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James Gillray
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

James Gillray

United Kingdom of Great Britain and Northern Ireland · 1756–1815 · Caricatures, Comics · 1348 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
James Gillray
1756–1815
Born August 13, 1756 (Chelsea)
Died June 1, 1815 (London) at the age of 58
Nationality United Kingdom of Great Britain and Northern Ireland
Epochs Caricatures, Comics
Profession caricaturist, graphic artist, draftsperson, illustrator, cartoonist, cartographer
Notable works The Death of the Great Wolf (1795), The American Rattle Snake (1782), British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billy's Old Boat, and the Little Corsican tottering on the Clouds of Ambition (1807), Uncorking Old Sherry (1805), The Reflection: Grotesque Fat man Looking in a Hand Mirror
Museums Art Institute of Chicago, Yale Center for British Art, Paris Musées, Yale University Art Gallery, Princeton University Art Museum
James Gillray

James Gillray

    August 3, 1757   -   June 1, 1815

James Gillray was born in London in the Chelsey district. His father was Scottish and a war veteran. The young Gillray learned the profession of letter engraver and was later accepted as a student at the Royal Academy, working as an engraver time and again to finance his studies and livelihood. From a very young age he was interested in caricature, he especially loved William Hogarth, a very famous caricaturist of the 18th century who was his great idol. Very soon Gillray also began to publish caricatures himself, albeit at first under a fictitious name. Only little by little did drawings with his name appear. For many contemporaries and even today James Gillrey is considered "the father of political and social caricature". Of course, he also lived in a time of great political and social upheavals and also in a time when caricature as an important means of expression for depicting events and their interpretation became fashionable and suitable for the masses. Gillrey's intellect, his wit, his sometimes pitch-black humour and his gift for observation, but also his great talent for drawing made his works unique.

In his private life he was not so successful and happy. He suffered from arthritis or gout in his hands at a younger age, which caused him great pain, and his vision was also increasingly poor. Disabled in his work, he became melancholy and increasingly addicted to alcohol. James Gillray did not start a family either, but he probably lived with his publisher Hannah Humphrey for many years and thought about marrying her from time to time. At least contemporaries ascribe a relationship to the two and it is a fact that Hannah Humphrey took care of Gillray after he wanted to take his own life by jumping out of a window in 1811. He survived, but was repeatedly confronted with severe depressions and psychoses. In 1815 the artist died at the age of only 58 years. Among collectors the caricatures of James Gillray are still very popular. Key prints such as "Fashionable Contrasts" and "Light Expelling Darkness" have already fetched prices of 10,000 to 20,000 US dollars at auctions.

Artworks by James Gillray

1348 artworks found
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1.348 artworks found

James Gillray
The Plum Pudding in danger or St...
1805 | hand coloured engraving

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James Gillray
Nelson's Victory, or Good News o...
1798 |

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James Gillray
A Voluptuary Under the Horrors o...
Undated | etching

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James Gillray
The Grand Coronation Procession ...
Undated |

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James Gillray
Le Baiser a la Wirtembourg, publ...
1797 | hand-coloured etching

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James Gillray
New Morality, or The promis'd In...
1798 |

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James Gillray
Germans Eating Sour-Krout
1803 | Hand-colored etching on paper

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James Gillray
Destruction of the French Coloss...
Undated |

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James Gillray
Dido in Despair, published by Ha...
1801 | hand-coloured etching

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James Gillray
Fashionable Contrasts, or The Du...
1792 | etching with watercolour

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James Gillray
John Bull Taking a Luncheon, or ...
1798 | hand-coloured etching

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James Gillray
Tales of Wonder, pub. H. Humphre...
1802 | hand-coloured etching

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James Gillray
Fighting for the Dunghill or Jac...
1798 | hand coloured engraving

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James Gillray
The First Kiss in Ten Years! or ...
1803 | hand-coloured etching with aquatint

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James Gillray
A Cockney and his Wife going to ...
1805 | hand-coloured etching with aquatint

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James Gillray
A new way to pay the National De...
1786 | hand coloured engraving

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James Gillray
Disciples catching the Mantle: t...
1808 | hand-coloured etching

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James Gillray
A Masonic Anecdote, pub. 1786 (h...
1786 | hand coloured engraving

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James Gillray
John Bull and The Sinking Fund -...
1807 | hand-coloured engraving

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James Gillray
The National Parachute, or John ...
1802 | hand-coloured etching

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James Gillray
The Grand Coronation Procession ...
1804 | etching, engraving and aquatint

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James Gillray
The National Parachute or John B...
1802 | hand coloured engraving

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James Gillray
The First Kiss this Ten Years! O...
1803 | hand coloured engraving

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James Gillray
New way to pay the national-debt...
1786 |

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James Gillray
John Bull and the Sinking Fund o...
1807 | hand-coloured etching

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James Gillray
A New Way to Pay the National De...
1786 | hand-coloured etching and engraving

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James Gillray
A keen sighted Politician warmin...
1795 | hand-coloured etching

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James Gillray
L'Assemblee Nationale, or Grand ...
1804 | hand-coloured etching

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James Gillray
Louis XVI (1754-93) Taking Leave...
1793 | coloured engraving

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James Gillray
The Plum Pudding in Danger, 1805...
Undated | colour engraving

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James Gillray
The Shadow of a Duke, published ...
1795 | hand-coloured etching

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James Gillray
Irish Gratitude, published by Ha...
1782 | hand-coloured etching

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James Gillray
Disciples catching the mantle - ...
1808 | hand coloured etching

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James Gillray
John Bull's Progress, pub. by Ha...
1793 | etching

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James Gillray
Maconic Anecdote/A Masonic Anedc...
Undated | engraving

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James Gillray
The Cow Pock or the Wonderful Ef...
1809 | coloured engraving

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James Gillray
Taking Physick; - or - The News...
1792 |

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James Gillray
Political Amusements for Young G...
1801 | hand-coloured etching

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James Gillray
Monstrous Craws, at a New Coalti...
1787 | hand coloured engraving

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James Gillray
National Conveniences, published...
1796 | hand-coloured etching

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James Gillray
The Lover's Dream, 1795
1795 | engraving

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James Gillray
Les commodites nationales. (desc...
1769 | watercolour

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James Gillray
National Conveniences, pub. 1796...
1796 | hand coloured engraving

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James Gillray
 
1786 | coloured engraving

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James Gillray
The Devil to Pay: The Wife Metam...
1791 | hand-coloured etching

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James Gillray
The Kiss at Würtemberg
Undated |

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James Gillray
Britania's Assassination..or - T...
1782 |

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James Gillray
The Bear and his Leader, publish...
1806 | hand-coloured etching

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James Gillray
A Peep at Christies, or Tally-ho...
1796 | etching, engraving, aquatint and watercolour on paper

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James Gillray
The Prophet of the Hebrews: the ...
1795 | hand-coloured etching

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James Gillray
Tiddy-Doll the great French Ging...
1806 | coloured engraving

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James Gillray
The Finishing Touch, published b...
1791 | hand-coloured etching

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James Gillray
Patriots Deciding a Point of Hon...
1807 | hand-coloured etching

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James Gillray
Georgey a' Cockhorse, published ...
1796 |

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James Gillray
Design for the Naval Pillar, 180...
18th century | coloured etching

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James Gillray
Boxing match between Thomas Futr...
1788 | etching

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James Gillray
The National Assembly petrified,...
1791 |

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James Gillray
The Pillar of the Constitution, ...
1835 | engraving

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James Gillray
Scientific Researches! New Disco...
Undated | coloured etching

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James Gillray
A Pig in a Poke, published by S....
1788 | hand-coloured etching

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James Gillray
Political Candour, i.e. Coalitio...
1805 | hand-coloured etching

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James Gillray
Cupid, published by Hannah Humph...
1799 | hand-coloured etching

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James Gillray
Taming of the Shrew: Katherine &...
1791 | hand coloured engraving

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James Gillray
Pizarro contemplating over the p...
1799 | coloured engraving

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James Gillray
Egyptian Sketches, published by ...
1799 | hand-coloured etching

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James Gillray
Dido's despair, caricature makin...
1801 | engraving

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James Gillray
The Comforts of a Rumford Stove,...
18th century | coloured engraving

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James Gillray
A Second Jean d'Arc (c.1412-31) ...
1793 | etching

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James Gillray
The Vulture of the Constitution,...
1789 | etching

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James Gillray
The high flying Candidate (i.e L...
1806 | hand-coloured etching

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James Gillray
 
1807 | Farbgravur

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James Gillray
Following Fashion, pub. 1794 (ha...
1794 | hand coloured engraving

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James Gillray
Portrait of Charles Howard, Duke...
18th century | hand-coloured etching

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James Gillray
Leaving off Powder, or A Frugal ...
1795 | hand-coloured etching

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James Gillray
Shakespeare Sacrificed or The Of...
1789 | coloured engraving

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James Gillray
Old England, New France, The Con...
1796 | coloured engraving

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James Gillray
The Balance of Power or The Post...
1791 | hand coloured engraving

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James Gillray
Sir Richard Worse-than-Sly, Expo...
1782 | hand coloured engraving

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James Gillray
Dido in Despair, published by Ha...
1801 | hand-coloured etching

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James Gillray
 
Undated | etching and engraving on laid paper

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James Gillray
Lieutenant Governor Gall-Stone, ...
1790 | hand-coloured engraving

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James Gillray
Waltzer au Mouchoir, published b...
18th century | hand-coloured etching

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James Gillray
Portrait of an Irish Chief, draw...
1798 | engraving

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James Gillray
A Witch upon a Mounts Edge; vide...
1791 | hand coloured engraving

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James Gillray
A Scotch Poney, commonly call'd ...
1803 | hand-coloured etching

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James Gillray
The Worn Out Patriot, or The Las...
18th century | hand-coloured etching

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James Gillray
Titianus Redivivus or the Seven ...
1797 | hand coloured engraving

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James Gillray
The Balance of Power, or The Pos...
1791 | hand-coloured etching

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James Gillray
The Comforts of a Rumford Stove,...
18th century | etching with watercolour

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James Gillray
Bonaparte hearing of Nelsons Vic...
1798 | hand-coloured engraving

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James Gillray
United Irishmen in Training, pub...
1798 | aquatint

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Page 1 / 14

About the artist

James Gillray
James Gillray
1756–1815
BornAugust 13, 1756 (Chelsea)
DiedJune 1, 1815 (London) at the age of 58
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsCaricatures, Comics
Professioncaricaturist, graphic artist, draftsperson, illustrator, cartoonist, cartographer
Notable worksThe Death of the Great Wolf (1795), The American Rattle Snake (1782), British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billy's Old Boat, and the Little Corsican tottering on the Clouds of Ambition (1807), Uncorking Old Sherry (1805), The Reflection: Grotesque Fat man Looking in a Hand Mirror
MuseumsArt Institute of Chicago, Yale Center for British Art, Paris Musées, Yale University Art Gallery, Princeton University Art Museum

James Gillray was born in London in the Chelsey district. His father was Scottish and a war veteran. The young Gillray learned the profession of letter engraver and was later accepted as a student at the Royal Academy, working as an engraver time and again to finance his studies and livelihood. From a very young age he was interested in caricature, he especially loved William Hogarth, a very famous caricaturist of the 18th century who was his great idol. Very soon Gillray also began to publish caricatures himself, albeit at first under a fictitious name. Only little by little did drawings with his name appear. For many contemporaries and even today James Gillrey is considered "the father of political and social caricature". Of course, he also lived in a time of great political and social upheavals and also in a time when caricature as an important means of expression for depicting events and their interpretation became fashionable and suitable for the masses. Gillrey's intellect, his wit, his sometimes pitch-black humour and his gift for observation, but also his great talent for drawing made his works unique.

In his private life he was not so successful and happy. He suffered from arthritis or gout in his hands at a younger age, which caused him great pain, and his vision was also increasingly poor. Disabled in his work, he became melancholy and increasingly addicted to alcohol. James Gillray did not start a family either, but he probably lived with his publisher Hannah Humphrey for many years and thought about marrying her from time to time. At least contemporaries ascribe a relationship to the two and it is a fact that Hannah Humphrey took care of Gillray after he wanted to take his own life by jumping out of a window in 1811. He survived, but was repeatedly confronted with severe depressions and psychoses. In 1815 the artist died at the age of only 58 years. Among collectors the caricatures of James Gillray are still very popular. Key prints such as "Fashionable Contrasts" and "Light Expelling Darkness" have already fetched prices of 10,000 to 20,000 US dollars at auctions.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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