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Illustration for the Works of Rabelais by Gustave after Dore

Illustration for the Works of Rabelais

(Illustration for the works of Rabelais )


Gustave after Dore

€ 145.9
Enthält 13.5% MwSt.
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Undated  ·  engraving  ·  Picture ID: 648059

Nonclassified artists  ·  Newspapers and Illustrations

Illustration for the Works of Rabelais by Gustave after Dore. Available as an art print on canvas, photo paper, watercolor board, uncoated paper or Japanese paper.
prologue rabelais · Private Collection / Bridgeman Images · / Look and Learn
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 145.9
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

Should you desire adjustments to brightness and color, or a custom crop of the motif, we are happy to make these changes at no additional cost to you. Please do not hesitate to contact us.

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Edgar Allan Poe: Design motif Feather Idol Spirit of a Flea Hail, Goddess of Nocturnal sport Smiling Face Satyr Mask with Overlapping Horns and Four Braided Strands of Beard Illustration for The Works of Rabelais Satyr Mask with Horns and a Twisted Beard Wearing an Ivy Wreath, from Divers Masque Spirit of a Flea Illustration for The Essays of Elia by Charles Lamb Mask with Dishes Around the Eyes and Sharp-Toothed Crests on the Cheeks and Forehead Mask Sethano Illustration for Trilby by George du Maurier Mask with Two Snakes Emerging from the Eye Sockets Hear-say Mask with Wings Instead of Ears and a Headdress in the Shape of a Shell Mask with sagging cheeks and clusters of berries in the hair (series title) Mask with Beard and Mustache with Curls, a Tuft of Curls Resting on the Bridge of the Nose Satyr Mask with an Indented Snout and a Wreath of Oak Leaves, from Divers Masques Satyr Mask with Curled Horns, Leafy Eyebrows and a Cloth Hanging Beneath the Chin, ca. 1635-45 Mask in Profile with Two Horns of Strapwork and a Laurel Wreath Union of a Human Face with that of a Goat, from the Villa Albani Father Thames After His Ale Mask with Sagging Cheeks, Two Pointed Lower Teeth, and a Tuft of Curls Resting on the Bridge of the Nose Satyr Mask with a Laurel Wreath Draped Over the Horns, from Divers Masques, ca. 1635-45 Mask with a Gaping, Toothless Mouth, Sagging Cheeks, and Tufts on the Head Vignette: Satyr Mask with Long Eyebrows and Mustache and a Headdress with Dangling Cloth
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Other art prints by Gustave after Dore

Lancelot Approaching the Castle of Astolat The Knight Inferno, Canto 4: The innocent souls in Limbo (illustration from The Divine Comedy) Inferno, Canto 13: The suicides in the forest (illustration from The Divine Comedy) Inferno, Canto 9: The angel opens the gates (illustration from The Divine Comedy) Inferno, Canto 17: The descent into the abyss on Geryon Purgatorio, Canto 25: The lustful pass through fire in the seventh circle (illustration from The Divine Comedy) Inferno, Canto 3: Virgil and Dante at the gates of Hell (illustration from The Divine Comedy) Inferno, Canto 22: Ciampolo escapes the demon Alichino in the fifth bolgia (illustration from The Divine Comedy) Inferno, Canto 7: Virgil shows Dante the souls of the wrathful in the Styx (illustration from The Divine Comedy) Purgatorio, Canto 11: The souls of the prideful, bearing heavy stones (illustration from The Divine Comedy) Inferno, Canto 26: The flaming spirits of Ulysses and Diomedes (illustration from The Divine Comedy) Inferno, Canto 2: Beatrice and Virgil (illustration from The Divine Comedy) Inferno, Canto 6: Virgil feeds Cerberus in the third circle (illustration from The Divine Comedy) Inferno, Canto 23: The hypocrites address Dante (illustration from The Divine Comedy)
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Other art prints by Gustave after Dore

Lancelot Approaching the Castle of Astolat The Knight Inferno, Canto 4: The innocent souls in Limbo (illustration from The Divine Comedy) Inferno, Canto 13: The suicides in the forest (illustration from The Divine Comedy) Inferno, Canto 9: The angel opens the gates (illustration from The Divine Comedy) Inferno, Canto 17: The descent into the abyss on Geryon Purgatorio, Canto 25: The lustful pass through fire in the seventh circle (illustration from The Divine Comedy) Inferno, Canto 3: Virgil and Dante at the gates of Hell (illustration from The Divine Comedy) Inferno, Canto 22: Ciampolo escapes the demon Alichino in the fifth bolgia (illustration from The Divine Comedy) Inferno, Canto 7: Virgil shows Dante the souls of the wrathful in the Styx (illustration from The Divine Comedy) Purgatorio, Canto 11: The souls of the prideful, bearing heavy stones (illustration from The Divine Comedy) Inferno, Canto 26: The flaming spirits of Ulysses and Diomedes (illustration from The Divine Comedy) Inferno, Canto 2: Beatrice and Virgil (illustration from The Divine Comedy) Inferno, Canto 6: Virgil feeds Cerberus in the third circle (illustration from The Divine Comedy) Inferno, Canto 23: The hypocrites address Dante (illustration from The Divine Comedy)
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President Loubet of France being tattooed. Illustration for Le Rire Christmas Comes but Once a Year, a Scene at the Evelina Hospital The Surviving Native Americans Face Severe Dangers from the Harsh Season in Arizona (United States) Why Jones Believes in the Sea Serpent, a Comedy in Two Acts The Desert March, Two O In the French Alps, Savoy and Dauphiny Maruja, by Bret Harte The Dove and the Ant, from Fontaine Fables Sketches in South Africa Illustration for Le Rire The Corn Market, Colchester, Essex Page from The Pictorial Museum of Animated Nature The Dramas in the Seraglios, A Beast Tamer Saved by a Trained Dog The Supper Party at St. Johns, at Windsor A New Cure for Seasickness, what we may expect on the Channel Boats
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