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Feel the passion of John Leech in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
John Leech
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

John Leech

1817   -   1864
Caricatures, Comics

With the early 19th century, British society discovered an interest in the printed word. Books, magazines and journals became part of everyday life. Decorative illustrations developed into a branch of the applied visual arts, providing a visual accompaniment to text. One particular form of illustration is caricature. James Gillray and Thomas Rowlandson are considered the founders of this art form, which makes reference to society and politics. A caricature is often accompanied by criticism, which is hidden or openly demonstrated in the fine lithographs. In the early days of British caricatures, cruel and satirical elements are often present. The illustrator John Leech turned away from this traditional form of representation. The artist found his inspiration on the streets of London. His first works were humorous character studies that Leech collected in vibrant London. Among the facets of bourgeois city life, the artist found individual characters. Empathic and warm-hearted, Leech reveals the qualities of character. Gentle and never malicious, Leech developed sympathetic images of the people of the time.

John Leech achieved a high profile through his work for the British satirical magazine Punch. The humorous magazine was aimed at the general middle-class audience. Punch stood for verbal and graphic satire and humorous social criticism. Leech took on the issues that preoccupied British society. Strongly represented were a hostile attitude against Americanism and anti-Semitic prejudices. The illustrator created a critical yet humorous cartoon series about the Crimean War and was able to influence public attitudes regarding heroism and warfare. Leech changed the view of the role of the British in the world and was an advocate of acceptable social reform. John Leech reached the readership with his cartoons. Reasons for this may be the high artistic value of the lithographs and the lack of crudeness that other artists used to make their points.

The sympathetic characters that John Leech developed helped the illustrator to get a special collaboration. Leech was commissioned to do the illustrations for Charles Dickens' Christmas Carol. The story about the grouchy and miserly Ebenezer Scrooge and the ghosts of Christmas were perfect for the artist. Leech produced four etchings and his depictions of the ghosts remain the most famous Dickens illustrations to this day. A close friendship developed between the Leech and Dickens families. John's wife Anne was unusually involved in her husband's professional life for the time. Anne Leech sat as a model for young women's drawings and supported her husband's artistic endeavors. Rising living costs drove John Leech to take on more commissions than he could handle. He painted and did portraits beyond his strength. Leech became sensitive to the sounds of the city and lost his taste for music. The dedicated artist succumbed to the effects of a heart attack at the age of 47.

John Leech

1817   -   1864
Caricatures, Comics

With the early 19th century, British society discovered an interest in the printed word. Books, magazines and journals became part of everyday life. Decorative illustrations developed into a branch of the applied visual arts, providing a visual accompaniment to text. One particular form of illustration is caricature. James Gillray and Thomas Rowlandson are considered the founders of this art form, which makes reference to society and politics. A caricature is often accompanied by criticism, which is hidden or openly demonstrated in the fine lithographs. In the early days of British caricatures, cruel and satirical elements are often present. The illustrator John Leech turned away from this traditional form of representation. The artist found his inspiration on the streets of London. His first works were humorous character studies that Leech collected in vibrant London. Among the facets of bourgeois city life, the artist found individual characters. Empathic and warm-hearted, Leech reveals the qualities of character. Gentle and never malicious, Leech developed sympathetic images of the people of the time.

John Leech achieved a high profile through his work for the British satirical magazine Punch. The humorous magazine was aimed at the general middle-class audience. Punch stood for verbal and graphic satire and humorous social criticism. Leech took on the issues that preoccupied British society. Strongly represented were a hostile attitude against Americanism and anti-Semitic prejudices. The illustrator created a critical yet humorous cartoon series about the Crimean War and was able to influence public attitudes regarding heroism and warfare. Leech changed the view of the role of the British in the world and was an advocate of acceptable social reform. John Leech reached the readership with his cartoons. Reasons for this may be the high artistic value of the lithographs and the lack of crudeness that other artists used to make their points.

The sympathetic characters that John Leech developed helped the illustrator to get a special collaboration. Leech was commissioned to do the illustrations for Charles Dickens' Christmas Carol. The story about the grouchy and miserly Ebenezer Scrooge and the ghosts of Christmas were perfect for the artist. Leech produced four etchings and his depictions of the ghosts remain the most famous Dickens illustrations to this day. A close friendship developed between the Leech and Dickens families. John's wife Anne was unusually involved in her husband's professional life for the time. Anne Leech sat as a model for young women's drawings and supported her husband's artistic endeavors. Rising living costs drove John Leech to take on more commissions than he could handle. He painted and did portraits beyond his strength. Leech became sensitive to the sounds of the city and lost his taste for music. The dedicated artist succumbed to the effects of a heart attack at the age of 47.

Artworks by John Leech

Artworks by John Leech

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John Leech
Scene from A Christmas Carol by ...
1843 | engraving

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John Leech
The Rising Generation
Undated | coloured engraving

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John Leech
Much Above that Sort of Thing
Undated | engraving

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John Leech
Curius Dentatus Refusing the Mag...
Undated | engraving

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John Leech
The Ghost of Christmas Present a...
Undated | engraving

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John Leech
Marley's ghost appearing to Scro...
Undated | engraving

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John Leech
A Christmas Carol: Mr Fezziwigs ...
1843 |

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John Leech
Mr Fezziwig's Ball, from 'A Chri...
1843 | coloured engraving

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John Leech
Georgey Porgey the Firstgoing ou...
1864 | hand coloured etching

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John Leech
Mr Fezzywigs Ball, illustration ...
1914 | colour lithograph

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John Leech
'Mr. Jorrocks Has a Bye Day', il...
1854 | coloured engraving

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John Leech
The Wedding-Party at Mrs Byers's
Undated | engraving

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John Leech
The Landing of Julius Caesar fro...
1864 | hand coloured etching

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John Leech
Henry VIII meeting Francis I, fr...
1864 | hand coloured etching

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John Leech
William inspecting the Volunteer...
1850 | engraving

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John Leech
Terrific Combat between Richard ...
1864 | hand coloured etching

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John Leech
Bertrand de Gourdon before Richa...
1860 | engraving

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John Leech
Discovery of the Laws of Gravita...
1897 |

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John Leech
A Startling Novelty in Shirts
Undated | engraving

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John Leech
Eight Hours at the Sea-Side
1856 | engraving

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John Leech
Embarkation of Henry V. at South...
1864 | hand coloured etching

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John Leech
Her Majesty's Buck-Hounds at Sal...
1855 | engraving

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John Leech
Mithridates
Undated | engraving

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John Leech
Numa Pompilius Remembering the G...
Undated | engraving

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John Leech
The Rising Generation
Undated | colour lithograph

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John Leech
Marriage of Henry VI, with Marga...
1864 | hand coloured etching

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John Leech
Queen Philippa interceding with ...
1864 | hand coloured etching

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John Leech
Light Comedy Man of the Period
Undated | engraving

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John Leech
William the Conqueror inspecting...
1864 | hand coloured etching

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John Leech
THe Pious Public House, where yo...
Undated | engraving

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John Leech
Roman Man-of-War, from a Scarce ...
Undated | engraving

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John Leech
Unseemly Conduct of Henry, Princ...
Undated | engraving

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John Leech
The Fish Dinner
Undated | engraving

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John Leech
A Rapid Student, c1860, 1860
1860 | engraving

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John Leech
Origin of the Order of the Garter
Undated | engraving

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John Leech
Edward's arm in the hands of his...
Undated | colour lithograph

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John Leech
Queen Elizabeth and Sir Walter R...
1864 | hand coloured etching

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John Leech
Charles I does not know which Wa...
Undated | engraving

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John Leech
Oh My Goodness! It's beginning t...
Undated | engraving

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John Leech
That's Him - The Jackdaw, from '...
1887 | lithograph

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John Leech
Henry VIII meets Francis I
Undated | colour lithograph

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John Leech
Mr J S Rarey, the American Horse...
1858 | engraving

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John Leech
Roman Bull and Priest of the Per...
Undated | engraving

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John Leech
Visit to the Antediluvian Reptil...
Undated | engraving

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John Leech
The Evil Conscience of Tarquin, ...
1852 | engraving

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John Leech
An Ambitious Youth
Undated | engraving

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John Leech
The Romans clothed by the inhabi...
1852 | engraving

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John Leech
Cornelia, Mother of the Gracchi
Undated | engraving

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John Leech
Little Jack Ingoldsby entering t...
1887 | lithograph

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John Leech
Marius in the Ruins of Carthage
Undated | engraving

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John Leech
Trained Band. Soldier of the Per...
1897 |

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John Leech
Hercules takes a Draper's Shop
Undated | coloured engraving

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John Leech
A substitute for the seaside; or...
Undated | coloured engraving

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John Leech
Cicero Throws Up his Brief, like...
Undated | engraving

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John Leech
The Great Social Evil, Punch, 1857
1857 | engraving

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John Leech
Take away that Bauble, Cromwell ...
1864 | hand coloured etching

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John Leech
Guys of the Period, 1897.
1897 |

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John Leech
Blondel, the Minstrel, Under the...
Undated | engraving

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John Leech
A Dashing Young King, c1860, c1860
1860 | engraving

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John Leech
Mithridates, his Rash Act
Undated | engraving

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John Leech
Close of the Hunting Season, men...
1857 | engraving

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John Leech
The Mermaid's Haunt
Undated | watercolour on paper

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John Leech
Mrs Sextus consoles herself with...
1852 | engraving

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John Leech
Portrait of one of the Cardinals...
1860 | engraving

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John Leech
Specimens from Mr Punchs industr...
1850 | engraving

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John Leech
Picking up a Crown, c1860, c1860
1860 | engraving

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John Leech
In the Foreground of the Tableau...
Undated | engraving

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John Leech
Origin of the Order of the Garte...
1860 | engraving

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John Leech
King Edward Introducing his Son ...
Undated | engraving

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John Leech
Volunteer Movement, Jones and Fa...
Undated | coloured engraving

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John Leech
'The Educational Question', 1846...
1846 | engraving

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John Leech
Guy Fawkes before and after the ...
Undated | engraving

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John Leech
A continted mind
Undated | lithograph

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John Leech
Rhea Silvia
Undated | engraving

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John Leech
Early Roman Gladiator and his Pa...
Undated | engraving

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John Leech
A Young Gentleman and Scholar
Undated | engraving

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John Leech
A Boy King,
1860 | engraving

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John Leech
Receiving-day of the Royal Academy
Undated | lithograph

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John Leech
Wolsey surrendering the Great Se...
1897 |

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John Leech
The Demonstration in Hyde-Park
1855 | engraving

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John Leech
A Bit of Animated Nature, The Pr...
Undated | engraving

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John Leech
Home Amusements
Undated | engraving

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John Leech
The Too Faithful Portrait
Undated | engraving

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John Leech
Misapplication
Undated | lithograph

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John Leech
A Lee-tle Contre-temps, Jack Rog...
Undated | coloured engraving

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John Leech
Hannibal makes the usual Speech ...
1852 | engraving

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John Leech
Something like Argument, 1897.
1897 |

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John Leech
Master of the Horse, 1852
1852 | engraving

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John Leech
A Pic-nic in the Drawing Room, a...
Undated | coloured engraving

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John Leech
Assassination of Viriathus
Undated | engraving

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John Leech
The Confession of the old woman ...
1887 | lithograph

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John Leech
In the foreground of the Tableau...
1852 | engraving

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John Leech
Henry V. sends a friend to the D...
1860 | engraving

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