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Giovanni Fattori
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Museum Quality Art Prints
Individual Customization Options

Giovanni Fattori

Italy · 1825–1908 · Macchiaioli · 230 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Giovanni Fattori
1825–1908
Born 1825 (Livorno)
Died 1908 (Florenz)
Nationality Italy
Epochs Macchiaioli
Genre history painting, genre painting
Profession painter, graphic artist, etcher, photographer
Family
Spouse: Marianna Bigazzi
Teacher Giuseppe Bezzuoli
Student Amedeo Modigliani, Domingo Laporte
Notable works Römerkarren (1873), Cousin Argia (1861), The rest (1887), Butteri (1893), The Italian Camp after the Battle of Magenta (1861)
Museums Art Institute of Chicago, National Gallery of Art
Giovanni Fattori

Giovanni Fattori

    October 25, 1825   -   August 30, 1908

Different times, different customs: in the middle of the 19th century, when war was still seen as a legitimate "continuation of politics by other means", an artist's career could start by winning a competition for a battle painting. Giovanni Fattori achieved this in 1861 with the "Battlefield of Magenta", which celebrates the victory of Piedmont-Sardinia over the Austrians in 1895. A few years later the Kingdom of Piedmont-Sardinia was the driving force behind the "Risorgimento", the unification of Italy as one nation. Fattori's painting hangs today in the "Galleria d'Arte moderne" in Florence.

Giovanni Fattori was born in Livorno, where he was also trained as a painter by Giuseppe Baldini before studying in Florence at the "Accademia di belli Arti". Fattori generally had a non-conformist streak: in 1848/49 he took part in the independence movement that wanted to liberate Veneto from Austrian rule. As an artist, he was co-founder of a movement that turned away from the "academic" style of painting and turned towards realism. Because of their preference for natural landscapes, these deviants were initially scornfully called "Macchiaioli", undergrowth painters, by the established. However, this soon became a concept of quality that the group proudly adopted.

It is no accident that Camille Corot and Édouard Manet were his declared role models. His speciality were landscape paintings, preferably rural scenes, and his later battle scenes also turned out to be very real, such as "The fallen horseman" or "Mary Stuart at Crookston", which deals with the capture of the Scottish queen after a lost battle. Another of Fattori's specialities were "sketches", pictures on small wooden boards, preferably cigar-lid boxes. His paintings were never as colourful as the works of Impressionism, for example, but rather in delicate sepia, grey and brown tones.

Fattori dared to take the step from a purely academic to a realistic painting style, but remained attached to the classical style of painting and strictly rejected other "rebellious" styles of the time. Throughout his life he was an opponent of Impressionism and caused a great stir in 1891 when he sharply attacked the art movement of "Pointilism" (a painting style that used color theory to assemble picture compositions from small spots - the most famous representative was certainly Paul Signac) in a polymite manner. Four years later Fattori, who had been teaching at his "Accademia di Bella Arti" since 1869, advanced to full professor: he taught landscape painting at the Alma Mater in Florence, where he had once studied himself. The last years of his life were overshadowed by the death of his second wife, as well as by disappointment over the social development in unified Italy on the one hand and the "betrayal" of some of his students who turned to post-impressionism and pointilism on the other. Fattori died in 1908 at the age of 83.

Artworks by Giovanni Fattori

230 artworks found
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230 artworks found

Giovanni Fattori
Avenue with Oxen and Stonebreake...
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Giovanni Fattori
Tree and Woodpath, c19th century
1845 | oil painting

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Giovanni Fattori
 
Undated | oil on canvas

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Giovanni Fattori
Farmer in wood
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Giovanni Fattori
Oxen in yard, by Giovanni Fattor...
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Giovanni Fattori
Marshland herds, 1893
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Giovanni Fattori
Plow and oxen - Painting
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Giovanni Fattori
Perché non dirlo?
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Giovanni Fattori
Campaign of Italy 1859: “” The c...
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Giovanni Fattori
The Italian Camp at the Battle o...
Undated | oil on canvas

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Giovanni Fattori
Roofs of Via Nazionale in Floren...
1867 | oil on panel

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Giovanni Fattori
The South-West Wind
Undated | oil on canvas

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Giovanni Fattori
An old woman in a armchair weari...
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Giovanni Fattori
Battle of Magenta, 1860
1860 | oil on canvas

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Giovanni Fattori
Unbekanntes Bild
1874 | painting

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Giovanni Fattori
Mena in Maremma, c.1890-91 (oil ...
1891 | oil on canvas

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Giovanni Fattori
The Path Between Olives Painting...
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Giovanni Fattori
Portrait of the Step Daughter, 1889
1889 | oil on canvas

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Giovanni Fattori
Episode of the assault on the Ma...
1864 | oil on canvas

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Giovanni Fattori
Portrait of a Young Man
Undated | oil on canvas

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Giovanni Fattori
Portrait of his first wife, by G...
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Giovanni Fattori
 
1880 | oil on canvas

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Giovanni Fattori
The Italian camp after the battl...
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Giovanni Fattori
Artillery maneuver. Painting by ...
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Giovanni Fattori
Oxen Yoked to the Cart (Maremma)...
Undated | etching on wove paper [proof before reduction of the plate]

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Giovanni Fattori
The Woodcutter
Undated | oil on canvas

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Giovanni Fattori
Garibaldi at Palermo
Undated | oil on canvas

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Giovanni Fattori
 
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Giovanni Fattori
The Battle Lines, 1884
1884 | oil on canvas

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Giovanni Fattori
 
1887 | oil on canvas

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Giovanni Fattori
Portrait of Miss Soccoli. Painti...
1866 | oil on canvas

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Giovanni Fattori
Marking young bulls in Maremma b...
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Giovanni Fattori
The white road, c.1887 (oil on c...
1887 | oil on canvas

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Giovanni Fattori
Portrait of a Woman, 1870
1870 | oil on canvas

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Giovanni Fattori
La rotunda de Palmieri (La Roton...
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Giovanni Fattori
Signora Martelli in Castiglionce...
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Giovanni Fattori
The foot in the horse (Lo staffa...
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Giovanni Fattori
Portrait of the first wife - Pai...
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Giovanni Fattori
Self Portrait, 1854
1854 | oil on canvas

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Giovanni Fattori
Roman countryside
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Giovanni Fattori
Episode of campaign against brig...
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Giovanni Fattori
Peasant macchiaiole in the field...
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Giovanni Fattori
Sailors resting by Giovanni Fatt...
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Giovanni Fattori
The Camp
Undated | oil on canvas

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Giovanni Fattori
Branding of young bulls in Marem...
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Giovanni Fattori
La rotunda de Palmieri (La Roton...
1866 | oil on canvas

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Giovanni Fattori
The Watch (The White Wall), c.18...
1871 | oil on wood

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Giovanni Fattori
 
1875 | oil on panel

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Giovanni Fattori
Avenue with oxen and stone break...
1875 | oil on canvas

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Giovanni Fattori
Italy, Florence, Sunset on the Sea
Undated | oil on canvas

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Giovanni Fattori
The Rotunda at Palmieri, 1866
1866 | oil on canvas

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Giovanni Fattori
Unbekanntes Bild
1884 | painting

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Giovanni Fattori
Italy, Florence, Maremma Toscana...
Undated | oil on canvas

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Giovanni Fattori
Stopping in Maremma or scene of ...
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Giovanni Fattori
Cattle Amongst Olive Trees
Undated | etching

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Giovanni Fattori
Self-portrait at the age of 29 (...
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Giovanni Fattori
 
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Giovanni Fattori
Self-portrait at the age of 59 (...
Undated | painting

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Giovanni Fattori
Hay Stack, 1867-70
1867 | oil on canvas

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Giovanni Fattori
Italy, Florence, The Italian Fie...
Undated | oil on canvas

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Giovanni Fattori
French soldiers of '59, c.1859 (...
1859 | oil on board

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Giovanni Fattori
The Mantua massacres, by Giovann...
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Giovanni Fattori
 
1861 | painting

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Giovanni Fattori
White road, by Giovanni Fattori ...
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Giovanni Fattori
Maremma Tuscany, Giovanni Fattor...
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Giovanni Fattori
Italy, Leghorn, The Third Wife
Undated | oil on canvas

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Giovanni Fattori
Two peasant women with flocks in...
1865 | oil on canvas

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Giovanni Fattori
 
1873 | oil on canvas

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Giovanni Fattori
 
1881 | oil on canvas

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Giovanni Fattori
Effect of the sun, by Giovanni F...
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Giovanni Fattori
Maremma pasture. Grazing horses,...
1872 | oil on canvas

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Giovanni Fattori
 
Undated | oil on canvas

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Giovanni Fattori
The workers' nap - Painting
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Giovanni Fattori
"La boscaiola"
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Giovanni Fattori
A military reconnaissance, scout...
1861 | oil on canvas

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Giovanni Fattori
Italy, Florence, Maremma Toscana...
Undated | oil on canvas

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Giovanni Fattori
The mortuary or the indifferent ...
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Giovanni Fattori
 
1868 | oil on canvas

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Giovanni Fattori
Cavalry at rest
1864 | oil on panel

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Giovanni Fattori
Liegende Kühe
1908 | oil on canvas

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Giovanni Fattori
The battle of Custoza
1880 | painting

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Giovanni Fattori
Lanciere di vedetta presso un fi...
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Giovanni Fattori
 
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Giovanni Fattori
 
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Giovanni Fattori
 
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Giovanni Fattori
 
1887 | oil on canvas

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Giovanni Fattori
Portrait of Mr Mazzoli
Undated | oil on canvas

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Giovanni Fattori
 
Undated | oil on canvas

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Giovanni Fattori
 
1889 | Etching, with drypoint and plate tone, on ivory wove paper, laid down on ivory wove paper (chine collé)

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Giovanni Fattori
The Waiting (oil on panel)
Undated | oil on panel

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Giovanni Fattori
The trooper, by Giovanni Fattori...
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Giovanni Fattori
La rotunda de Palmieri (La Roton...
Undated | painting

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Giovanni Fattori
 
Undated |

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Giovanni Fattori
Portrait of the first wife, c. 1...
1865 | painting

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Giovanni Fattori
Cavalry charge in Montebello
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Giovanni Fattori
Diego Martelli a cavallo
Undated | painting

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Giovanni Fattori
Self Portrait, 1874
1874 | oil on canvas

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Giovanni Fattori
Cousin Argia, 1861
1861 | oil on canvas

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About the artist

Giovanni Fattori
Giovanni Fattori
1825–1908
Born1825 (Livorno)
Died1908 (Florenz)
NationalityItaly
EpochsMacchiaioli
Genrehistory painting, genre painting
Professionpainter, graphic artist, etcher, photographer
Family
Spouse: Marianna Bigazzi
TeacherGiuseppe Bezzuoli
StudentAmedeo Modigliani, Domingo Laporte
Notable worksRömerkarren (1873), Cousin Argia (1861), The rest (1887), Butteri (1893), The Italian Camp after the Battle of Magenta (1861)
MuseumsArt Institute of Chicago, National Gallery of Art

Different times, different customs: in the middle of the 19th century, when war was still seen as a legitimate "continuation of politics by other means", an artist's career could start by winning a competition for a battle painting. Giovanni Fattori achieved this in 1861 with the "Battlefield of Magenta", which celebrates the victory of Piedmont-Sardinia over the Austrians in 1895. A few years later the Kingdom of Piedmont-Sardinia was the driving force behind the "Risorgimento", the unification of Italy as one nation. Fattori's painting hangs today in the "Galleria d'Arte moderne" in Florence.

Giovanni Fattori was born in Livorno, where he was also trained as a painter by Giuseppe Baldini before studying in Florence at the "Accademia di belli Arti". Fattori generally had a non-conformist streak: in 1848/49 he took part in the independence movement that wanted to liberate Veneto from Austrian rule. As an artist, he was co-founder of a movement that turned away from the "academic" style of painting and turned towards realism. Because of their preference for natural landscapes, these deviants were initially scornfully called "Macchiaioli", undergrowth painters, by the established. However, this soon became a concept of quality that the group proudly adopted.

It is no accident that Camille Corot and Édouard Manet were his declared role models. His speciality were landscape paintings, preferably rural scenes, and his later battle scenes also turned out to be very real, such as "The fallen horseman" or "Mary Stuart at Crookston", which deals with the capture of the Scottish queen after a lost battle. Another of Fattori's specialities were "sketches", pictures on small wooden boards, preferably cigar-lid boxes. His paintings were never as colourful as the works of Impressionism, for example, but rather in delicate sepia, grey and brown tones.

Fattori dared to take the step from a purely academic to a realistic painting style, but remained attached to the classical style of painting and strictly rejected other "rebellious" styles of the time. Throughout his life he was an opponent of Impressionism and caused a great stir in 1891 when he sharply attacked the art movement of "Pointilism" (a painting style that used color theory to assemble picture compositions from small spots - the most famous representative was certainly Paul Signac) in a polymite manner. Four years later Fattori, who had been teaching at his "Accademia di Bella Arti" since 1869, advanced to full professor: he taught landscape painting at the Alma Mater in Florence, where he had once studied himself. The last years of his life were overshadowed by the death of his second wife, as well as by disappointment over the social development in unified Italy on the one hand and the "betrayal" of some of his students who turned to post-impressionism and pointilism on the other. Fattori died in 1908 at the age of 83.



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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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