| Born | July 14, 1721 (Kirkwall) |
| Died | July 5, 1792 (London) at the age of 70 |
| Nationality | United Kingdom of Great Britain and Northern Ireland |
| Profession | graphic artist, copper engraver |
| Family | Father: David Strang Mother: Jean Scollay Spouse: Isabella Lumisden Child: Thomas Andrew Lumisden Strange, Mary Bruce Strange, Mary Bruce Strange, James Strange, Andrew Strange, Isabella Katherine Strang, Robert Montagu Strange |
| Teacher | Jean-Baptiste Descamps |
| Student | Pierre Maleuvre |
| Memberships | Accademia delle Arti del Disegno |
| Notable works | Venus Attired by Graces (1750), Apollo Awarding Merit and Punishing Arrogance (1755), Danaë. From a Painting in the Collection of the King of Naples 1768 (1768), Liberality and Modesty (1755), Joseph and Potiphar [?]'s wife |
| Museums | Cleveland Museum of Art, Art Institute of Chicago |
In a workshop where light streams through tall windows onto copper plates, Robert Strange sits intently over his engraving tools. The precision of his linework and the care with which he renders every detail made him one of the most respected engravers in eighteenth-century Britain. Strange began his artistic career in Scotland, apprenticed to a goldsmith, which shaped his understanding of fine craftsmanship and meticulous detail - qualities that became hallmarks of his engravings. After moving to London and traveling to Paris, where he studied the works of French masters, Strange developed a distinctive style that combined technical brilliance with a unique sensitivity to light and shadow. His engravings after paintings by Raphael, Guido Reni, and other Old Masters were admired throughout Europe, attracting collectors and fellow artists alike.
Strange was not only a master technician but also a mediator between the artistic traditions of his era. He advocated for the recognition of engraving as an independent art form and played a key role in founding artists' associations. During the political upheavals in Britain, especially the Jacobite risings, he remained true to his convictions and was forced into exile for a time. These experiences are reflected in the depth and seriousness of many of his works. His ability to capture the atmosphere and character of original paintings made him a sought-after interpreter of European art history. Robert Strange influenced subsequent generations of engravers and contributed significantly to establishing the importance of printmaking within the canon of fine arts.
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| Born | July 14, 1721 (Kirkwall) |
| Died | July 5, 1792 (London) at the age of 70 |
| Nationality | United Kingdom of Great Britain and Northern Ireland |
| Profession | graphic artist, copper engraver |
| Family | Father: David Strang Mother: Jean Scollay Spouse: Isabella Lumisden Child: Thomas Andrew Lumisden Strange, Mary Bruce Strange, Mary Bruce Strange, James Strange, Andrew Strange, Isabella Katherine Strang, Robert Montagu Strange |
| Teacher | Jean-Baptiste Descamps |
| Student | Pierre Maleuvre |
| Memberships | Accademia delle Arti del Disegno |
| Notable works | Venus Attired by Graces (1750), Apollo Awarding Merit and Punishing Arrogance (1755), Danaë. From a Painting in the Collection of the King of Naples 1768 (1768), Liberality and Modesty (1755), Joseph and Potiphar [?]'s wife |
| Museums | Cleveland Museum of Art, Art Institute of Chicago |
In a workshop where light streams through tall windows onto copper plates, Robert Strange sits intently over his engraving tools. The precision of his linework and the care with which he renders every detail made him one of the most respected engravers in eighteenth-century Britain. Strange began his artistic career in Scotland, apprenticed to a goldsmith, which shaped his understanding of fine craftsmanship and meticulous detail - qualities that became hallmarks of his engravings. After moving to London and traveling to Paris, where he studied the works of French masters, Strange developed a distinctive style that combined technical brilliance with a unique sensitivity to light and shadow. His engravings after paintings by Raphael, Guido Reni, and other Old Masters were admired throughout Europe, attracting collectors and fellow artists alike.
Strange was not only a master technician but also a mediator between the artistic traditions of his era. He advocated for the recognition of engraving as an independent art form and played a key role in founding artists' associations. During the political upheavals in Britain, especially the Jacobite risings, he remained true to his convictions and was forced into exile for a time. These experiences are reflected in the depth and seriousness of many of his works. His ability to capture the atmosphere and character of original paintings made him a sought-after interpreter of European art history. Robert Strange influenced subsequent generations of engravers and contributed significantly to establishing the importance of printmaking within the canon of fine arts.