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Victoria Club

James McNeill Whistler

1879 | Transfer lithograph in black ink with scraping, on ivory laid paper

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Victoria Club

James McNeill Whistler

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The Palaces

James McNeill Whistler

1879 | Etching, drypoint and open bite in black ink on ivory laid paper

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The Palaces

James McNeill Whistler

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Railway Arch, American Square

James McNeill Whistler

1887 | Etching with foul biting in black ink on off-white laid paper

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Railway Arch, American Square

James McNeill Whistler

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Bibi Valentin

James McNeill Whistler

1859 | Etching and drypoint in black ink with foul biting on ivory laid paper

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Bibi Valentin

James McNeill Whistler

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Portrait Study: Mrs. Philip

James McNeill Whistler

1896 | Transfer lithograph in black on ivory Japanese paper

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Portrait Study: Mrs. Philip

James McNeill Whistler

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The Menpes Children

James McNeill Whistler

1887 |

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The Menpes Children

James McNeill Whistler

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Old Battersea Bridge, No. 2

James McNeill Whistler

1887 | Etching and drypoint with foul biting in brown ink on cream laid paper

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Old Battersea Bridge, No. 2

James McNeill Whistler

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Cocks and Hens, Hôtel Colbert

James McNeill Whistler

1891 | Transfer lithograph in black on ivory laid paper

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Cocks and Hens, Hôtel Colbert

James McNeill Whistler

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Eagle Wharf

James McNeill Whistler

1859 | Etching with foul biting in black ink on cream laid paper

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Eagle Wharf

James McNeill Whistler

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Twelve Etchings from Nature: Little Arthur

James McNeill Whistler

Twelve Etchings from Nature: Li...

1858 |

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Twelve Etchings from Nature: Little Arthur

James McNeill Whistler

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Mrs Leyland, Sr.

James McNeill Whistler

1874 | Drypoint with foul biting, with scraped and drypoint cancellation, in black ink on ivory laid paper

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Mrs Leyland, Sr.

James McNeill Whistler

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The Garden

James McNeill Whistler

1879 |

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The Garden

James McNeill Whistler

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Saint George

James McNeill Whistler

San Giorgio

1879 | Etching and drypoint with foul biting in black ink on cream laid paper

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Saint George

James McNeill Whistler

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Gabled Roofs

James McNeill Whistler

1893 | Transfer lithograph in black with stumping, on cream laid paper

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Gabled Roofs

James McNeill Whistler

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Zaandam

James McNeill Whistler

1889 | Etching and drypoint with foul biting in black ink on ivory Japanese paper

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Zaandam

James McNeill Whistler

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The Little Putney

James McNeill Whistler

1879 | Etching and drypoint with foul biting in black ink on cream laid paper

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The Little Putney

James McNeill Whistler

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Long Venice

James McNeill Whistler

1879 | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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Long Venice

James McNeill Whistler

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The Priest's House, Rouen

James McNeill Whistler

1894 |

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The Priest's House, Rouen

James McNeill Whistler

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The Farriers

James McNeill Whistler

1888 | Transfer lithograph in black on cream wove proofing paper

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The Farriers

James McNeill Whistler

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Greenhithe

James McNeill Whistler

1877 | Drypoint in black ink on ivory laid paper

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Greenhithe

James McNeill Whistler

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Tête-à-tête in the Garden

James McNeill Whistler

1894 | Transfer lithograph in black on cream laid Japanese vellum

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Tête-à-tête in the Garden

James McNeill Whistler

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Bibi Lalouette

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on cream Japanese paper

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Bibi Lalouette

James McNeill Whistler

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Fruit Stall

James McNeill Whistler

1879 | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper

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Fruit Stall

James McNeill Whistler

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The Sisters

James McNeill Whistler

1894 | Transfer lithograph in black with scraping, on cream wove Japanese vellum

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The Sisters

James McNeill Whistler

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Reading by Lamplight

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Reading by Lamplight

James McNeill Whistler

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Nursemaid and Child

James McNeill Whistler

1859 | Etching with foul biting in black ink on ivory laid paper

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Nursemaid and Child

James McNeill Whistler

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Street at Saverne

James McNeill Whistler

1858 | Etching with foul biting in dark brown ink on off-white laid paper

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Street at Saverne

James McNeill Whistler

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Cameo, No. 1 (Mother and Child)

James McNeill Whistler

1891 |

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Cameo, No. 1 (Mother and Child)

James McNeill Whistler

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Newspaper-Stall, Rue de Seine

James McNeill Whistler

1893 | Etching with foul biting in dark brown ink on buff laid paper

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Newspaper-Stall, Rue de Seine

James McNeill Whistler

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J. Becquet, Sculptor

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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J. Becquet, Sculptor

James McNeill Whistler

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Mother and Child, No. 2

James McNeill Whistler

1891 | Transfer lithograph in black on cream laid paper

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Mother and Child, No. 2

James McNeill Whistler

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Mother and Child, No. 3

James McNeill Whistler

1891 | Transfer lithograph in black on cream Japanese paper

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Mother and Child, No. 3

James McNeill Whistler

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Entrance Gate

James McNeill Whistler

1887 | Transfer lithograph in black on cream laid paper

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Entrance Gate

James McNeill Whistler

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Quai de Montebello

James McNeill Whistler

1888 | Etching with foul biting in black ink on buff laid paper

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Quai de Montebello

James McNeill Whistler

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The Pantheon from the Terrace, Luxembourg Gardens

James McNeill Whistler

1893 | Etching with foul biting in black ink on ivory laid paper

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The Pantheon from the Terrace, Luxembourg Gardens

James McNeill Whistler

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Speke Shore

James McNeill Whistler

1875 | Drypoint in black ink on off-white laid paper

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Speke Shore

James McNeill Whistler

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Hussar (recto) Man with a Top Hat and Bandaged Head (verso)

James McNeill Whistler

1854 | Pen and black ink over graphite (recto), and graphite (verso), on cream wove paper

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Hussar (recto) Man with a Top Hat and Bandaged Head (verso)

James McNeill Whistler

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The Winged Hat

James McNeill Whistler

1890 | Transfer lithograph in black with scraping, on ivory wove paper

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The Winged Hat

James McNeill Whistler

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The Garden Porch

James McNeill Whistler

1894 | Transfer lithograph in black on cream laid Japanese vellum

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The Garden Porch

James McNeill Whistler

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Portrait Study: Miss Charlotte R. Williams

James McNeill Whistler

1892 | Transfer lithograph in black on cream laid paper

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Portrait Study: Miss Charlotte R. Williams

James McNeill Whistler

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Little Salute

James McNeill Whistler

1879 | Drypoint in black ink on ivory laid paper

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Little Salute

James McNeill Whistler

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Count Robert de Montesquiou, No. 2

James McNeill Whistler

1894 | Transfer lithograph in black with scraping, on grayish ivory China paper

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Count Robert de Montesquiou, No. 2

James McNeill Whistler

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Battersea Morn

James McNeill Whistler

1877 | Drypoint in black ink on ivory laid paper

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Battersea Morn

James McNeill Whistler

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Chelsea Rags

James McNeill Whistler

1888 | Transfer lithograph in black on tan laid paper

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Chelsea Rags

James McNeill Whistler

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Reading a Book

James McNeill Whistler

1873 | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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Reading a Book

James McNeill Whistler

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Tilbury

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream wove paper

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Tilbury

James McNeill Whistler

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From Billingsgate

James McNeill Whistler

1876 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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From Billingsgate

James McNeill Whistler

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Weary

James McNeill Whistler

1863 | Drypoint in black ink on cream Japanese paper

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Weary

James McNeill Whistler

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The Brothers

James McNeill Whistler

1895 | Transfer lithograph in black on cream laid paper

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The Brothers

James McNeill Whistler

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Thames Warehouses

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on cream laid paper

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Thames Warehouses

James McNeill Whistler

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Riva, No. 2

James McNeill Whistler

1879 | Etching and drypoint with foul biting in brownish black, with selective wiping of plate tone, on cream laid paper

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Riva, No. 2

James McNeill Whistler

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The Pretty New Yorker

James McNeill Whistler

La Jolie New Yorkaise

1894 | Transfer lithograph in black on ivory laid paper

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The Pretty New Yorker

James McNeill Whistler

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The Music Room

James McNeill Whistler

1859 | Etching, with selective wiping of plate tone, in black on off-white wove paper

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The Music Room

James McNeill Whistler

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The Slipper

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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The Slipper

James McNeill Whistler

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Thames Police

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Thames Police

James McNeill Whistler

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The Fair

James McNeill Whistler

1895 | Transfer lithograph in black on cream laid paper

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The Fair

James McNeill Whistler

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Girl Lying Down

James McNeill Whistler

1875 | Drypoint with foul biting, with scraped and drypoint cancellation, in black ink on ivory laid paper

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Girl Lying Down

James McNeill Whistler

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Nocturne, from the First Venice Set (Venice, A Series of Twelv...

James McNeill Whistler

1879 |

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Nocturne, from the First Venice Set (Venice, A Series of Twelve Etchings)

James McNeill Whistler

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Policeman and Citizen

James McNeill Whistler

1854 | Pen and black ink over graphite on cream wove paper

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Policeman and Citizen

James McNeill Whistler

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Lagoon - Noon

James McNeill Whistler

1879 |

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Lagoon - Noon

James McNeill Whistler

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Design cover for West Point Song of the Graduates

James McNeill Whistler

1852 |

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Design cover for West Point Song of the Graduates

James McNeill Whistler

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Portrait Study: Miss Charlotte R. Williams

James McNeill Whistler

1892 | Transfer lithograph in black on cream laid paper

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Portrait Study: Miss Charlotte R. Williams

James McNeill Whistler

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The Pierrot

James McNeill Whistler

1889 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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The Pierrot

James McNeill Whistler

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Black Lion Wharf

James McNeill Whistler

1859 |

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Black Lion Wharf

James McNeill Whistler

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Gatti's

James McNeill Whistler

1890 |

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Gatti's

James McNeill Whistler

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The Forge

James McNeill Whistler

1861 | Drypoint in black ink on cream Japanese paper

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The Forge

James McNeill Whistler

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The Pierrot

James McNeill Whistler

1889 | Etching and drypoint with foul biting in black ink on cream Japanese paper

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The Pierrot

James McNeill Whistler

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Little Drawbridge, Amsterdam

James McNeill Whistler

1889 | Etching with foul biting in dark brown ink on ivory Japanese paper

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Little Drawbridge, Amsterdam

James McNeill Whistler

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From Billingsgate

James McNeill Whistler

1876 | Drypoint in black ink on cream laid paper

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From Billingsgate

James McNeill Whistler

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Portrait of Dr. Whistler, No. 2

James McNeill Whistler

1894 | Transfer lithograph in black ink on grayish ivory laid proofing paper

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Portrait of Dr. Whistler, No. 2

James McNeill Whistler

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Long Lagoon

James McNeill Whistler

1879 | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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Long Lagoon

James McNeill Whistler

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The Little Balcony

James McNeill Whistler

1894 | Transfer lithograph in black on cream laid Japanese vellum

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The Little Balcony

James McNeill Whistler

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The Lime-Burner

James McNeill Whistler

1859 | Etching and drypoint with foul biting in black ink on ivory laid paper

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The Lime-Burner

James McNeill Whistler

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The Thames

James McNeill Whistler

1896 | Lithotint in black with scraping, on ivory chine, laid down on off-white plate paper

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The Thames

James McNeill Whistler

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Old Battersea Bridge, No. 2

James McNeill Whistler

1878 | Transfer lithograph in black on ivory plate paper

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Old Battersea Bridge, No. 2

James McNeill Whistler

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The Temple

James McNeill Whistler

1880 | Etching in black ink on ivory Asian laid paper

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The Temple

James McNeill Whistler

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Return to Tilbury

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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Return to Tilbury

James McNeill Whistler

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Fruit Stall

James McNeill Whistler

1879 | Etching and drypoint with foul biting in black ink on ivory laid paper

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Fruit Stall

James McNeill Whistler

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Self-Portrait

James McNeill Whistler

1871 | Black chalk with stumping, with touches of white chalk, on brown wove paper laid down on tan board

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Self-Portrait

James McNeill Whistler

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The Thames

James McNeill Whistler

1896 | Lithotint, in black ink, with scraping, on cream Japanese paper

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The Thames

James McNeill Whistler

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La Salute: Dawn

James McNeill Whistler

1879 | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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La Salute: Dawn

James McNeill Whistler

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Steamboat Fleet, Chelsea

James McNeill Whistler

1875 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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Steamboat Fleet, Chelsea

James McNeill Whistler

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San Biagio

James McNeill Whistler

1880 | Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to buff

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San Biagio

James McNeill Whistler

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Limehouse

James McNeill Whistler

1878 | Lithotint, on a prepared half-tint ground, in black with scraping and incising, on cream chine, laid down on ivory plate paper

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Limehouse

James McNeill Whistler

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The Little Lagoon

James McNeill Whistler

1879 | Etching, with drypoint cancellation, in dark brown ink on ivory laid paper

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The Little Lagoon

James McNeill Whistler

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Annie

James McNeill Whistler

1857 | Etching with foul biting in black ink on tan China paper, laid down on ivory wove paper (chine collé)

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Annie

James McNeill Whistler

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James McNeill Whistler

1861 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James McNeill Whistler

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Street at Saverne

James McNeill Whistler

1858 | Etching with foul biting in black ink on ivory Japanese paper

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Street at Saverne

James McNeill Whistler

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Lancer

James McNeill Whistler

1854 | Pen and black ink over graphite on cream wove paper

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Lancer

James McNeill Whistler

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Portrait Study: Mrs. Philip, No. 2

James McNeill Whistler

1897 | Transfer lithograph in black on ivory plate paper

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Portrait Study: Mrs. Philip, No. 2

James McNeill Whistler

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Sketches on the Coast Survey Plate

James McNeill Whistler

1854 | Etching in black ink on white wove paper

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Sketches on the Coast Survey Plate

James McNeill Whistler

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Conversation under the Statue, Luxembourg Gardens

James McNeill Whistler

1893 | Transfer lithograph in black with stumping, on ivory laid paper

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Conversation under the Statue, Luxembourg Gardens

James McNeill Whistler

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Quiet Canal

James McNeill Whistler

1879 | Cancelled copper plate

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Quiet Canal

James McNeill Whistler

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Long Lagoon

James McNeill Whistler

1879 | Cancelled copper plate

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Long Lagoon

James McNeill Whistler

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The Doorway

James McNeill Whistler

1879 | Etching in black ink on ivory Asian laid paper

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The Doorway

James McNeill Whistler

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Sketching

James McNeill Whistler

1861 | Etching and drypoint with foul biting in black ink on ivory wove paper

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Sketching

James McNeill Whistler

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Fruit Stall

James McNeill Whistler

1879 | Etching and drypoint with foul biting in brown ink on ivory laid paper

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Fruit Stall

James McNeill Whistler

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The Pierrot

James McNeill Whistler

1889 | Etching in brown ink on cream laid paper

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The Pierrot

James McNeill Whistler

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Mairie, Loches

James McNeill Whistler

1888 | Etching and drypoint with foul biting in dark brown ink on cream laid paper

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Mairie, Loches

James McNeill Whistler

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Study

James McNeill Whistler

1878 | Lithotint in blue, with scraping, on brown wove paper

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Study

James McNeill Whistler

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Page 4 / 18

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James McNeill Whistler | Page 4

James McNeill Whistler | Page 4

What our customers think about us

Frequently Asked Questions about Meisterdrucke

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Canvas

Photo Paper

Watercolor Board

Natural Line

Japanese Paper

Special Media

More information

Info & Service

More information

Good to know

Legal information

James McNeill Whistler | Page 4

James McNeill Whistler | Page 4

What our customers think about us

Frequently Asked Questions about Meisterdrucke

How does personalization work?

How can I tell if the picture fits in my room?

How do I choose the right medium?

I'm not sure if I have configured my picture correctly!

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