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Feel the passion of William Hatherell in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
William Hatherell
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Ă–sterreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

William Hatherell

    1855   -   1928
Illustration

The illustrations in books and stories are the pictorial representation of the writer's imagination. They accompany the reader into a world of fantasy or underline the events of the world in their expressiveness. As early as the 18th century, the desire of bourgeois society arose to add illustrations to the world of books and magazines. This desire marked the beginning of the cultural-historical development of literary illustration. A form of art that became commonplace. An art form that was considered more of a craft than an art until the Arts and Craft movement in the mid-19th century. The Arts and Craft movement sought the natural beauty of things and the aesthetics of craft in an age of advancing industrialization. The painters William Morris and John Ruskin began to create a connection between art, society and production. The book moved to center stage and the era of artfully illustrated publishing editions began.

At the birth of William Hatherell, the English kingdom was led by Victoria. A regent who stood one for progress and made England the center of industrialization. In the arts, an antithesis was awakening. A longing for magical creatures and fantastic worlds developed, which could be realized in the legendary stories of King Arthur and in Shakespeare's novel heroes. The artist Hatherell lost himself in this magic. Often his models had to pose for hours in his courtyard until he captured the message of his work. Regardless of whether Juliet was waiting on the balcony or current events were to be clarified by an illustration. Hatherell did not allow himself to drift and consistently followed through on his aspirations for art. Contrary to the opinions of his contemporaries and those of his patrons, the artist did not place productivity and profit above aesthetics.

The spirit of the age and the state of technology stripped Hatherell's works of much of their original quality. The paper, the ink, and ultimately the print quality turned great art into an inferior consumer product. To the reading public, the subtle shading and expressive gestures of the figures in William's works remained hidden. Malicious tongues were of the opinion that bourgeois society would not recognize quality anyway. Crude illustrations, far from Hatherell's artistic sensibility, were quite sufficient for the consuming middle classes. Hatherell accepted the discrepancy between his work and the printed result. The artist continued his work undeterred, knowing that his viewers would never be able to see the real art that was in his work. Modern technology gives William's illustrations a new glow and allows him to receive the artistic honor that was once denied him. Perhaps Hatherell once thought, on a long afternoon in his yard, that no one would ever know the difference. Just a few generations later, however, the time has come and the beauty of the original paintings is authentically replicated.

William Hatherell

    1855   -   1928
Illustration

The illustrations in books and stories are the pictorial representation of the writer's imagination. They accompany the reader into a world of fantasy or underline the events of the world in their expressiveness. As early as the 18th century, the desire of bourgeois society arose to add illustrations to the world of books and magazines. This desire marked the beginning of the cultural-historical development of literary illustration. A form of art that became commonplace. An art form that was considered more of a craft than an art until the Arts and Craft movement in the mid-19th century. The Arts and Craft movement sought the natural beauty of things and the aesthetics of craft in an age of advancing industrialization. The painters William Morris and John Ruskin began to create a connection between art, society and production. The book moved to center stage and the era of artfully illustrated publishing editions began.

At the birth of William Hatherell, the English kingdom was led by Victoria. A regent who stood one for progress and made England the center of industrialization. In the arts, an antithesis was awakening. A longing for magical creatures and fantastic worlds developed, which could be realized in the legendary stories of King Arthur and in Shakespeare's novel heroes. The artist Hatherell lost himself in this magic. Often his models had to pose for hours in his courtyard until he captured the message of his work. Regardless of whether Juliet was waiting on the balcony or current events were to be clarified by an illustration. Hatherell did not allow himself to drift and consistently followed through on his aspirations for art. Contrary to the opinions of his contemporaries and those of his patrons, the artist did not place productivity and profit above aesthetics.

The spirit of the age and the state of technology stripped Hatherell's works of much of their original quality. The paper, the ink, and ultimately the print quality turned great art into an inferior consumer product. To the reading public, the subtle shading and expressive gestures of the figures in William's works remained hidden. Malicious tongues were of the opinion that bourgeois society would not recognize quality anyway. Crude illustrations, far from Hatherell's artistic sensibility, were quite sufficient for the consuming middle classes. Hatherell accepted the discrepancy between his work and the printed result. The artist continued his work undeterred, knowing that his viewers would never be able to see the real art that was in his work. Modern technology gives William's illustrations a new glow and allows him to receive the artistic honor that was once denied him. Perhaps Hatherell once thought, on a long afternoon in his yard, that no one would ever know the difference. Just a few generations later, however, the time has come and the beauty of the original paintings is authentically replicated.

Artworks by William Hatherell

Artworks by William Hatherell

312 artworks found
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312 artworks found

William Hatherell
Chums, English and French Sailor...
Undated | engraving

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William Hatherell
Abraham offering Isaac, from The...
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William Hatherell
Sleepers, Wake!, an Early Mornin...
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William Hatherell
Paul and Silas in prison, from T...
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William Hatherell
The Diamond Jubilee Procession, ...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
The Herald of the Dawn, the Firs...
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William Hatherell
Romeo in Friar Laurence"s Cell, ...
Undated | watercolour over pencil on board

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William Hatherell
The Return of Queen Guenevere an...
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William Hatherell
Summer on the Thames, Five O'Clo...
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William Hatherell
At Drury Lane Pantomime, a Visio...
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William Hatherell
Queen Victoria's Funeral, Royal ...
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William Hatherell
With the Channel Squadron, Torpe...
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William Hatherell
Arthur as babe being handed to M...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
Saul and David, from The Bible S...
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William Hatherell
In Memory of Gordon, the Service...
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William Hatherell
Her Majesty embarking at Holyhea...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
The Evacuation of Crete, British...
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William Hatherell
The Boating Season, an Awkward S...
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William Hatherell
The Carnival Ball at the Governo...
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William Hatherell
On the Braemar Castle, a Highlan...
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William Hatherell
Life on Board a P and O Liner, t...
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William Hatherell
King Arthur is proffered sword E...
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William Hatherell
The little maid servant of Naama...
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William Hatherell
The Queen's Garden Party at Buck...
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William Hatherell
The Queen in Dublin, the Lord Ma...
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William Hatherell
Looking at the Wreaths in the Cl...
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William Hatherell
In the Cool of the Evening, a Sc...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
Through the Swamp, the Relief Fo...
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William Hatherell
The Queen and the Imperial Yeoma...
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William Hatherell
'The heroine of Fifty Years Ago:...
1904 | lithograph

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William Hatherell
Shakespeare sees a party of appr...
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William Hatherell
With the Allies in China, a Depu...
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William Hatherell
The Visit of the Prince of Wales...
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William Hatherell
The Princess of Wales opening th...
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William Hatherell
Caught Flirting, a Tale of the T...
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William Hatherell
The Transvaal Crisis, Enthusiasm...
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William Hatherell
The English in Egypt, taking Tic...
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William Hatherell
The Queen's Garden Party at Buck...
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William Hatherell
The Reception at the India Offic...
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William Hatherell
The greatest Englishman (William...
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William Hatherell
On the Way to South Africa
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William Hatherell
The Duchess of Devonshire's Cost...
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William Hatherell
Mr Krugger's Arrival at Marseill...
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William Hatherell
Progress of King Charles I to We...
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William Hatherell
Coronation of Charles I, his Pro...
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William Hatherell
The Rescue of Queen Guenevere by...
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William Hatherell
Illustration for The Vengeance o...
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William Hatherell
The Procession passing the Law C...
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William Hatherell
The Royal Luncheon in the Guildh...
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William Hatherell
Then came Jesus and stood in the...
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William Hatherell
Romeo and Juliet at the Lyceum T...
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William Hatherell
Shakespeare calls in a the Heral...
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William Hatherell
Sir Walter Scott being introduce...
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William Hatherell
Ringing the Bell, a Narrow Shave...
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William Hatherell
The Funeral Procession on its Wa...
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William Hatherell
A Reception by the Sultan at Yil...
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William Hatherell
Portrait of Emily Hatherell, the...
Undated | oil on canvas

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William Hatherell
Peace is Proclaimed: The scene o...
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William Hatherell
After a Day's Sport, examining t...
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William Hatherell
One shaft, falling from heaven, ...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
The Knighting of Galahad, illust...
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William Hatherell
On a Poem Crossing the Atlantic,...
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William Hatherell
Galahad comes to Court, illustra...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
Galahad sees the Grail, illustra...
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William Hatherell
Madame Patti's Marriage, the Bri...
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William Hatherell
Majuba avenged, a Scene on Talan...
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William Hatherell
In Aid of the Officers' Wives an...
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William Hatherell
The Assassination of King Humber...
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William Hatherell
The Battle of Omdurman, the Rush...
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William Hatherell
Awaiting Orders for the Front, a...
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William Hatherell
The Investiture on Board the Vic...
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William Hatherell
With Sir Charles Warren's Force,...
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William Hatherell
Destroying an Enemy's Gun, the S...
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William Hatherell
The Russian Royal Family at Zars...
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William Hatherell
The Last Journey
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William Hatherell
The Visit of the German Emperor,...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
The Queen and her Nurses, the In...
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William Hatherell
Peter and John healing the lame ...
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William Hatherell
The Thanksgiving for Peace, the ...
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William Hatherell
The British Mission to Kano, An ...
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William Hatherell
The King's Accession, Queen Marg...
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William Hatherell
The Visit of the German Crown Pr...
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William Hatherell
The Children's Fancy Dress Ball ...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
Tried by his Peers, General view...
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William Hatherell
The White Heather at the Theatre...
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William Hatherell
The Naval Manoeuvres, an Evening...
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William Hatherell
Swallow, A Tale of the Great Trek
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William Hatherell
Christ walking on the sea, from ...
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William Hatherell
The Queen's Garden Party at Buck...
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William Hatherell
The King's Visit to Germany, His...
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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