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Feel the passion of Mark Catesby in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
Mark Catesby
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Museum Quality Art Prints
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Museum Quality Art Prints
Individual Customization Options

Mark Catesby

    March 24, 1683   -   December 23, 1749
Naturalism   •   Wikipedia: Mark Catesby

The theologian and naturalist John Ray is considered the father of English botany. Ray observed animals and plants with a special devotion. John Ray was a close friend of the Catesby family, who, like the theologian, had their centre of life in Essex, England. John Ray's thirst for knowledge and research had a great influence on the son of the house. Mark Catesby could not resist the subject and studied natural history in London. In the 18th century the British Crown was in possession of some colonies in America. Particularly on the east coast of the country there were lands claimed by the United Kingdom. A period of emigration began. The reasons were many and varied. People who were persecuted because of their political opinions or religious affiliations sought protection in the colonies. But poverty or economic hardship also forced many Europeans to seek happiness on the other side of the great ocean. With colonization, a lively exchange of plants among botanists began. Especially British plant hunters of the time were obsessed with the idea of owning foreign plants and displaying them in their gardens.

Mark Catesby had inherited his late father's fortune after graduation and moved with his sister to Williamsburg, Virginia. The reason for this move was probably the fever that had gripped the scientist with regard to the flora and fauna of America. Exploring the plant world was not just about discovery and scientific description. The absolutely exact illustration of the plant parts was of an equally great importance. Mark Catesby collected and sent his treasures to a collector in London. His drawings, however, he did not give out of his hand. In his opinion, the danger was too great that an unsophisticated artist would falsify his observations. Mark Catesby learned the technique of copperplate printing and transferred his scientific findings to the copper plates with his own hands. Little by little, Catesby developed an artistic flair. Works that had been filled in all over became works of art with a background and elements that determined the picture. The plants and animals became the focus of attention and the natural scientist became an artist of Botanical Art. For his first collection on the fauna and flora of North America, Catesby produced over 220 etchings, some of which were hand-colored.

The botanist maintained ties with his homeland. Catesby became a member of the Royal Society and found patrons in this elite circle who provided him with the financial means for further travel. Catesby traveled the east coast of America and the Caribbean. His furthest journey took Catesby to the West Indies. He sent his collections to Hans Sloane, a collector whose extensive herbarium formed the basis of the British Museum's collection. With his experience, Catesby developed a perfect pictorial style and created unique art alongside his outstanding research.

Mark Catesby

    March 24, 1683   -   December 23, 1749
Naturalism   •   Wikipedia: Mark Catesby

The theologian and naturalist John Ray is considered the father of English botany. Ray observed animals and plants with a special devotion. John Ray was a close friend of the Catesby family, who, like the theologian, had their centre of life in Essex, England. John Ray's thirst for knowledge and research had a great influence on the son of the house. Mark Catesby could not resist the subject and studied natural history in London. In the 18th century the British Crown was in possession of some colonies in America. Particularly on the east coast of the country there were lands claimed by the United Kingdom. A period of emigration began. The reasons were many and varied. People who were persecuted because of their political opinions or religious affiliations sought protection in the colonies. But poverty or economic hardship also forced many Europeans to seek happiness on the other side of the great ocean. With colonization, a lively exchange of plants among botanists began. Especially British plant hunters of the time were obsessed with the idea of owning foreign plants and displaying them in their gardens.

Mark Catesby had inherited his late father's fortune after graduation and moved with his sister to Williamsburg, Virginia. The reason for this move was probably the fever that had gripped the scientist with regard to the flora and fauna of America. Exploring the plant world was not just about discovery and scientific description. The absolutely exact illustration of the plant parts was of an equally great importance. Mark Catesby collected and sent his treasures to a collector in London. His drawings, however, he did not give out of his hand. In his opinion, the danger was too great that an unsophisticated artist would falsify his observations. Mark Catesby learned the technique of copperplate printing and transferred his scientific findings to the copper plates with his own hands. Little by little, Catesby developed an artistic flair. Works that had been filled in all over became works of art with a background and elements that determined the picture. The plants and animals became the focus of attention and the natural scientist became an artist of Botanical Art. For his first collection on the fauna and flora of North America, Catesby produced over 220 etchings, some of which were hand-colored.

The botanist maintained ties with his homeland. Catesby became a member of the Royal Society and found patrons in this elite circle who provided him with the financial means for further travel. Catesby traveled the east coast of America and the Caribbean. His furthest journey took Catesby to the West Indies. He sent his collections to Hans Sloane, a collector whose extensive herbarium formed the basis of the British Museum's collection. With his experience, Catesby developed a perfect pictorial style and created unique art alongside his outstanding research.

Artworks by Mark Catesby

Artworks by Mark Catesby

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311 artworks found

Mark Catesby
The Crested Flycatcher Muscicapa...
Undated | engraving

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Mark Catesby
 
Undated | hand-colored engraving on laid paper

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Mark Catesby
Chauliodus sloanei. A creature r...
Undated | watercolour and gouache on paper

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Mark Catesby
The Blue-wing Teal, 1749-73
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Mark Catesby
The Purple Martin Hirundo purpur...
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Mark Catesby
The Turkey Buzzard, 1749-73
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Mark Catesby
The red-winged Starling, 1749-73
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Mark Catesby
The Goat-Sucker of Carolina, 174...
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Mark Catesby
The Nuthatch Sitta Europaea, pub...
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Mark Catesby
 
Undated | hand-colored engraving on laid paper

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Mark Catesby
The Viper-mouth Silurus cataphra...
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Mark Catesby
The Sucking Fish Echeneis naucra...
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Mark Catesby
Viper Caudison Snake, Rattlesnak...
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Mark Catesby
The Bill of the Flamingo in its ...
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Mark Catesby
The Globe Fish Tetrodon lagoceph...
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Mark Catesby
The Yellow and Black Pye Oriolus...
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Mark Catesby
The large Lark, 1749-73
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Mark Catesby
The largest white-bill Woodpecke...
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Mark Catesby
The Bahama Finch, 1749-73
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Mark Catesby
The gold-winged Woodpecker, 1749...
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Mark Catesby
The Oyster-catcher Hoematopus os...
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Mark Catesby
The red Curlew, 1749-73
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Mark Catesby
The red-headed Woodpecker, 1749-73
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Mark Catesby
The Blue Bird, 1749-73
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Mark Catesby
The Swallow Tail Hawk Falco furc...
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Mark Catesby
The red-bellied Woodpecker. The ...
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Mark Catesby
 
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Mark Catesby
The little brown Flycatcher. The...
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Mark Catesby
The Spotted Ribbon Snake Coluber...
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Mark Catesby
The Red Mottled Rock-crab (Cance...
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Mark Catesby
The round-crested Duck, 1749-73
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Mark Catesby
 
1754 | hand-coloured engraving

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Mark Catesby
The painted Finch, 1749-73
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Mark Catesby
The largest crested Heron, 1749-73
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Mark Catesby
The Flamingo Phoenicopterus rube...
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Mark Catesby
The Yellow Titmouse Motacilla tr...
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Mark Catesby
The Booby, 1749-73
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Mark Catesby
The Cuckow of Carolina, 1749-73
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Mark Catesby
 
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Mark Catesby
The Rice-bird Emberiza oryzivora...
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Mark Catesby
The Mangrove Snapper Labrus gris...
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Mark Catesby
The Swallow-tail Hawk, 1749-73
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Mark Catesby
The Cut Water, 1749-73
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Mark Catesby
The Oyster-catcher (Hoematopus o...
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Mark Catesby
 
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Mark Catesby
The American Bison, 1749-73
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Mark Catesby
The little white Heron, 1749-73
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Mark Catesby
The white-headed Eagle, 1749-73
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Mark Catesby
The Laughing Gull, 1749-73
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Mark Catesby
The brown Bittern, 1749-73
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Mark Catesby
The Bahama Titmouse, 1749-73
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Mark Catesby
The yellow-bellied Woodpecker. T...
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Mark Catesby
The Yellow-breasted Chat, publis...
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Mark Catesby
 
1754 | hand-coloured engraving

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Mark Catesby
The Wood Pelican, 1749-73
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Mark Catesby
The Little Brown Flycatcher, pub...
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Mark Catesby
Boladora'. A flying fish.
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Mark Catesby
The little Thrush, 1749-73
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Mark Catesby
The Great Booby, 1749-73
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Mark Catesby
 
Undated | hand-colored engraving on laid paper

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Mark Catesby
The Finch Creeper Parus american...
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Mark Catesby
The Logger-head Turtle Testudo C...
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Mark Catesby
The Fishing Hawk Falco haliaetus...
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Mark Catesby
 
Undated | hand-colored engraving on laid paper

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Mark Catesby
The Blue Winged Shoveler (Anas c...
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Mark Catesby
Red Mottled Rock-crab Cancer gra...
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Mark Catesby
The Blue Heron (Ardea coerulea)
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Mark Catesby
The Fieldfare of Carolina Turdus...
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Mark Catesby
The blue Gross-beak, 1749-73
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Mark Catesby
The crested Bittern, 1749-73
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Mark Catesby
The Cutwater Rhynchops nigra, pu...
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Mark Catesby
The Yellow Throated Creeper, pub...
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Mark Catesby
The Parrot of Carolina, 1749-73
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Mark Catesby
The Snow Bird, 1749-73
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Mark Catesby
The Laughing Gull Larus articill...
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Mark Catesby
The Croker Perca undulata, publi...
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Mark Catesby
Cross-vine Bignonia capreolata, ...
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Mark Catesby
The Spotted Ribbon Snake (Colube...
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Mark Catesby
The Razor-billed Black-bird of J...
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Mark Catesby
The Summer Red-Bird, 1749-73
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Mark Catesby
‘The Parrot of Paradise’, from T...
1731 | color lithograph

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Mark Catesby
The Yellow-Rump, 1749-73
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Mark Catesby
The larger red-crested Woodpecke...
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Mark Catesby
The little Hawk, 1749-73
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Mark Catesby
The small Bittern, 1749-73
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Mark Catesby
The little Sparrow, 1749-73
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Mark Catesby
The Nuthatch. The small Nuthatch...
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Mark Catesby
The Muray (Muraena helena)
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Mark Catesby
 
Undated | hand-colored etching

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Mark Catesby
The Finch-Creeper, 1749-73
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Mark Catesby
The Muray Muraena helena, publis...
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Mark Catesby
The little brown Duck, 1749-73
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Mark Catesby
The Buffel's Head Duck, 1749-73
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Mark Catesby
Dogwood: Cornus florida, and Moc...
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Mark Catesby
The Wood Pelican Tantalus Locula...
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Mark Catesby
The White-face Teal, 1749-73
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Mark Catesby
The Little Brown Duck Anas rusti...
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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