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Alfred Stieglitz
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

Alfred Stieglitz

United States of America · 1864–1946 · Photography, Photo-Secession, Reine Fotografie · 1584 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Alfred Stieglitz
1864–1946
Born January 1, 1864 (Hoboken)
Died July 13, 1946 (New York City) at the age of 82
Nationality United States of America
Epochs Photography, Photo-Secession, Reine Fotografie
Genre portrait, cityscape, landscape
Profession photographer, publisher
Family
Father: Edward Stieglitz
Spouse: Georgia O'Keeffe
Child: Katherine Stieglitz
Sibling: Julius Stieglitz
Teacher Hermann Wilhelm Vogel
Memberships Photo-Secession, The Linked Ring
Notable works The Steerage (1907), Camera Work: Winter - Fifth Avenue (1892), The Terminal (1892), The Last Joke, Bellagio (1887), Spring Showers, the Coach (1899)
Museums National Gallery of Art, Art Institute of Chicago, J. Paul Getty Museum, Saint Louis Art Museum
Alfred Stieglitz

Alfred Stieglitz

    1864   -   1946

Shortly before the end of the American Civil War in January 1864, Alfred Stieglitz saw the light of day as the son of a German-Jewish immigrant family in Hoboken, New Jersey. It was important to his parents that their children receive an adequate education. Consequently, the family clan moved from the East Coast of the USA back to Germany in 1881. The following year, Alfred Stieglitz attended the Technical University in Berlin. It was during this time that he first came into contact with photography. It was not yet foreseeable that he would one day become one of the most important photographers of his time. Initially, the young Stieglitz studied mechanical engineering. At the same time, he discovered a fascination for photography. Alfred became a self-taught photographer and could not get enough of the medium.

1882 was it so far, Stieglitz bought his first camera. Initially, he photographed mainly the German countryside. Quickly the general public recognized his talent and Stieglitz published articles and photographs in the British magazine Amateur Photographer. After the death of his sister, Alfred was drawn back to America in 1890. Shortly thereafter, he became an integral representative of pictorialism. His goal was not just to make a photograph, but to establish each selected chart, as a full-fledged means of artistic expression. He always focused on a special section when choosing his subjects. In his actions, the extraordinary photographer also developed a preference for night and fog scenes. For him, it was of utmost importance to use photographic means to create an image effect similar to a painting. In his depictions, the pictorialist showed landscapes, idyllic scenes as well as people, portraits and nudes romantically placed in the foreground. Alfred Stieglitz not only had a good eye, but also possessed the flair to leave unique impressions for posterity.

Eventually, the photographer matured into a household name. Almost single-handedly, he popularized the medium of photography. Thanks to his expertise, Stieglitz became owner of the fledgling Photochrome Engraving Company and co-publisher of The American Amateur Photographer. It was a smart move, as these pioneering steps solidified Stieglitz's position in the world of photography. Together with his friend Edward Steichen, the visionary opened an avant-garde art gallery on Fifth Avenue in New York in 1905. In the exhibition rooms of Gallery 291, photographic works, African art, and works by European modernist artists could be admired for the first time in the United States. Suddenly, Stieglitz not only advanced to gallery owner, but also became a key figure in photography and art history. In the summer of 1946, Alfred Stieglitz suffered a fatal stroke. What remains are photographs that still trigger recognition and enthusiasm among viewers today.

Artworks by Alfred Stieglitz

1584 artworks found
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1.584 artworks found

Alfred Stieglitz
Aileen Flannery, 1902.
Undated | photograph

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Alfred Stieglitz
Georgia O'Keeffe - Hands and Thi...
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Alfred Stieglitz
From My Window at An American Pl...
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Alfred Stieglitz
 
1902 | platinum print

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Alfred Stieglitz
 
1922 | gelatin silver print

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Alfred Stieglitz
 
1902 | platinum print

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Alfred Stieglitz
Georgia Engelhard, 1920.
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Alfred Stieglitz
 
1902 | platinum print

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Alfred Stieglitz
The Hand of Man.
1902 | Pressure on platinum

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Alfred Stieglitz
Pferdebahn in New York, 1892 / F...
1892 | Photo

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Alfred Stieglitz
 
1920 | Unknown

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Alfred Stieglitz
Georgia O'Keeffe—Hands
1918 |

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Alfred Stieglitz
From Room 3003—(Looking Northwes...
1927 |

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Alfred Stieglitz
Georgia O'Keeffe—Hands
1918 |

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Alfred Stieglitz
[Music: A Sequence of Ten Cloud ...
1922 |

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Alfred Stieglitz
The Hand of Man, from “Camera Wo...
1903 |

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Alfred Stieglitz
Outward Bound, The Mauretania, 1...
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Alfred Stieglitz
Outward Bound, The Mauretania, 1...
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Alfred Stieglitz
 
1916 |

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Alfred Stieglitz
 
1903 | Photogravur

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Alfred Stieglitz
 
1918 |

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Alfred Stieglitz
 
1894 |

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Alfred Stieglitz
 
1910 |

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Alfred Stieglitz
 
1918 |

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Alfred Stieglitz
 
1894 |

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Alfred Stieglitz
Untitled Stieglitz's mother Hedw...
Undated | photograph

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Alfred Stieglitz
 
1918 |

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Alfred Stieglitz
 
1894 |

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Alfred Stieglitz
 
1918 |

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Alfred Stieglitz
 
1923 |

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Alfred Stieglitz
 
1921 |

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Alfred Stieglitz
 
1918 |

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Alfred Stieglitz
Netzflickerin (Mending Nets), Ka...
Undated | paper ink

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Alfred Stieglitz
 
1907 | Photogravur

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Alfred Stieglitz
A Wet Day on the Boulevard, Pari...
Undated | photograph

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Alfred Stieglitz
 
1931 |

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Alfred Stieglitz
 
1915 |

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Alfred Stieglitz
Georgia O'Keeffe--Hand and Wheel
Undated |

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Alfred Stieglitz
 
1920 |

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Alfred Stieglitz
 
1920 |

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Alfred Stieglitz
 
1924 |

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Alfred Stieglitz
The Net Mender, 1894.
Undated | photograph

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Alfred Stieglitz
 
1918 |

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Alfred Stieglitz
 
1910 | gelatin silver print

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Alfred Stieglitz
 
1932 |

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Alfred Stieglitz
 
1919 |

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Alfred Stieglitz
 
1923 |

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Alfred Stieglitz
Rebecca Salsbury Strand, 1922.
Undated | photograph

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Alfred Stieglitz
 
1894 |

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Alfred Stieglitz
 
1910 | photogravure

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Alfred Stieglitz
 
1918 |

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Alfred Stieglitz
 
1918 |

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Alfred Stieglitz
 
1922 |

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Alfred Stieglitz
 
1920 |

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Alfred Stieglitz
 
1925 |

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Alfred Stieglitz
 
1894 |

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Alfred Stieglitz
Music - A Sequence of Ten Cloud ...
Undated | photograph

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Alfred Stieglitz
 
1922 | gelatin silver print

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Alfred Stieglitz
 
1921 |

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Alfred Stieglitz
 
1930 |

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Alfred Stieglitz
 
1932 |

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Alfred Stieglitz
 
1930 |

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Alfred Stieglitz
 
1919 |

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Alfred Stieglitz
 
1918 |

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Alfred Stieglitz
 
1894 |

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Alfred Stieglitz
 
1893 |

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Alfred Stieglitz
 
1894 |

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Alfred Stieglitz
 
1894 | carbon print

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Alfred Stieglitz
 
1933 |

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Alfred Stieglitz
 
1924 |

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Alfred Stieglitz
Kitty Stieglitz, c. 1907.
Undated | photograph

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Alfred Stieglitz
 
1890 |

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Alfred Stieglitz
 
1919 |

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Alfred Stieglitz
 
1918 |

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Alfred Stieglitz
 
1922 |

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About the artist

Alfred Stieglitz
Alfred Stieglitz
1864–1946
BornJanuary 1, 1864 (Hoboken)
DiedJuly 13, 1946 (New York City) at the age of 82
NationalityUnited States of America
EpochsPhotography, Photo-Secession, Reine Fotografie
Genreportrait, cityscape, landscape
Professionphotographer, publisher
Family
Father: Edward Stieglitz
Spouse: Georgia O'Keeffe
Child: Katherine Stieglitz
Sibling: Julius Stieglitz
TeacherHermann Wilhelm Vogel
MembershipsPhoto-Secession, The Linked Ring
Notable worksThe Steerage (1907), Camera Work: Winter - Fifth Avenue (1892), The Terminal (1892), The Last Joke, Bellagio (1887), Spring Showers, the Coach (1899)
MuseumsNational Gallery of Art, Art Institute of Chicago, J. Paul Getty Museum, Saint Louis Art Museum

Shortly before the end of the American Civil War in January 1864, Alfred Stieglitz saw the light of day as the son of a German-Jewish immigrant family in Hoboken, New Jersey. It was important to his parents that their children receive an adequate education. Consequently, the family clan moved from the East Coast of the USA back to Germany in 1881. The following year, Alfred Stieglitz attended the Technical University in Berlin. It was during this time that he first came into contact with photography. It was not yet foreseeable that he would one day become one of the most important photographers of his time. Initially, the young Stieglitz studied mechanical engineering. At the same time, he discovered a fascination for photography. Alfred became a self-taught photographer and could not get enough of the medium.

1882 was it so far, Stieglitz bought his first camera. Initially, he photographed mainly the German countryside. Quickly the general public recognized his talent and Stieglitz published articles and photographs in the British magazine Amateur Photographer. After the death of his sister, Alfred was drawn back to America in 1890. Shortly thereafter, he became an integral representative of pictorialism. His goal was not just to make a photograph, but to establish each selected chart, as a full-fledged means of artistic expression. He always focused on a special section when choosing his subjects. In his actions, the extraordinary photographer also developed a preference for night and fog scenes. For him, it was of utmost importance to use photographic means to create an image effect similar to a painting. In his depictions, the pictorialist showed landscapes, idyllic scenes as well as people, portraits and nudes romantically placed in the foreground. Alfred Stieglitz not only had a good eye, but also possessed the flair to leave unique impressions for posterity.

Eventually, the photographer matured into a household name. Almost single-handedly, he popularized the medium of photography. Thanks to his expertise, Stieglitz became owner of the fledgling Photochrome Engraving Company and co-publisher of The American Amateur Photographer. It was a smart move, as these pioneering steps solidified Stieglitz's position in the world of photography. Together with his friend Edward Steichen, the visionary opened an avant-garde art gallery on Fifth Avenue in New York in 1905. In the exhibition rooms of Gallery 291, photographic works, African art, and works by European modernist artists could be admired for the first time in the United States. Suddenly, Stieglitz not only advanced to gallery owner, but also became a key figure in photography and art history. In the summer of 1946, Alfred Stieglitz suffered a fatal stroke. What remains are photographs that still trigger recognition and enthusiasm among viewers today.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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