Even as a child and throughout his life, Gunter Langer has been fascinated by the depiction of people. Translating emotions into lines fascinated him. He began with portraits and later discovered that the human body can also develop emotions and expressiveness. Gunter Langer works intensively with people to find image compositions.rnrnHis aim is to construct the image from a few lines that are drawn only once, giving the lines expressiveness in the unique process of drawing. This is the complex process of abstracting reality and then transforming it into a single line.rnrnIn drawing, the aim is to use individual, free-standing lines that correspond with each other and possess harmony to create more expressiveness than a photograph can. The application of colour is intended to enhance this even further. For Gunter Langer, this is not simply imitating nature, nor is it solely the expressive transformation of nature into rough shapes and colours, but rather the creation of an additional abstraction of emotions, the implementation of which profoundly increases the expressiveness. Tiny bends in contours, lines and brushstrokes create this emotional effect.
Even as a child and throughout his life, Gunter Langer has been fascinated by the depiction of people. Translating emotions into lines fascinated him. He began with portraits and later discovered that the human body can also develop emotions and expressiveness. Gunter Langer works intensively with people to find image compositions.rnrnHis aim is to construct the image from a few lines that are drawn only once, giving the lines expressiveness in the unique process of drawing. This is the complex process of abstracting reality and then transforming it into a single line.rnrnIn drawing, the aim is to use individual, free-standing lines that correspond with each other and possess harmony to create more expressiveness than a photograph can. The application of colour is intended to enhance this even further. For Gunter Langer, this is not simply imitating nature, nor is it solely the expressive transformation of nature into rough shapes and colours, but rather the creation of an additional abstraction of emotions, the implementation of which profoundly increases the expressiveness. Tiny bends in contours, lines and brushstrokes create this emotional effect.
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