View of Constantinople and the Bosphorus (Ivan Konstantinovich Aivazovsky)
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Entrance to the Holy Sepulchre, Jerusalem by David Roberts

Entrance to the Holy Sepulchre, Jerusalem

David Roberts
€ 138.4
Includes 13.5% VAT
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1842  ·  Color lithograph  ·  Image ID: 1701353
Orientalism
Entrance to the Holy Sepulchre, Jerusalem by David Roberts. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
Image courtesy of the Princeton University Art Museum
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Gemälde
Veredelung
Keilrahmen
Museumslizenz
€ 138.4
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT
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Title Page, "Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, etc." Masonic Hall Palermo Cathedral, Study of the Entrance Porch West Front of Castle Rising Church, Norfolk Frontispiece to The Holy Land, engraved by Louis Haghe (1806-85) Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats West Front of Castle Rising Church, Norfolk, early 19th century Facade of a Gothic Revival Church, 1745-76 Entrance to Highgate Cemetery published by The Lady Magazine, circa 1839 South View of the Entrance into the Guildhall, 1886 Picturesque and Romantic Trips in Old France, Franche-Comté: Front of the Church at Brou, 1825 The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile The Porch in the Front Quad of Oriel College, Oxford Guild-Hall Chapel, Rebuilt in 1440, Part of the 12th Century Guildhall in London Picturesque and Romantic Trips in Old France, Franche-Comté: Front of the Church at Brou West Front of the Church of Ouistreham, near Caen, Normandy West Front of the Church of Ouistreham, near Caen, Normandy South View of the Entrance to Guildhall, City of London, 18th Century Preparatory Drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats Picturesque Architecture in Paris, Ghent, Antwerp, Rouen: Hospice des Vieillards, Ghent, Belgium Voyages Pittoresques et Romantiques dans l Cliff, portal of St Gervais Church (Saint Gervais) Ms 130736 Cross-section of a Wing of the Château de Versailles Constructed by Louis Le Vau (1612-70) Elevation, Two Walls of a Chapel Facade of the Church of Brou West Front of the Church of Ouistreham, near Caen, Normandy St. Winifred Gateway at the Black Castle, Brislington
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Petra, March 7th 1839, plate 92 from Volume III of „The Holy Land“, engraved by Louis Haghe (1806-85), published 1849 View under the Grand Portico, Philae, from Egypt and Nubia, Vol. 1 Hall of Columns, Karnak, Egypt, 19th century Convent of St. Catherine with Mount Horeb, February 19th 1839, plate 118 from Volume III of “The Holy Land”, engraved by Louis Haghe (1806-85), published 1849 Grand Portico of the Temple of Philae, Nubia, from “Egypt and Nubia”, engraved by Louis Haghe (1806-85), published in London, 1838 El Deir, Petra, March 8th 1839, plate 90 from Volume III of “The Holy Land”, engraved by Louis Haghe (1806-85), published 1849 Front Elevation of the Great Temple of Abu Simbel, Nubia, from Jerusalem, April 9th 1839, plate 16 from Volume I of “The Holy Land”, engraved by Louis Haghe (1806-85), published 1842 Mosque of Omar showing the Site of the Temple, plate 8 from Volume I of Entrance to Petra, March 10th 1839, plate 98 from Volume III of “The Holy Land”, engraved by Louis Haghe (1806-85), published 1849 Excavated Temple of Abu Simbel, from Egypt and Nubia, Vol. 1 The Sphinx at Giza The Damascus Gate, Jerusalem Temple of Horus, Edfu, from The Pyramids of Giza, from Egypt and Nubia, Vol. 1
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More art prints by David Roberts

Petra, March 7th 1839, plate 92 from Volume III of „The Holy Land“, engraved by Louis Haghe (1806-85), published 1849 View under the Grand Portico, Philae, from Egypt and Nubia, Vol. 1 Hall of Columns, Karnak, Egypt, 19th century Convent of St. Catherine with Mount Horeb, February 19th 1839, plate 118 from Volume III of “The Holy Land”, engraved by Louis Haghe (1806-85), published 1849 Grand Portico of the Temple of Philae, Nubia, from “Egypt and Nubia”, engraved by Louis Haghe (1806-85), published in London, 1838 El Deir, Petra, March 8th 1839, plate 90 from Volume III of “The Holy Land”, engraved by Louis Haghe (1806-85), published 1849 Front Elevation of the Great Temple of Abu Simbel, Nubia, from Jerusalem, April 9th 1839, plate 16 from Volume I of “The Holy Land”, engraved by Louis Haghe (1806-85), published 1842 Mosque of Omar showing the Site of the Temple, plate 8 from Volume I of Entrance to Petra, March 10th 1839, plate 98 from Volume III of “The Holy Land”, engraved by Louis Haghe (1806-85), published 1849 Excavated Temple of Abu Simbel, from Egypt and Nubia, Vol. 1 The Sphinx at Giza The Damascus Gate, Jerusalem Temple of Horus, Edfu, from The Pyramids of Giza, from Egypt and Nubia, Vol. 1
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The Harvesters Schlemmer, Oskar Dream of Arcadia Construction, 1923 Ideas for a Geography of Plants Together with a Physical Portrait of the Tropical Lands Sack of Rome (455) - The Course of Empire - Destruction - 1836 - New York Historical Society - (Rome, Roman Empire, Gaiseric, Genseric, Migration Period, Barbarian Invasions, Vandals, Fall of Western Roman Empire, Fall of Rome, Sack of Rome) The Fighting Temeraire, 1839 Lyrical Nude in an Interior Reclining female nude with long hair Lilith Women from Galicia at the Window, c. 1655-1660 Beautiful Princess The Redoutable at Trafalgar, 21st October 1805 Roller-Skating Club Around Alexanderplatz
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · support@meisterdrucke.com
Legal Notice & Contact
· Contact
· Legal Notice
· Terms & Conditions
· Privacy Policy
· Right of Cancellation
· Returns & Complaints
· About Us

Additional Information
· Your Image
· Sell your art
· Quality
· Photos of our work
· Vouchers
· Order Sample

Kaiser Franz Joseph
Post.at DHL Express Quehenberger Cargoboard


               

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