | Pen and ink, watercolor, gouache, Wove

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Edwin Austin Abbey
Study for figure of 3 pm in
Undated | Black and white chalks, Red wove

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Edwin Austin Abbey
Lady with Hands Clasped, from Ki...
Undated | Pen and ink, graphite

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Edwin Austin Abbey
Portrait of Mrs. Abbey in pink d...
Undated | Pastel or oil pastel on prepared textured paper

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Edwin Austin Abbey
Man of Arms, costume sketch for ...
Undated | Watercolor, charcoal, graphite, white wove

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Edwin Austin Abbey
 
Undated | Watercolor, pen and ink, with fabric - cutouts verso

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Edwin Austin Abbey
Crusaders Sighting Jerusalem, 1901
1901 | oil on canvas

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Edwin Austin Abbey
Study for the figure of Daniel B...
Undated | Pencil, black chalk and pastel on dark grey-brown paper

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Edwin Austin Abbey
 
Undated | Watercolor, pen and ink, graphite, with fabric, White wove

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Edwin Austin Abbey
Sketch for a greeting card: All ...
Undated | Pen and ink, Cardstock

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Edwin Austin Abbey
Head of man, Coronation of Edwar...
Undated | Pastel on brown paper

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Edwin Austin Abbey
Study of the head of an old bear...
Undated | Black chalk, Cream laid

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Edwin Austin Abbey
King Lear, Act I, Scene I, 1898.
Undated |

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Edwin Austin Abbey
 
Undated | Pen and ink, graphite, Composition board

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Edwin Austin Abbey
Seated nude female figure.
Undated | Charcoal, pastel on brown paper

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Edwin Austin Abbey
Study for Amfortas Released by G...
1893 | oil on canvas

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Edwin Austin Abbey
Seated women (recto); Five sketc...
Undated | Ink wash with traces of graphite (recto); graphite with pen and ink (verso)

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Edwin Austin Abbey
Sketch of two feet
Undated | Black and white chalks, Dark green wove

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Edwin Austin Abbey
Study for Measure for Measure: W...
Undated | crayon

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Edwin Austin Abbey
Sketch of a young man in profile...
Undated | Black chalk, White laid

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Edwin Austin Abbey
 
Undated | Black and white chalks on gray paper

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Edwin Austin Abbey
 
Undated | Black and white chalks, squared in graphite, Blue laid

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Edwin Austin Abbey
Study for the leg of Vulcan, in ...
Undated | Black and white chalks, Green laid

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Edwin Austin Abbey
Possible study for one of the ca...
Undated | chalk

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Edwin Austin Abbey
Study of a young man
Undated | Black and white chalks, Blue wove

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Edwin Austin Abbey
Unidentified figure study for mu...
Undated | Gouache, Brown wove

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Edwin Austin Abbey
Study for General Meade: sketch ...
Undated | Oil, Tracing paper

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Edwin Austin Abbey
Sketch of two hands, clasped in ...
Undated | Black chalk, Cream laid

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Edwin Austin Abbey
Jaques:
Undated | Pen and ink on composition board

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Edwin Austin Abbey
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Edwin Austin Abbey
 
Undated | Black and white chalks, Grey wove

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Edwin Austin Abbey
Goneril and Regan in King Lear A...
1902 | oil on canvas

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Edwin Austin Abbey
Study for An Old Song(?) (waterc...
Undated | Graphite, pen and brown ink, Wove

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Edwin Austin Abbey
 
Undated | Black chalk, Light brown laid

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Edwin Austin Abbey
Unidentified illustration- Study...
Undated | Graphite; pen and ink (verso), Wove

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Edwin Austin Abbey
Petruchio pulling Katharina, fro...
Undated | Charcoal and chalk, on brown wove paper

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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