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Robert Anning Bell
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Museum Quality Art Prints
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Robert Anning Bell

Robert Anning Bell

    April 14, 1863   -   1933
Nonclassified artists   •   Wikipedia: Robert Anning Bell

As the son of a cheese merchant, Robert Robert Anning Bell was not exactly predestined to become an artist. He was born in London in 1862. It was probably his uncle, the architect Samuel Knight, who introduced him to art. He worked in his office at a young age and studied at the progressive University College School and the renowned Royal Academy. He shared his interest in new trends such as Symbolism and Art Nouveau with the sculptor George Frampton, with whom he also ran a studio. After he came into contact with the avant-garde of his time in Paris, he became an important representative of the Arts and Crafts movement in England.

One of his first highly regarded works was created in collaboration with Frampton: a high altar consisting of paintings and sculptures, which was exhibited at the Arts and Crafts Exhibition Society and is now in the Church of St. Clare in Liverpool. This work already reveals Bell's interest in medieval and Renaissance art. In cooperation with glass workshops, brightly coloured stained glass windows were created, which on the one hand refer to the old models, but on the other hand also combine modern elements. His works carry a secret within them, they exude a great magic and show the mastery and craftsmanship of a great artist and designer. At the height of his career, Robert Anning Bell was commissioned to execute the central mosaic for the tympanum of the main portal of Westminster Cathedral, based on sketches by the late master builder John Francis Bentley. This work is based on the mosaics of Byzantium, yet is very modern in its stylisation and composition. It was completed in 1916 and fits wonderfully into the overall composition of this neo-Byzantine church. In the 1920s he also created several mosaics for Westminster Palace.

Bell's paintings are atmospherically dense, enigmatic and radiate an extraordinary aesthetic. One might think, for example, of an Arcadian bathing scene with nymph-like beauties or of red-haired young women whom he portrayed very vividly, yet enraptured. When we look at his painting "Mary with Elisabeth", the great masters of the early Renaissance come to mind. He has undoubtedly orientated himself by them, without flatly imitating them. Book illustrations occupy a special place in his oeuvre. These include a wonderful gouache of a flight of elves, but also masterpieces in black and white in the manner of Art Nouveau. Consider, for example, the atmospheric illustrations to the dramas of William Shakespeare: King Lear, Hamlet or Romeo and Juliet. Robert Anning Bell portrayed himself in front of one of his colourful stained glass windows; he died in 1933. Seen from today, his works, most of which were created in the 20th century, seem to be out of time. But this is precisely what makes them so magical.

Robert Anning Bell

    April 14, 1863   -   1933
Nonclassified artists   •   Wikipedia: Robert Anning Bell Robert Anning Bell

As the son of a cheese merchant, Robert Robert Anning Bell was not exactly predestined to become an artist. He was born in London in 1862. It was probably his uncle, the architect Samuel Knight, who introduced him to art. He worked in his office at a young age and studied at the progressive University College School and the renowned Royal Academy. He shared his interest in new trends such as Symbolism and Art Nouveau with the sculptor George Frampton, with whom he also ran a studio. After he came into contact with the avant-garde of his time in Paris, he became an important representative of the Arts and Crafts movement in England.

One of his first highly regarded works was created in collaboration with Frampton: a high altar consisting of paintings and sculptures, which was exhibited at the Arts and Crafts Exhibition Society and is now in the Church of St. Clare in Liverpool. This work already reveals Bell's interest in medieval and Renaissance art. In cooperation with glass workshops, brightly coloured stained glass windows were created, which on the one hand refer to the old models, but on the other hand also combine modern elements. His works carry a secret within them, they exude a great magic and show the mastery and craftsmanship of a great artist and designer. At the height of his career, Robert Anning Bell was commissioned to execute the central mosaic for the tympanum of the main portal of Westminster Cathedral, based on sketches by the late master builder John Francis Bentley. This work is based on the mosaics of Byzantium, yet is very modern in its stylisation and composition. It was completed in 1916 and fits wonderfully into the overall composition of this neo-Byzantine church. In the 1920s he also created several mosaics for Westminster Palace.

Bell's paintings are atmospherically dense, enigmatic and radiate an extraordinary aesthetic. One might think, for example, of an Arcadian bathing scene with nymph-like beauties or of red-haired young women whom he portrayed very vividly, yet enraptured. When we look at his painting "Mary with Elisabeth", the great masters of the early Renaissance come to mind. He has undoubtedly orientated himself by them, without flatly imitating them. Book illustrations occupy a special place in his oeuvre. These include a wonderful gouache of a flight of elves, but also masterpieces in black and white in the manner of Art Nouveau. Consider, for example, the atmospheric illustrations to the dramas of William Shakespeare: King Lear, Hamlet or Romeo and Juliet. Robert Anning Bell portrayed himself in front of one of his colourful stained glass windows; he died in 1933. Seen from today, his works, most of which were created in the 20th century, seem to be out of time. But this is precisely what makes them so magical.

Artworks by Robert Anning Bell

Artworks by Robert Anning Bell

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180 artworks found

Robert Anning Bell
Ye learned sisters, which have o...
Undated | lithograph

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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
And whilst I sing Euphelia's pra...
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Robert Anning Bell
 
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Cupid and my Campaspe play'd at ...
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Robert Anning Bell
L'oracle: trois jeunes femmes da...
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Robert Anning Bell
See where my love a-maying goes,...
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Robert Anning Bell
Ariadne,
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Robert Anning Bell
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Queen Hippolyta's Guard, 1908
1908 | watercolour on paper

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Robert Anning Bell
How sweet the answer Echo makes
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Now fades the glimmering landsca...
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Robert Anning Bell
The Queen of Paphos, Erycine, in...
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Robert Anning Bell
 
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
There is a meadow by the River's...
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Robert Anning Bell
And beauty making beautiful old ...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
In the Doorway (oil on canvas)
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
 
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Robert Anning Bell
Full fathom five thy father lies...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
 
1924 | painting

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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
 
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Robert Anning Bell
To A Skylark by Percy Bysshe She...
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Robert Anning Bell
Sign no more, ladies, sigh no mo...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
And thou two sweeter eyes, shalt...
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Robert Anning Bell
 
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Robert Anning Bell
Go, Lovely Rose!, from Palgrave'...
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Robert Anning Bell
Who is Silvia? What is she, that...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Then come kiss me, sweet-and-twe...
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Robert Anning Bell
 
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Shelley: Prometheus Unbound (litho)
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Robert Anning Bell
Come, and trip it as you go, On ...
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Robert Anning Bell
The Golden Goose from Grimms Hou...
1901 | engraving

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Robert Anning Bell
You've heard them sweetly sing a...
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Robert Anning Bell
 
Undated | pen and ink on paper

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Robert Anning Bell
Love's Farewell by Michael Drayton
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Robert Anning Bell
On The Extinction Of The Venetia...
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Robert Anning Bell
Sleep on, and dream of Heaven aw...
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Robert Anning Bell
Where the rude axe, with heaved ...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Diaphenia
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Robert Anning Bell
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Robert Anning Bell
Diaphenia like the daffadowndill...
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Robert Anning Bell
Sleep, silence' child, sweet fat...
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Robert Anning Bell
 
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Robert Anning Bell
Over hill, over dale, thorough b...
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Robert Anning Bell
Beatrice, Much Ado about Nothing
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Sing lullaby, my little boy, sin...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
 
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
 
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Robert Anning Bell
The Crystal Ball
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Robert Anning Bell
 
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Robert Anning Bell
 
Undated | pen and ink on paper

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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Design for endpapers, c.1895 (pe...
Undated | pen and ink on paper

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Robert Anning Bell
Shelley: Ode To The West Wind (l...
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Robert Anning Bell
Illustration for The Altar Book,...
1892 | pen

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Robert Anning Bell
Illustration for The Altar Book,...
1897 | pen

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Robert Anning Bell
The Lost Love by William Wordswo...
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Robert Anning Bell
The Adoration of the Magi, late ...
1880 |

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Robert Anning Bell
 
Undated | oil on canvas

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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Music, when soft voices die, Vib...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Cupid and my Campaspe play'd at ...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
 
Undated | pen and ink on paper

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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
'See where my Love A-Maying Goes...
Undated | Pencil and watercolour on paper

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Robert Anning Bell
Melancholy by John Fletcher
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Robert Anning Bell
 
1906 | watercolour

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Robert Anning Bell
Shelley: Adonais (litho)
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Robert Anning Bell
Crown ye God Bacchus with a coro...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Sleep, angry beauty (litho)
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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