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Detail of the Altarpiece of Annalena: Tunic and Garment of Saint John the Evangelist, Saint Lawrence and Saint Francis by Fra  Angelico

Detail of the Altarpiece of Annalena: Tunic and Garment of Saint John the Evangelist, Saint Lawrence and Saint Francis

(Detail du retable d'Annalena. Tunique et vetement de Saint Jean l'evangeliste, Saint Laurent et Saint Francois (tempera sur bois))


Fra Angelico

€ 139.82
Enthält 13.5% MwSt.
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Undated  ·  Image ID: 939035

Renaissance

Detail of the Altarpiece of Annalena: Tunic and Garment of Saint John the Evangelist, Saint Lawrence and Saint Francis by Fra Angelico. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
Museo di San Marco, Florence, Italy / Bridgeman Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 139.82
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Madonna with Petrus Wijts (detail) Saint Catherine and a Saint Evangelist Saint Catherine of Siena and Saint Jerome From the Perugia Altarpiece Saints Zenobius, Francis and Anthony of Padua Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (detail) Santa Trinita Altarpiece (detail) Saints Benedict and Peter the Martyr From the Perugia Altarpiece Unknown Image Detail of the Altarpiece of Annalena: Portraits of Saint Peter the Martyr, Saint Cosimo and Saint Damien St Jerome and St Francis John the Baptist and St. Jerome, c.1430 Santa Trinita Altarpiece, frame and pinnacles by Lorenzo Monaco (detail) Birth of the Virgin (detail) St. Sebastian with a Franciscan Saint Saints Jerome and John the Baptist St John the Baptist and St Anthony Abbot Triptych depicting the Coronation of the Virgin (left panel: saints, angel musicians and the kneeling Cardinal) The Dispute with Simon Mago, and the Crucifixion of St. Peter (detail) Saint John the Baptist and Saint Dominic Hand of Saint Stephen (detail) Barbarina Gonzaga (detail) St. Barbara and St. Valentine with Caspar von Laubenberg and His Sons, circa 1450 The Apostles (detail) - Master of the Hours of Rohan Dante Alighieri (detail) from the Villa Carducci series of famous men and women Altarpiece of St. Zeno of Verona, (detail) Saints Jerome and John the Baptist Saints Matthew and Mary Magdalen. Cortona Polyptych The Birth of the Virgin (detail of a standing maid servant) St. Erasmus (Blessed Thiemo?) (Inside) St. Bishop (St. Martin?) (Outside)
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Annunciation. Fresco by Guido di Pietro (or Fra Giovanni da Fiesole), known as Fra Angelico or il Beato (1400-1455). 1442, 230 cm x 321 cm, Museum of San Marco, Florence. Noli me tangere Saint Mary Magdalene and the risen Christ (gardener) The Last Judgment: Hell The Last Judgment: Hell Deposition of Christ (Holy Trinity altarpiece) (detail) Angel in Adoration The Wedding of the Virgin Predelle The Final Judgment: Hell. The souls of the damned are subjected to torture in the circles of Hell. The devil below has one of them. Painting by Guido di Pietro (or Fra Giovanni da Fiesole), known as Fra Angelico or il Beato (1400-1455) The Last Judgment: detail of the Underworld. Damned souls in the infernal circles, tortured by demons. Detail of a tempera on wood by Guido di Pietro (or Fra Giovanni da Fiesole), called Fra Angelico or il Beato (1387-1455) The Madonna of Shadows. Detail: the aureole of Jesus Christ is marked with a cross, fresco, c. 1438-1446. The Coronation of the Virgin. Life of Christ, Armadio degli Argenti Christ standing in his tomb (Resurrection) - lower part (predella) of the "Coronation of the Virgin", depicting Christ at the tomb and six episodes from the life of Saint Dominic, founder of the order to which Fra Angelico belonged Virgin of Shadows or “Holy Conversation” or “Virgin and Child with Eight Saints: Dominic, St Cosimo (Come or Cosimo) and St Damien, St Mark, St John the Evangelist, St Thomas Aquinas, St Laurent and St Peter”. The aureole of Jesus Christ is marked with The Coronation of the Virgin (predella with scenes from the life of Saint Dominic) The Kiss of Judas. Life of Christ, Armadio degli Argenti
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More art prints by Fra Angelico

Annunciation. Fresco by Guido di Pietro (or Fra Giovanni da Fiesole), known as Fra Angelico or il Beato (1400-1455). 1442, 230 cm x 321 cm, Museum of San Marco, Florence. Noli me tangere Saint Mary Magdalene and the risen Christ (gardener) The Last Judgment: Hell The Last Judgment: Hell Deposition of Christ (Holy Trinity altarpiece) (detail) Angel in Adoration The Wedding of the Virgin Predelle The Final Judgment: Hell. The souls of the damned are subjected to torture in the circles of Hell. The devil below has one of them. Painting by Guido di Pietro (or Fra Giovanni da Fiesole), known as Fra Angelico or il Beato (1400-1455) The Last Judgment: detail of the Underworld. Damned souls in the infernal circles, tortured by demons. Detail of a tempera on wood by Guido di Pietro (or Fra Giovanni da Fiesole), called Fra Angelico or il Beato (1387-1455) The Madonna of Shadows. Detail: the aureole of Jesus Christ is marked with a cross, fresco, c. 1438-1446. The Coronation of the Virgin. Life of Christ, Armadio degli Argenti Christ standing in his tomb (Resurrection) - lower part (predella) of the "Coronation of the Virgin", depicting Christ at the tomb and six episodes from the life of Saint Dominic, founder of the order to which Fra Angelico belonged Virgin of Shadows or “Holy Conversation” or “Virgin and Child with Eight Saints: Dominic, St Cosimo (Come or Cosimo) and St Damien, St Mark, St John the Evangelist, St Thomas Aquinas, St Laurent and St Peter”. The aureole of Jesus Christ is marked with The Coronation of the Virgin (predella with scenes from the life of Saint Dominic) The Kiss of Judas. Life of Christ, Armadio degli Argenti
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The Swing Engagement Between the Bonhomme Richard and the Serapis off Flamborough Head, 1779 Main and Side Paths Grace reading at Howth Bay Tulip Fields with the Rijnsburg Windmill, 1886 Noon, or The Siesta, after Millet, 1890 Dog The Attic Room Sack of Rome (455) - The Course of Empire - Destruction - 1836 - New York Historical Society - (Rome, Roman Empire, Gaiseric, Genseric, Migration Period, Barbarian Invasions, Vandals, Fall of Western Roman Empire, Fall of Rome, Sack of Rome) Poster for the Vienna Secession Exhibition, 1902 Whaling in the Polar Sea Swans in the Reeds, c. 1820 On the High Seas, Sunset at Pourville, 1882 Seated Nude from the Back The Effects of Good and Bad Government in the City and the Countryside. Detail of the Effects of Good Government in the City and the Countryside.
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A selection of our top sellers

The Swing Engagement Between the Bonhomme Richard and the Serapis off Flamborough Head, 1779 Main and Side Paths Grace reading at Howth Bay Tulip Fields with the Rijnsburg Windmill, 1886 Noon, or The Siesta, after Millet, 1890 Dog The Attic Room Sack of Rome (455) - The Course of Empire - Destruction - 1836 - New York Historical Society - (Rome, Roman Empire, Gaiseric, Genseric, Migration Period, Barbarian Invasions, Vandals, Fall of Western Roman Empire, Fall of Rome, Sack of Rome) Poster for the Vienna Secession Exhibition, 1902 Whaling in the Polar Sea Swans in the Reeds, c. 1820 On the High Seas, Sunset at Pourville, 1882 Seated Nude from the Back The Effects of Good and Bad Government in the City and the Countryside. Detail of the Effects of Good Government in the City and the Countryside.
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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