James McNeill Whistler

Artworks by James McNeill Whistler

1777 artworks found

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1.777 artworks found

Violet and Silver—The Deep Sea

James McNeill Whistler

1893 |

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Violet and Silver—The Deep Sea

James McNeill Whistler

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Blue and Coral: The Little Blue Bonnet

James McNeill Whistler

Blue and Coral: The Little Blue...

1898 |

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Blue and Coral: The Little Blue Bonnet

James McNeill Whistler

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Nocturne, from Venice, a Series of Twelve Etchings (the "First...

James McNeill Whistler

1879 | Etching and drypoint in brown on cream laid paper

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Nocturne, from Venice, a Series of Twelve Etchings (the "First Venice Set")

James McNeill Whistler

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The Boy (Charlie Hanson)

James McNeill Whistler

1875 | Drypoint in black ink on ivory laid paper

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The Boy (Charlie Hanson)

James McNeill Whistler

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Black Lion Wharf, from the Thames Set (A Series of Sixteen Etc...

James McNeill Whistler

1859 |

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Black Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)

James McNeill Whistler

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Black Lion Wharf, from the Thames Set (A Series of Sixteen Etc...

James McNeill Whistler

1859 |

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Black Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)

James McNeill Whistler

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The Steps, Amsterdam

James McNeill Whistler

1889 | Etching with foul biting in brown ink on ivory Japanese paper

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The Steps, Amsterdam

James McNeill Whistler

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The Little Lagoon, from the First Venice Set (Venice, A Series...

James McNeill Whistler

1879 |

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The Little Lagoon, from the First Venice Set (Venice, A Series of Twelve Etchings)

James McNeill Whistler

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The Long Lagoon, from the Second Venice Set (A Set of Twenty-s...

James McNeill Whistler

1879 |

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The Long Lagoon, from the Second Venice Set (A Set of Twenty-six Etchings)

James McNeill Whistler

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Fumette, Standing

James McNeill Whistler

1859 | Drypoint with plate tone in warm black on cream Japanese paper

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Fumette, Standing

James McNeill Whistler

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Afternoon Tea

James McNeill Whistler

1897 | Transfer lithograph in black ink on ivory Chinese paper

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Afternoon Tea

James McNeill Whistler

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Pickle Herring Wharf

James McNeill Whistler

1876 | Etching and drypoint with foul biting in black ink on off-white laid paper

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Pickle Herring Wharf

James McNeill Whistler

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The Bridge, Santa Marta

James McNeill Whistler

1879 | Etching and drypoint with foul biting in black ink on cream laid paper

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The Bridge, Santa Marta

James McNeill Whistler

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The Draped Figure Seated

James McNeill Whistler

1893 |

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The Draped Figure Seated

James McNeill Whistler

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The Little Venice, from the First Venice Set (Venice, A Series...

James McNeill Whistler

1879 |

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The Little Venice, from the First Venice Set (Venice, A Series of Twelve Etchings)

James McNeill Whistler

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Black Lion Wharf, from A Series of Sixteen Etchings of Scenes ...

James McNeill Whistler

Black Lion Wharf, from A Series ...

1859 | Etching with foul biting in black on off-white laid paper

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Black Lion Wharf, from A Series of Sixteen Etchings of Scenes on the Thames

James McNeill Whistler

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The ‘Adam and Eve’, Old Chelsea

James McNeill Whistler

1878 |

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The ‘Adam and Eve’, Old Chelsea

James McNeill Whistler

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The Long Gallery, Louvre

James McNeill Whistler

1894 | Transfer lithograph in black with stumping, on cream wove paper

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The Long Gallery, Louvre

James McNeill Whistler

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Firelight (Mrs. Pennell)

James McNeill Whistler

1896 |

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Firelight (Mrs. Pennell)

James McNeill Whistler

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The Clock-Makers, Paimpol

James McNeill Whistler

1893 | Transfer lithograph in black on cream laid paper

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The Clock-Makers, Paimpol

James McNeill Whistler

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Churchyard

James McNeill Whistler

1887 | Transfer lithograph in black on cream laid paper

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Churchyard

James McNeill Whistler

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Illustration for "Count Bruckhardt" in "Once a Week"

James McNeill Whistler

1862 |

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Illustration for "Count Bruckhardt" in "Once a Week"

James McNeill Whistler

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The “Adam and Eve,” Old Chelsea

James McNeill Whistler

The "Adam and Eve," Old Chelsea

1878 |

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The “Adam and Eve,” Old Chelsea

James McNeill Whistler

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The Dance House: Nocturne

James McNeill Whistler

1889 | Etching with foul biting in dark brown ink on cream laid paper

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The Dance House: Nocturne

James McNeill Whistler

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The Traghetto, No. 2

James McNeill Whistler

1880 | Etching and drypoint with foul biting in black ink on ivory Japanese paper

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The Traghetto, No. 2

James McNeill Whistler

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The Old Swan Brewery, Chelsea

James McNeill Whistler

1872 | Etching in dark brown ink on ivory laid paper

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The Old Swan Brewery, Chelsea

James McNeill Whistler

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Ponte del Piovan

James McNeill Whistler

1879 | Cancelled copper plate

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Ponte del Piovan

James McNeill Whistler

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Chelsea Bridge and Church, from the Thames Set (A Series of Si...

James McNeill Whistler

1871 |

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Chelsea Bridge and Church, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)

James McNeill Whistler

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Nocturne

James McNeill Whistler

1878 | Lithotint with scraping, on a prepared half-tint ground, in black on ivory Japanese paper

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Nocturne

James McNeill Whistler

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Coast Scene, Bathers

James McNeill Whistler

1884 | oil on panel

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Coast Scene, Bathers

James McNeill Whistler

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J. Becquet, Sculptor

James McNeill Whistler

1859 |

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J. Becquet, Sculptor

James McNeill Whistler

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Sketch after "Arrangement in Brown and Black: Portrait of Miss...

James McNeill Whistler

1879 |

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Sketch after "Arrangement in Brown and Black: Portrait of Miss Rosa Corder"

James McNeill Whistler

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Firelight: Joseph Pennell, No. 1

James McNeill Whistler

1896 | Transfer lithograph in black on cream laid paper

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Firelight: Joseph Pennell, No. 1

James McNeill Whistler

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Church Doorway, Edgware

James McNeill Whistler

Church Doorway, EdgwareImpressio...

1887 | Etching in black ink on cream laid paper

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Church Doorway, Edgware

James McNeill Whistler

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Street at Saverne

James McNeill Whistler

1858 | Etching with foul biting in black ink on tan Japanese paper

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Street at Saverne

James McNeill Whistler

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Binding the Hair

James McNeill Whistler

1887 | Etching with drypoint in black ink on cream laid paper

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Binding the Hair

James McNeill Whistler

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Study for "Arrangement in Grey and Black, No. 2: Portrait of T...

James McNeill Whistler

1872 |

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Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"

James McNeill Whistler

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The Muff

James McNeill Whistler

1874 | Drypoint in black on ivory laid paper

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The Muff

James McNeill Whistler

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Mother and Child, No. 4

James McNeill Whistler

1891 | Transfer lithograph in black on ivory Japanese paper

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Mother and Child, No. 4

James McNeill Whistler

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The Beach, Hastings

James McNeill Whistler

1875 | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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The Beach, Hastings

James McNeill Whistler

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The Steps, Amsterdam

James McNeill Whistler

1889 | Etching with foul biting in brown ink on cream Japanese paper

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The Steps, Amsterdam

James McNeill Whistler

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The Church - Brussels (Adoration)

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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The Church - Brussels (Adoration)

James McNeill Whistler

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Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis...

James McNeill Whistler

1872 |

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Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso)

James McNeill Whistler

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The Pantheon, from the Terrace of the Luxembourg Gardens

James McNeill Whistler

1893 | Transfer lithograph in black with stumping, on cream laid paper

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The Pantheon, from the Terrace of the Luxembourg Gardens

James McNeill Whistler

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Arrangement in Flesh Colour and Black: Portrait of Theodore Duret

James McNeill Whistler

1883 |

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Arrangement in Flesh Colour and Black: Portrait of Theodore Duret

James McNeill Whistler

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Policeman and Citizen

James McNeill Whistler

1854 | Pen and black ink over graphite on cream wove paper

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Policeman and Citizen

James McNeill Whistler

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The Duet, No. 2

James McNeill Whistler

1894 | Transfer lithograph in black on grayish ivory China paper

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The Duet, No. 2

James McNeill Whistler

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Hôtel Colbert, Windows

James McNeill Whistler

1891 | Transfer lithograph in black on ivory laid paper

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Hôtel Colbert, Windows

James McNeill Whistler

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Battersea: Early Morning

James McNeill Whistler

1875 | Etching and drypoint with foul biting, with drypoint and scraped cancellation, in black ink on ivory wove paper

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Battersea: Early Morning

James McNeill Whistler

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Chancellerie, Loches

James McNeill Whistler

1888 | Etching with foul biting in black ink on cream laid paper

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Chancellerie, Loches

James McNeill Whistler

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The Duet

James McNeill Whistler

1894 | Transfer lithograph in black on cream laid paper

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The Duet

James McNeill Whistler

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Sketch after "Arrangement in Black: Lady Meux"

James McNeill Whistler

1881 |

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Sketch after "Arrangement in Black: Lady Meux"

James McNeill Whistler

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The Dancing Girl

James McNeill Whistler

1889 | Transfer lithograph in black on ivory laid paper

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The Dancing Girl

James McNeill Whistler

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Bridge, Amsterdam

James McNeill Whistler

1889 | Etching with foul biting in black ink on ivory laid paper

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Bridge, Amsterdam

James McNeill Whistler

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Arrangement in Black: Girl Reading

James McNeill Whistler

1880 |

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Arrangement in Black: Girl Reading

James McNeill Whistler

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Sketch of William E. Henley

James McNeill Whistler

1896 | Transfer lithograph in black with stumping, on ivory laid paper

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Sketch of William E. Henley

James McNeill Whistler

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Courtyard, Chelsea Hospital

James McNeill Whistler

1888 | Lithograph, in black ink, with stumping, on cream wove paper

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Courtyard, Chelsea Hospital

James McNeill Whistler

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The 'Adam and Eve,' Old Chelsea

James McNeill Whistler

The "Adam and Eve," Old Chelsea

1878 | Etching and drypoint with foul biting in black ink on off-white laid paper

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The 'Adam and Eve,' Old Chelsea

James McNeill Whistler

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Court of the Monastery of St Augustine, Bourges

James McNeill Whistler

1888 | Etching with foul biting in dark brown ink on ivory laid paper

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Court of the Monastery of St Augustine, Bourges

James McNeill Whistler

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The Kitchen

James McNeill Whistler

1858 | Etching in black ink with foul biting on off-white China paper laid down on ivory wove paper (chine collé)

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The Kitchen

James McNeill Whistler

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Sketch of William E. Henley

James McNeill Whistler

1896 | Transfer lithograph in black with stumping, on ivory laid paper

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Sketch of William E. Henley

James McNeill Whistler

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Girl with Bowl

James McNeill Whistler

1895 |

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Girl with Bowl

James McNeill Whistler

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Mother and Child, No. 1

James McNeill Whistler

1891 | Transfer lithograph, with scraping and stumping, in black on cream laid paper

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Mother and Child, No. 1

James McNeill Whistler

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The Fleet: Monitors

James McNeill Whistler

1887 |

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The Fleet: Monitors

James McNeill Whistler

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From Pickle-Herring Stairs

James McNeill Whistler

1878 |

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From Pickle-Herring Stairs

James McNeill Whistler

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The "Adam and Eve," Old Chelsea

James McNeill Whistler

1878 | Etching and drypoint in black ink on cream Japanese paper

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The "Adam and Eve," Old Chelsea

James McNeill Whistler

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Old Putney Bridge

James McNeill Whistler

1879 |

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Old Putney Bridge

James McNeill Whistler

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Chelsea Rags

James McNeill Whistler

1888 | Transfer lithograph in black on tan laid paper

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Chelsea Rags

James McNeill Whistler

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Mother and Daughter

James McNeill Whistler

Mother and Daughter [La Mère Mal...

1897 | Counterproof of transfer lithograph with stumping, in black, on off-white wove paper

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Mother and Daughter

James McNeill Whistler

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The Pool

James McNeill Whistler

1859 |

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The Pool

James McNeill Whistler

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Cameo, No. 2

James McNeill Whistler

1891 | Etching with foul biting in black ink on ivory laid paper

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Cameo, No. 2

James McNeill Whistler

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Cocks and Hens, Hotel Colbert

James McNeill Whistler

1891 |

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Cocks and Hens, Hotel Colbert

James McNeill Whistler

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Balcony, Amsterdam

James McNeill Whistler

1889 | Etching and drypoint in black ink on ivory laid paper

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Balcony, Amsterdam

James McNeill Whistler

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The Balcony

James McNeill Whistler

1879 | Cancelled copper plate

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The Balcony

James McNeill Whistler

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Study: Joseph Pennell

James McNeill Whistler

1896 | Transfer lithograph in black on cream wove Japanese vellum

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Study: Joseph Pennell

James McNeill Whistler

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Black Lion Wharf

James McNeill Whistler

1859 |

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Black Lion Wharf

James McNeill Whistler

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The Market, Bruges

James McNeill Whistler

1887 | Etching with foul biting in black ink on cream laid paper

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The Market, Bruges

James McNeill Whistler

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A Portrait: Mildred Howells

James McNeill Whistler

1894 | Transfer lithograph in black with scraping, on ivory laid paper

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A Portrait: Mildred Howells

James McNeill Whistler

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The Pool

James McNeill Whistler

1859 | Etching with foul biting in black ink on cream Japanese paper

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The Pool

James McNeill Whistler

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Nocturne: Palaces

James McNeill Whistler

1879 | Etching and drypoint in black on ivory laid paper

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Nocturne: Palaces

James McNeill Whistler

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The Marketplace, Vitré

James McNeill Whistler

1893 | Transfer lithograph in black on cream laid paper

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The Marketplace, Vitré

James McNeill Whistler

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Nursemaids: 'Les Bonnes du Luxembourg'

James McNeill Whistler

Nursemaids: "Les Bonnes du Luxem...

1894 | Transfer lithograph in black on cream laid paper

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Nursemaids: 'Les Bonnes du Luxembourg'

James McNeill Whistler

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Unfinished Sketch of Lady Haden

James McNeill Whistler

1895 | Lithograph, in black ink, with scraping, on grayish white chine, laid down on ivory plate paper

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Unfinished Sketch of Lady Haden

James McNeill Whistler

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The Fleet: Monitors

James McNeill Whistler

1887 | Etching and drypoint with foul biting in black ink on cream laid paper

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The Fleet: Monitors

James McNeill Whistler

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The Music-Room

James McNeill Whistler

1859 | Etching with foul biting in black ink on off-white wove paper

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The Music-Room

James McNeill Whistler

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The Cap

James McNeill Whistler

1893 | Lithograph, in black ink, on greenish ivory laid paper

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The Cap

James McNeill Whistler

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The Novel: Girl Reading

James McNeill Whistler

1889 | Transfer lithograph in black on tan laid paper

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The Novel: Girl Reading

James McNeill Whistler

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Battersea Dawn (Cadogan Pier)

James McNeill Whistler

1863 | Etching and drypoint with foul biting and plate tone in black on cream laid paper

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Battersea Dawn (Cadogan Pier)

James McNeill Whistler

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Portrait Study: Miss Rosalind Birnie Philip

James McNeill Whistler

1896 | Transfer lithograph in black ink on cream laid paper

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Portrait Study: Miss Rosalind Birnie Philip

James McNeill Whistler

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The Little Rotherhithe

James McNeill Whistler

1861 | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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The Little Rotherhithe

James McNeill Whistler

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An Interior

James McNeill Whistler

1891 | Transfer lithograph in black on cream wove proofing paper

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An Interior

James McNeill Whistler

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Early Morning, Battersea

James McNeill Whistler

1861 |

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Early Morning, Battersea

James McNeill Whistler

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The Laundress: "La Blanchisseuse de la place Dauphine"

James McNeill Whistler

1894 | Transfer lithograph in black on ivory laid paper

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The Laundress: "La Blanchisseuse de la place Dauphine"

James McNeill Whistler

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The Novel: Girl Reading

James McNeill Whistler

1889 | Transfer lithograph in black on cream laid paper

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The Novel: Girl Reading

James McNeill Whistler

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Lindsey Houses

James McNeill Whistler

1876 | Drypoint in black ink on off-white paper

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Lindsey Houses

James McNeill Whistler

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The Forge, Passage du Dragon

James McNeill Whistler

1894 | Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper

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The Forge, Passage du Dragon

James McNeill Whistler

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The Garden Porch

James McNeill Whistler

1894 | Transfer lithograph in black on cream laid Japanese vellum

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The Garden Porch

James McNeill Whistler

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Firelight

James McNeill Whistler

1896 | Transfer lithograph in black on ivory laid paper

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Firelight

James McNeill Whistler

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San Giorgio

James McNeill Whistler

1879 | Cancelled copper plate

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San Giorgio

James McNeill Whistler

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The Palaces

James McNeill Whistler

1879 | Etching, drypoint and open bite in dark brown ink on ivory laid paper

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The Palaces

James McNeill Whistler

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Born	July 11, 1834 (Lowell)
Died	July 17, 1903 (Chelsea) at the age of 69
Nationality	United States of America
Epochs	Ästhetizismus
Genre	portrait, architectural painting, history painting, landscape, nude, marine painting
Profession	painter, etcher, illustrator, writer, lithographer, graphic artist
Family	Father: George Washington Whistler Mother: Anna McNeill Whistler Spouse: Beatrice Whistler Sibling: William McNeill Whistler
Teacher	Charles Gleyre
Student	May Wilson Preston
Memberships	Burlington Fine Arts Club, International Society of Sculptors, Painters and Gravers
Notable works	Arrangement in Grau und Schwarz: Porträt der Mutter des Künstlers (1871), Symphony in weiss, No. 1: Mädchen in weiss (1860), Nocturne in Schwarz und Gold: Die fallende Rakete (1875), Symphonie in Weiß Nr. 2, Mädchen in Weiß (1864), Die alte Battersea Brücke: Nocturne-Blau und Gold (1872)
Museums	Art Institute of Chicago, Cleveland Museum of Art, National Gallery of Art, Metropolitan Museum of Art, Los Angeles County Museum of Art (LACMA)

Born	July 11, 1834 (Lowell)
Died	July 17, 1903 (Chelsea) at the age of 69
Nationality	United States of America
Epochs	Ästhetizismus
Genre	portrait, architectural painting, history painting, landscape, nude, marine painting
Profession	painter, etcher, illustrator, writer, lithographer, graphic artist
Family	Father: George Washington Whistler Mother: Anna McNeill Whistler Spouse: Beatrice Whistler Sibling: William McNeill Whistler
Teacher	Charles Gleyre
Student	May Wilson Preston
Memberships	Burlington Fine Arts Club, International Society of Sculptors, Painters and Gravers
Notable works	Arrangement in Grau und Schwarz: Porträt der Mutter des Künstlers (1871), Symphony in weiss, No. 1: Mädchen in weiss (1860), Nocturne in Schwarz und Gold: Die fallende Rakete (1875), Symphonie in Weiß Nr. 2, Mädchen in Weiß (1864), Die alte Battersea Brücke: Nocturne-Blau und Gold (1872)
Museums	Art Institute of Chicago, Cleveland Museum of Art, National Gallery of Art, Metropolitan Museum of Art, Los Angeles County Museum of Art (LACMA)

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