support@meisterdrucke.com  ·  0043 4257 29415

Deutsch English Italiano Español Français Nederlands Português Svenska Polski Dansk
Search by artist, work title or style – e.g. Monet, Starry Night, Impressionism, Hokusai wave, nude. Describe the scene – e.g. green meadow, abstract with lots of red, dark oil painting, standing nude next to a tree.

Papageno: I am the birdcatcher, yes! Always cheerful, fiddle-di-i, fiddle-di-da!, Act I of

Papageno: I am the birdcatcher, yes! Always cheerful, fiddle-di-i, fiddle-di-da!, Act I of 'The Magic Flute' by Wolfgang Amadeus Mozart

(Papageno: I am the birdcatcher, yes! Always cheerful, fiddle-di-i, fiddle-di-da!, Act I of 'The Magic Flute' by Wolfgang Amadeus Mozart (1756-91), engraved by Friedrich Wilhelm Meyer Senior (b.c.177)


Johann Heinrich Ramberg

€ 137.18
Enthält 13.5% MwSt.
   Configure art print
Undated  ·  Radierung  ·  Image ID: 106087

Nonclassified artists

Papageno: I am the birdcatcher, yes! Always cheerful, fiddle-di-i, fiddle-di-da!, Act I of 'The Magic Flute' by Wolfgang Amadeus Mozart by Johann Heinrich Ramberg. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
birdcage · pan pipes · feather costume · male · print · Wien Museum Karlsplatz, Vienna, Austria / Bridgeman Images
AR/3D   View in 3D / AR zu Favoriten hinzufügen   Add to favorites    Change wall color    View picture in a room
0 Reviews

Configure art print

Picture Frame

Medium & Stretcher

Glass & Passepartout

Miscellaneous & Extras

 Save / compare configuration
Preview Icon

Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 137.18
(inkl. 20% MwSt)
   Add to cart

Bildschärfe: PERFEKT

If you'd like us to adjust the brightness, colors, or crop the image, we're happy to do this for you at no extra cost. Just get in touch!

Similar artworks selected for you

Bible of Royaumont, Old Testament: Gates of Gaza Allegory of Relief Represented in Armor with a Sword. She Carries a Purse and a Basket Full of Food to Symbolize Relief in Calamities and Famine. She Allegory of Adulation Playing Flute to Mark That She Seeks to Insinuate Herself by the Sweetness of Her Words. Its Attribute is the Bee (for the Sweetness of Honey and the Venom of the Sting) and the Bellows (Flattery Lights the Fire of Passions). Engravin Allegory of Interest Allegory of Internal Sorrow Represented by the Sadness of the Face and the Disorder of Adjustment. Her Breast Appears to Be Eaten by Several Snakes. Engraving in Allegory of suspicion cuts behind a shield on which stands a lion, symbol of suspicion according to Aristotle, and a rooster on the helmet that represents vigilance. Engraving in Little boy holding a vessel, from Premier Livre de Figures d Allegory of Vain Glory Holding a Trumpet and Breathing the Smell of Incense with Satisfaction. Engraving in The Little Shepherd The Rape of Ganymede The Rape of Ganymede St Procopius Allegory of Greed Represented by Blind Desire Whose Starvation Is Uncertain. Engraving in Alcyone and Ceux Transformed into Birds Allegory of the light. She has wings on her head, shoulders, feet and hands. Engraving in The Bird Merchant Frontispiece with Little Boy Holding a Basket, from Premier Livre de Figures d Allegory of Blood Complexion. The goat who eats grapes shows that blood is brought to the pleasures of love and Bacchus. Engraving in Allegory of Poverty Sitting at the Foot of a Dry Tree Growing in Arid Terrain. Her Feet and Hands Are Tied and She Tries to Undo Her Ties with Her Teeth; Engraving in The Golden Bough (State 1) Representation of Narcissus, young man in love with himself, he constantly admires his reflection. From Allegory of Error in a Staggering Attitude with a Blindfold and Donkey Ears to Mark that Blindness and Ignorance are the Sources of Error. She Erigo and Bacchus, Engraving of 1819 in Allegory of adolescence represented by a young man leaning on a harp and holding a mirror. His foot is placed on an hourglass. Engraving in Allegory of Fury. With a Blindfold, She Throws a Beam of Different Kinds of Weapons to Mark Her Triumph in War, Massacres, and Fights. Engraving in A Falconer Allegory of Merit represented at the top of a steep rock with weapons and a book symbolizing it as the result of his works and studies. Engraving in The Thread of Ariadne Mercury and Argus. Death of Argus: Mercury played the flute to fall asleep Argus and deliver the nymph Io, transformed into a cow. Engraving from 1819 in Lettres a Emilie sur la mythologie by Charles Albert Demoustier (1760-1801).
Show more similar artworks

Similar artworks selected for you

Bible of Royaumont, Old Testament: Gates of Gaza Allegory of Relief Represented in Armor with a Sword. She Carries a Purse and a Basket Full of Food to Symbolize Relief in Calamities and Famine. She Allegory of Adulation Playing Flute to Mark That She Seeks to Insinuate Herself by the Sweetness of Her Words. Its Attribute is the Bee (for the Sweetness of Honey and the Venom of the Sting) and the Bellows (Flattery Lights the Fire of Passions). Engravin Allegory of Interest Allegory of Internal Sorrow Represented by the Sadness of the Face and the Disorder of Adjustment. Her Breast Appears to Be Eaten by Several Snakes. Engraving in Allegory of suspicion cuts behind a shield on which stands a lion, symbol of suspicion according to Aristotle, and a rooster on the helmet that represents vigilance. Engraving in Little boy holding a vessel, from Premier Livre de Figures d Allegory of Vain Glory Holding a Trumpet and Breathing the Smell of Incense with Satisfaction. Engraving in The Little Shepherd The Rape of Ganymede The Rape of Ganymede St Procopius Allegory of Greed Represented by Blind Desire Whose Starvation Is Uncertain. Engraving in Alcyone and Ceux Transformed into Birds Allegory of the light. She has wings on her head, shoulders, feet and hands. Engraving in The Bird Merchant Frontispiece with Little Boy Holding a Basket, from Premier Livre de Figures d Allegory of Blood Complexion. The goat who eats grapes shows that blood is brought to the pleasures of love and Bacchus. Engraving in Allegory of Poverty Sitting at the Foot of a Dry Tree Growing in Arid Terrain. Her Feet and Hands Are Tied and She Tries to Undo Her Ties with Her Teeth; Engraving in The Golden Bough (State 1) Representation of Narcissus, young man in love with himself, he constantly admires his reflection. From Allegory of Error in a Staggering Attitude with a Blindfold and Donkey Ears to Mark that Blindness and Ignorance are the Sources of Error. She Erigo and Bacchus, Engraving of 1819 in Allegory of adolescence represented by a young man leaning on a harp and holding a mirror. His foot is placed on an hourglass. Engraving in Allegory of Fury. With a Blindfold, She Throws a Beam of Different Kinds of Weapons to Mark Her Triumph in War, Massacres, and Fights. Engraving in A Falconer Allegory of Merit represented at the top of a steep rock with weapons and a book symbolizing it as the result of his works and studies. Engraving in The Thread of Ariadne Mercury and Argus. Death of Argus: Mercury played the flute to fall asleep Argus and deliver the nymph Io, transformed into a cow. Engraving from 1819 in Lettres a Emilie sur la mythologie by Charles Albert Demoustier (1760-1801).
Show more similar artworks

More art prints by Johann Heinrich Ramberg

Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv Scene from the opera Papageno: I am the birdcatcher, yes! Always cheerful, fiddle-di-i, fiddle-di-da!, Act I of Olivia King Frederick II of Prussia Bearded Man Spying on Lovers Under an Arbor Auction of the Cupids Malvolio before Olivia, from The Performance Unobserved Man Spying on Reclining Lovers The Exhibition of the Royal Academy Interior view of Somerset House showing King George III, Queen Charlotte and the Royal family viewing an exhibition of the Royal Academy of Arts in 1788 Stage Set Design of an Ancient Roman Ruin being Converted into a Barn, late 18th-mid-19th century Olivia, Maria and Malvolio from Twelfth Night, Act III, Scene iv Interior View of Somerset House Showing an Exhibition of the Royal Academy of Arts in 1787
Show more works by Johann Heinrich Ramberg

More art prints by Johann Heinrich Ramberg

Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv Scene from the opera Papageno: I am the birdcatcher, yes! Always cheerful, fiddle-di-i, fiddle-di-da!, Act I of Olivia King Frederick II of Prussia Bearded Man Spying on Lovers Under an Arbor Auction of the Cupids Malvolio before Olivia, from The Performance Unobserved Man Spying on Reclining Lovers The Exhibition of the Royal Academy Interior view of Somerset House showing King George III, Queen Charlotte and the Royal family viewing an exhibition of the Royal Academy of Arts in 1788 Stage Set Design of an Ancient Roman Ruin being Converted into a Barn, late 18th-mid-19th century Olivia, Maria and Malvolio from Twelfth Night, Act III, Scene iv Interior View of Somerset House Showing an Exhibition of the Royal Academy of Arts in 1787
Show more works by Johann Heinrich Ramberg

A selection of our top sellers

Peasant Wedding Ideas for a Geography of Plants Along with a Natural Painting of the Tropical Lands Playing Forms The Nightmare, 1781 Blue Fox Cypresses The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, 1730s Farm Garden with Sunflowers Moonrise The Interior of the Palm House The Gare Saint-Lazare: Arrival of a Train After Bathing Idealized Portrait of a Lady (Portrait of Simonetta Vespucci as Nymph) Angelus Novus The Apparition
Show more artworks

A selection of our top sellers

Peasant Wedding Ideas for a Geography of Plants Along with a Natural Painting of the Tropical Lands Playing Forms The Nightmare, 1781 Blue Fox Cypresses The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, 1730s Farm Garden with Sunflowers Moonrise The Interior of the Palm House The Gare Saint-Lazare: Arrival of a Train After Bathing Idealized Portrait of a Lady (Portrait of Simonetta Vespucci as Nymph) Angelus Novus The Apparition
Show more artworks


What our customers think about us



Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
Other languages

                   
Erfahrungen & Bewertungen zu Meisterdrucke
Post.at DHL Express Quehenberger Cargoboard
Kaiser Franz Joseph

Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

(c) 2026 meisterdrucke.ie