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Feel the passion of William Heysham Overend in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

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William Heysham Overend
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

William Heysham Overend

    1851   -   1898
Illustration   •   Wikipedia: William Heysham Overend

The first documented records of the painter William Heysham Overend were recorded in a census in 1861. The parents of the then 10-year-old William gave Darlington as his place of birth. Various sources state that the later painter was born in Coatham, a place that has been chosen several times as a town name in the United Kingdom. Still other art historians assume that the artist was born in America. In the biography of many painters this is of little importance, but in the case of William Heysham Overend the place of his first years acquires a high relevance. Overend became a famous marine painter. His depictions of ships and battles demonstrate an exceptional level of expertise. The painter possessed knowledge that was unusually precise for an artist born deep in the interior. Critical art experts have doubted that an artist could have acquired this knowledge from literature, and so various theories surround the painter's early years.

After deciding on a career in art, William Heysham Overend pursued a classical education. He furthered his knowledge in the studio of Davis Cooper. Davis' father was Abraham Cooper, a British artist famous for his depictions of battles. The first years as a trained artist were difficult for William. He barely made a living, living as a lodger with an unemployed ship's engineer. Illustrations provided a steady income. He illustrated the Arctic expedition of Sir George Nares and enriched adventure stories for boys with his book illustrations. As his artistic career grew, Overend devoted himself to depicting seascapes. Until the 19th century, the sea was not appreciated as a stand-alone motif. A depiction of the sea was always accompanied by an illustration of a ship or a sea battle. Overend expanded his repertoire and began working maritime subjects in oil.

Overend was a detailed and historically observant artist. He began collecting reference material for authentic representation. He acquired naval uniforms and hats, owned a detailed model frigate, and a collection of swords and daggers that had been in the hands of naval officers. Overend also found models in paintings and depictions of uniforms. In each work of the hides not only artistic talent. The first brushstroke was preceded by time-consuming and intensive research, which, together with specialist knowledge, produced impressive seascapes. Overend's works not only won acclaim from his artistic peers, but also attracted the attention of naval historians. An August Morning with Farragut ranks among the artist's greatest paintings. To depict a naval battle during the American Civil War era, William traveled to America and viewed the original sites. He sketched the ship and made mock-ups of the officers and crew from photographs. The completion of the lucrative painting probably took place in the artist's London studio.

William Heysham Overend

    1851   -   1898
Illustration   •   Wikipedia: William Heysham Overend

The first documented records of the painter William Heysham Overend were recorded in a census in 1861. The parents of the then 10-year-old William gave Darlington as his place of birth. Various sources state that the later painter was born in Coatham, a place that has been chosen several times as a town name in the United Kingdom. Still other art historians assume that the artist was born in America. In the biography of many painters this is of little importance, but in the case of William Heysham Overend the place of his first years acquires a high relevance. Overend became a famous marine painter. His depictions of ships and battles demonstrate an exceptional level of expertise. The painter possessed knowledge that was unusually precise for an artist born deep in the interior. Critical art experts have doubted that an artist could have acquired this knowledge from literature, and so various theories surround the painter's early years.

After deciding on a career in art, William Heysham Overend pursued a classical education. He furthered his knowledge in the studio of Davis Cooper. Davis' father was Abraham Cooper, a British artist famous for his depictions of battles. The first years as a trained artist were difficult for William. He barely made a living, living as a lodger with an unemployed ship's engineer. Illustrations provided a steady income. He illustrated the Arctic expedition of Sir George Nares and enriched adventure stories for boys with his book illustrations. As his artistic career grew, Overend devoted himself to depicting seascapes. Until the 19th century, the sea was not appreciated as a stand-alone motif. A depiction of the sea was always accompanied by an illustration of a ship or a sea battle. Overend expanded his repertoire and began working maritime subjects in oil.

Overend was a detailed and historically observant artist. He began collecting reference material for authentic representation. He acquired naval uniforms and hats, owned a detailed model frigate, and a collection of swords and daggers that had been in the hands of naval officers. Overend also found models in paintings and depictions of uniforms. In each work of the hides not only artistic talent. The first brushstroke was preceded by time-consuming and intensive research, which, together with specialist knowledge, produced impressive seascapes. Overend's works not only won acclaim from his artistic peers, but also attracted the attention of naval historians. An August Morning with Farragut ranks among the artist's greatest paintings. To depict a naval battle during the American Civil War era, William traveled to America and viewed the original sites. He sketched the ship and made mock-ups of the officers and crew from photographs. The completion of the lucrative painting probably took place in the artist's London studio.

Artworks by William Heysham Overend

Artworks by William Heysham Overend

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67 artworks found

William Heysham Overend
The mutiny at Spithead: hauling ...
Undated | lithograph

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William Heysham Overend
Captain Walpole intercepting the...
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William Heysham Overend
Battle of Navarino: The 'Asia' e...
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William Heysham Overend
The Russian Attack on Sinope, il...
Undated | engraving

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William Heysham Overend
The Football Match, 1890
1890 | colour lithograph

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William Heysham Overend
Reception of Richard on his retu...
Undated | engraving

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William Heysham Overend
The Prince of Wales and Duke of ...
1879 | engraving

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William Heysham Overend
The Battle of the Yalu, 1895, 1902
1895 | engraving

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William Heysham Overend
The Battle of Yalu River, 1894, ...
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William Heysham Overend
Chinese officers hauling down th...
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William Heysham Overend
Richard I, Coeur de Lion landing...
1880 | wood engraving

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William Heysham Overend
The second Relief of Lucknow, il...
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William Heysham Overend
Zulu War: The Estowe Relief Forc...
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William Heysham Overend
The attack on the cout house, St...
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William Heysham Overend
The French Fleet at Cronstadt: v...
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William Heysham Overend
Chinese officers hauling down th...
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William Heysham Overend
HMS Victoria capsizing, 22nd Jun...
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William Heysham Overend
Coal mining accident, Tynewydd C...
1885 | engraving

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William Heysham Overend
The Final Attack at the Spingawi...
1901 |

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William Heysham Overend
Cheering Lord Randolph Churchill...
1887 | engraving

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William Heysham Overend
The mutiny at Spithead: hauling ...
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William Heysham Overend
Zulu War: the Etshowe relief for...
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William Heysham Overend
Carmichael's followers fired int...
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William Heysham Overend
Reception of Richard on his retu...
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William Heysham Overend
Gradually They Drove The Sepoys ...
1902 | engraving

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William Heysham Overend
It was a night attack, and the f...
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William Heysham Overend
The attack on the 'Ville de Pari...
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William Heysham Overend
The christening of Princess Loui...
19th century | engraving

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William Heysham Overend
Modern Science: Picking up a tel...
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William Heysham Overend
 
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William Heysham Overend
The naval brigade from HMS Shann...
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William Heysham Overend
Carmichaels followers fired a vo...
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William Heysham Overend
Mr Stanley and some of his Afric...
1878 | engraving

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William Heysham Overend
Arrest of the British sailors by...
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William Heysham Overend
The New Eddystone Lighthouse: Th...
1879 | engraving

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William Heysham Overend
 
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William Heysham Overend
About thirty of the crew made a ...
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William Heysham Overend
The Hero of Trafalgar
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William Heysham Overend
Captain Walpole intercepting the...
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William Heysham Overend
Battle of Navarino: HMS Asia eng...
1890 | lithograph

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William Heysham Overend
The queen leaving Kingstown, roy...
1888 | engraving

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William Heysham Overend
Captain William Walpole intercep...
1890 | lithograph

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William Heysham Overend
The Highlanders capturing Cawnpo...
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William Heysham Overend
 
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William Heysham Overend
The Russian attack on Sinope 185...
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William Heysham Overend
The Shell Burst Among Her Bow Gu...
1902 | engraving

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William Heysham Overend
Reform leaguers at the Marble Ar...
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William Heysham Overend
British line of battle ships AD ...
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William Heysham Overend
Presentation to the Queen, c1850...
19th century | engraving

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William Heysham Overend
Naval warfare: working a ship's ...
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William Heysham Overend
On board an emigrant ship at the...
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William Heysham Overend
Shipwreck of Prince William AD 1...
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William Heysham Overend
 
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William Heysham Overend
Boarding (litho)
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William Heysham Overend
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William Heysham Overend
Volunteers of the flying squadro...
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William Heysham Overend
Disarmament of the 26th at Barra...
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William Heysham Overend
Proclamation of the Queen as sov...
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William Heysham Overend
The rebel Sepoys at Delhi 1857 AD
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William Heysham Overend
Attack on the Chinese junks AD 1...
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William Heysham Overend
Flight of the royal family of Po...
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William Heysham Overend
Skating disaster in Regents Park...
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William Heysham Overend
The capture of the Caroline AD 1...
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William Heysham Overend
Reception of the French Fleet at...
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William Heysham Overend
Boston boys disguised as Indians...
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William Heysham Overend
Prince Albert deerstalking, c184...
19th century | engraving

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William Heysham Overend
 
Undated | pen and ink on paper

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William Heysham Overend
Capture of Tantia Topee 1859 AD
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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