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Feel the passion of James Ward in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
James Ward
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
James Ward

James Ward

    October 23, 1769   -   November 23, 1859
Genre painting   •   Wikipedia: James Ward

The London painter and engraver James Ward, born in London in the late 18th century, was commissioned by the British government over a period of six years to paint a gigantic picture of the Battle of Waterloo entitled "Allegory of Waterloo", which is still considered lost today. The work also brought Ward neither special praise nor the hoped-for financial success. Some heavy family strokes of fate - the death of his first wife and one of his daughters - in combination caused Ward to fall into a bitter state of mind. It all began in London in 1769, when he was born as the son of James and Rachael. His older brother, William Ward, was one of the most successful artists of the time and was appointed engraver to the Prince of Wales, the Duke of York and the Royal Academy of Arts in London. James Ward learned the art of engraving from William.

However, he was inspired less by his brother than by his brother-in-law George Morland and later by the Flemish painter Peter Paul Rubens. In addition to the "Allegory of Waterloo", his works include numerous landscape, animal and genre paintings. In the course of his career Ward turned to ever larger landscapes. He reached his artistic peak with the landscape painting of the limestone gorge Gordale Scar, which lies in the Yorkshire region. However, Ward basically earned his money with commissions from wealthy noblemen, for whom he painted their favourite horses or hunting dogs. After the death of his first wife he married again and finally moved to the small town of Cheshunt, where he continued his work and turned to religious subjects. His granddaughter Henrietta Ward became a painter herself. She concentrated on history and genre painting. His great-grandson Leslie Ward was the well-known portraitist and caricaturist of the magazine "Vanity Fair". James Ward died impoverished in 1855 from a stroke.

Ward was considered one of the best artists of his time, especially with regard to his animal paintings. Together with his brother, he made considerable progress in the British art scene. The combination of artistic talent and perfect craftsmanship produced impressive works, which made it to the gallery of the Tate Modern in London, among others.

James Ward

    October 23, 1769   -   November 23, 1859
Genre painting   •   Wikipedia: James Ward James Ward

The London painter and engraver James Ward, born in London in the late 18th century, was commissioned by the British government over a period of six years to paint a gigantic picture of the Battle of Waterloo entitled "Allegory of Waterloo", which is still considered lost today. The work also brought Ward neither special praise nor the hoped-for financial success. Some heavy family strokes of fate - the death of his first wife and one of his daughters - in combination caused Ward to fall into a bitter state of mind. It all began in London in 1769, when he was born as the son of James and Rachael. His older brother, William Ward, was one of the most successful artists of the time and was appointed engraver to the Prince of Wales, the Duke of York and the Royal Academy of Arts in London. James Ward learned the art of engraving from William.

However, he was inspired less by his brother than by his brother-in-law George Morland and later by the Flemish painter Peter Paul Rubens. In addition to the "Allegory of Waterloo", his works include numerous landscape, animal and genre paintings. In the course of his career Ward turned to ever larger landscapes. He reached his artistic peak with the landscape painting of the limestone gorge Gordale Scar, which lies in the Yorkshire region. However, Ward basically earned his money with commissions from wealthy noblemen, for whom he painted their favourite horses or hunting dogs. After the death of his first wife he married again and finally moved to the small town of Cheshunt, where he continued his work and turned to religious subjects. His granddaughter Henrietta Ward became a painter herself. She concentrated on history and genre painting. His great-grandson Leslie Ward was the well-known portraitist and caricaturist of the magazine "Vanity Fair". James Ward died impoverished in 1855 from a stroke.

Ward was considered one of the best artists of his time, especially with regard to his animal paintings. Together with his brother, he made considerable progress in the British art scene. The combination of artistic talent and perfect craftsmanship produced impressive works, which made it to the gallery of the Tate Modern in London, among others.

Artworks by James Ward

Artworks by James Ward

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737 artworks found

James Ward
Napoleon's Horse, Marengo
1892 | lithograph

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James Ward
Fight between a Lion and a Tiger...
1797 | oil on canvas

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James Ward
A Persian Horse, from 'Celebrate...
Undated | lithograph

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James Ward
Eagle, a Celebrated Stallion
Undated | oil on canvas

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James Ward
 
Undated | mezzotint

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James Ward
 
1840 | Oil on panel

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James Ward
 
140 | Graphite on paper

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James Ward
The Yeldham Oak at Great Yeldham...
1833 | oil on canvas

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James Ward
Fourteen Celebrated Horses: Adon...
Undated | lithograph/lithograph/lithograph

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James Ward
A Horseman in a Landscape: Proba...
1814 |

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James Ward
A Farmhand Riding Side-saddle, C...
184 | Graphite on paper

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James Ward
Portraits of two extraordinary o...
Undated | oil on panel

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James Ward
Lord Southamptons Shooting Pony
1822 | Graphite on paper

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James Ward
Fourteen Celebrated Horses: Adonis
Undated | lithograph

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James Ward
 
114 | Graphite on paper

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James Ward
Portraits of two extraordinary o...
Undated | oil on panel

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James Ward
Design for 'The Waterloo Allegor...
Undated | pen and black ink on paper

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James Ward
Interior of a Stable, 1810
1810 | oil on canvas

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James Ward
Man Struggling with a Boa Constr...
Undated |

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James Ward
The Rapids above the Falls of th...
Undated |

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James Ward
The Descent of the Swan, illustr...
Undated | oil on wood

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James Ward
A Canopied Boat and Two Rowing B...
171 | Watercolor on paper

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James Ward
The Dairy Farm, engraved by the ...
1801 | Mezzotint engraving

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James Ward
Portret van Adam Duncan The Rig...
Undated | paper

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James Ward
John Levett Hunting at Wychnor, ...
1814 |

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James Ward
Adonis, a white stallion
Undated |

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James Ward
 
undatiert | Graphite on paper

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James Ward
Ryelands Sheep, the Kings Ram, t...
1801 | Oil on panel

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James Ward
 
171 | Graphite on paper

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James Ward
Ralph John Lambton on His Hunter...
1802 |

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James Ward
 
257 | Graphite on paper

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James Ward
 
Undated |

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James Ward
 
Undated | Graphite and gray wash on medium, moderately textured, beige laid paper

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James Ward
Copenhagen, from 'Celebrated Hor...
Undated | lithograph

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James Ward
Sir John Leicester, Bt, Exercisi...
1824 | oil on canvas

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James Ward
Arctic dog, facing left
Undated | pencil on paper

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James Ward
Adonis, King George III"s Favour...
Undated | oil on panel

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James Ward
Summer, engraved by the artist, ...
Undated | Mezzotint engraving

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James Ward
Study of a Climbing Plant (Pumpk...
Undated | pencil heightened with white on blue paper

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James Ward
 
1835 | Oil on panel

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James Ward
 
1830 | Oil on panel

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James Ward
Lea Castle from above the Woods,...
1814 | pen and black ink on paper

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James Ward
 
Undated | oil on panel

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James Ward
Cossack Horse, from Celebrated H...
Undated | lithograph

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James Ward
 
Undated | Gray wash with pen and brown ink and pen and black ink on medium, smooth, cream wove paper

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James Ward
Crouching Man, study for 'The Tr...
Undated | charcoal and chalk on paper

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James Ward
 
165 | Graphite on paper

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James Ward
 
248 | Watercolor on paper

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James Ward
Study of Sculpture: from the Elg...
Undated | pencil on paper

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James Ward
 
175 | Watercolor on paper

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James Ward
The Beggars Oak, Bagots Park, Au...
1820 | Graphite on paper

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James Ward
Study of a Mountain with Trees (...
Undated | black chalk on paper

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James Ward
 
Undated | Brown ink and brown wash over graphite on medium, smooth, cream wove paper

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James Ward
 
Undated | Black and white and red chalk over graphite on thick, moderately textured, brown laid paper

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James Ward
Portrait of `Vic', a Spanish Blo...
Undated |

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James Ward
 
Undated | Graphite and gray wash on medium, smooth, cream wove paper

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James Ward
A Mare, Possibly a Study for "L'...
Undated |

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James Ward
Group portrait of John, Theophil...
1811 | oil on board

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James Ward
 
1795 | oil on canvas

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James Ward
A Broad-Wheeled Road Waggon
111 |

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James Ward
 
276 | Graphite on paper

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James Ward
 
149 | Watercolor on paper

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James Ward
 
Undated | Watercolor over graphite on medium, slightly textured, cream laid paper

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James Ward
 
Undated | Graphite and gray wash on medium, slightly textured, cream wove paper

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James Ward
 
Undated | oil on panel

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James Ward
 
undatiert | Graphite on paper

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James Ward
Study for the Oil Painting "The ...
Undated | Black chalk and white chalk on medium, slightly texture, brown wove paper mounted moderately thick, slightly textured, beige wove paper

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James Ward
The Cossack, Gregory Yelloserf, ...
Undated | black chalk and watercolour on paper

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James Ward
Mr Alfred Bonar's Arabian, Dare ...
Undated | oil on canvas

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James Ward
 
Undated | Watercolor and graphite on medium, moderately textured, cream laid paper

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James Ward
 
undatiert | Graphite on paper

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James Ward
Mrs Morland's Portrait, c.1800-0...
Undated | watercolour over pencil on paper

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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