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Car of the Post Office (Lithography by Adam, c.1840) by Victor Adam

Car of the Post Office (Lithography by Adam, c.1840)

(Car of the Post Office - Lithography by Adam, ca. 1840)


Victor Adam

€ 139.82
Enthält 13.5% MwSt.
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Undated  ·  lithograph  ·  Image ID: 1053839

Nonclassified artists

Car of the Post Office (Lithography by Adam, c.1840) by Victor Adam. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
Bibliotheque des Arts Decoratifs, Paris, France / Bridgeman Images
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 139.82
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Carriage belonging to the Post Office Headquarters, also known as Paris omnibus car - Lithography by Adam, ca. 1840 Les Omnibus de Paris in the 19th Century: Caroline - Engraving from 1892 Omnibus Tricycles Fashionable Carriages on the Boulevard des Italiens Cars called fiacres - Lithography by Adam, v.1840 Dame Blanche Omnibus coach on the Champs-Elysées, c.1841-44 English Horses Parisian Transport: Omnibus Known as the Scottish Posts: The Postmen Types of Coaches used during the 19th Century Entreprise Generale des Umnibus, engraved by Delpech, Paris Coupe reached of English horses. Print by Albert Adam (1874) Paris, Musee Carnavalet Public Transport in the 19th Century: A Cab in the Streets of Paris Caleche (Lithography by Adam, c.1840) The tutor Abduction of Lucy, episode from Betrothed, by Alessandro Manzoni, illustration by Francesco Gonin for 1840 edition Cartoon of Transport in the City. A Coachman Refuses to Take a Bourgeois to Belleville (Quartier de Paris). Drawing by Moloch, around 1860 Public Transport: Passengers Entering the Parisienne Diligence Le Mystere de Courvillan Marie de Rabutin-Chantal, Marquise de Sevigne (1626-1696) forcing Gilles Menage (1613-1692), French grammarian and writer to ride in his carriage. Engraving by A. Duruy in Where are we going?...Always straight ahead, caricature from the Moeurs Parisiennes series, engraved by Langlume Entreprise Generale des Batignollaises Les Omnibus de Paris in the 19th century: the Scottish - Engraving from 1892 Madame Bovary, illustration for Gustave Flaubert New Patent Safety Omnibus
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Carriage belonging to the Post Office Headquarters, also known as Paris omnibus car - Lithography by Adam, ca. 1840 Les Omnibus de Paris in the 19th Century: Caroline - Engraving from 1892 Omnibus Tricycles Fashionable Carriages on the Boulevard des Italiens Cars called fiacres - Lithography by Adam, v.1840 Dame Blanche Omnibus coach on the Champs-Elysées, c.1841-44 English Horses Parisian Transport: Omnibus Known as the Scottish Posts: The Postmen Types of Coaches used during the 19th Century Entreprise Generale des Umnibus, engraved by Delpech, Paris Coupe reached of English horses. Print by Albert Adam (1874) Paris, Musee Carnavalet Public Transport in the 19th Century: A Cab in the Streets of Paris Caleche (Lithography by Adam, c.1840) The tutor Abduction of Lucy, episode from Betrothed, by Alessandro Manzoni, illustration by Francesco Gonin for 1840 edition Cartoon of Transport in the City. A Coachman Refuses to Take a Bourgeois to Belleville (Quartier de Paris). Drawing by Moloch, around 1860 Public Transport: Passengers Entering the Parisienne Diligence Le Mystere de Courvillan Marie de Rabutin-Chantal, Marquise de Sevigne (1626-1696) forcing Gilles Menage (1613-1692), French grammarian and writer to ride in his carriage. Engraving by A. Duruy in Where are we going?...Always straight ahead, caricature from the Moeurs Parisiennes series, engraved by Langlume Entreprise Generale des Batignollaises Les Omnibus de Paris in the 19th century: the Scottish - Engraving from 1892 Madame Bovary, illustration for Gustave Flaubert New Patent Safety Omnibus
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More art prints by Victor Adam

Opening of the Coffin of Napoleon on Saint Helena Island on October 16 The Stagecoach, mid-19th century Martin, the ball player. In “Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850. Dagobert I (v.600-639) King of Austrasia (623 to 629), King of All Franks (629 to 634), King of Neustria and Burgundy (634 to 639). The Reign of Dagobert I The shadow of Napoleon visiting his tomb, view of Saint Helena Historical Parade at the Second Centennial of Utrecht University, 1836 (Plate 5) The Siege and capture of Saragossa, 1809 Charles II the Bald, King of Aquitaine, King of the West Francia, King of Lorraine and Burgundy, Emperor of the West. Engraving by Victor Adam in the book Emperor Charlemagne, Bearing the Emblems of Power, Rides at the Head of His Troops Soldiers in Armor. Engraving by Victor Adam in the Book Alphonse de Lamartine and Elvire on the Lake at Bourget, engraved by Alfred Lemercier Opening of the Coffin of Napoleon on Island St. Helena, October 16 The Re-establishment of the Cult: A Te Deum at Notre-Dame de Paris, 18th April 1802 Soldier with a Woman on His Arm and a Child on His Back Local Fetes Around Paris: The Greasy Pole at Meudon Belle Vue, Paris, 1830
Show more works by Victor Adam

More art prints by Victor Adam

Opening of the Coffin of Napoleon on Saint Helena Island on October 16 The Stagecoach, mid-19th century Martin, the ball player. In “Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850. Dagobert I (v.600-639) King of Austrasia (623 to 629), King of All Franks (629 to 634), King of Neustria and Burgundy (634 to 639). The Reign of Dagobert I The shadow of Napoleon visiting his tomb, view of Saint Helena Historical Parade at the Second Centennial of Utrecht University, 1836 (Plate 5) The Siege and capture of Saragossa, 1809 Charles II the Bald, King of Aquitaine, King of the West Francia, King of Lorraine and Burgundy, Emperor of the West. Engraving by Victor Adam in the book Emperor Charlemagne, Bearing the Emblems of Power, Rides at the Head of His Troops Soldiers in Armor. Engraving by Victor Adam in the Book Alphonse de Lamartine and Elvire on the Lake at Bourget, engraved by Alfred Lemercier Opening of the Coffin of Napoleon on Island St. Helena, October 16 The Re-establishment of the Cult: A Te Deum at Notre-Dame de Paris, 18th April 1802 Soldier with a Woman on His Arm and a Child on His Back Local Fetes Around Paris: The Greasy Pole at Meudon Belle Vue, Paris, 1830
Show more works by Victor Adam

A selection of our top sellers

Reclining Nude Woman Reading a Book Farm Garden After Bathing Noon, or The Siesta (after Millet) The Kiss A Stroll on the Beach Madonna of the Yarnwinder Ice at Bennecourt The Tiger The Red Tree The Hunt Escaping Criticism The Road to Bas-Breau, Fontainebleau (Le Pave de Chailly) The Little Shepherdess Venetian View with the Church of Santa Maria della Salute
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A selection of our top sellers

Reclining Nude Woman Reading a Book Farm Garden After Bathing Noon, or The Siesta (after Millet) The Kiss A Stroll on the Beach Madonna of the Yarnwinder Ice at Bennecourt The Tiger The Red Tree The Hunt Escaping Criticism The Road to Bas-Breau, Fontainebleau (Le Pave de Chailly) The Little Shepherdess Venetian View with the Church of Santa Maria della Salute
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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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