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Feel the passion of William Davis Hassler in our art prints.

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Feel the passion of William Davis Hassler in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
William Davis Hassler
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options

William Davis Hassler

In 1910, the world looked different. William Davis Hassler came to New York from a small Pennsylvanian town with his wife and son in 1905 and worked there as a professional photographer from 1909. Joseph P. Day, a land broker who had already sold large parts of Brooklyn and Queens, saw the future in the Bronx. "The man who sold the Bronx" commissioned Hassler to photograph the Bronx, undeveloped lots, but also the Bronx already built on. For New York electric companies, Hassler shot photos of electrical installations, close-ups of electrical parts such as a lamp socket, and images of electricity, for example, beautifully (electrically) lit streets and storefronts. One spectacular photo shows the Manhattan Bridge from above, photographed from Brooklyn Tower, with the old piers on the East River in the background.

But in many of the more than 5,000 photographs preserved at the New-York Historical Society, Hassler's family and his residential neighborhood of Inwood play the starring role. Inwood is the northernmost neighborhood in Manhattan, bounded by the Hudson River to the west and the Harlem River to the north and east. At the time, Inwood still had an almost rural, provincial feel. Hassler photographed parks, school classes, fire engines, old-fashioned steaming and still pulled by horses, the somehow "quintessentially American" police couple of the neighborhood, rows of houses, streets, also the many dirt roads, factories, boathouses on the Harlem River, excursion boats, community festivals. Many photos show his apartment, everyday life indoors and out, family celebrations, the family in the allotment, outings, and in a great many shots also his son, his cats Reddy and Peach: Peach in a basket in the middle of a still life of corn on the cob and tomatoes; William Gray, about eight years old, fast asleep, with teddy bear in his arms; William Gray and the cat Reddy having breakfast at the small children's table. The scenes seem like snapshots - but: each photo was carefully staged. For the children's cat breakfast, a candle burns decoratively next to a package of "Quakers Puffed Rice Cereal", a typical American ready-made morning porridge - the photo was probably a commissioned advertising shot. Capturing the startled, astonished look on the boy's face as the cat stands up to lick milk from the little table - that's just Hassler's great photographic art.

Because: spontaneously shooting photos with a cell phone? That didn't exist in 1915. William Davis Hassler used the Kodak No. 8 Cirkut outfit for professionals, which with a tripod could even shoot panoramic photos at 180 degrees. But the whole camera equipment weighed about 20 kilograms. And in analog photography, there were negatives that had to be developed first. Hassler used glass plates, the most common photographic medium before films made of rollable celluloid could provide good photo quality. The glass plates were coated with a light-sensitive emulsion - a film of black-and-white gelatin - and developed into a negative after the photograph was taken. Exposure times, and thus the pure shot, were much longer than today, which is why the tripod was needed. On the other hand, the glass plate process produces black and white photos with beautiful gray tones and areas of blur while maintaining high detail.

Why do Hassler's photographs touch us? Is it the look back into our past, into a long gone world in New York?

William Davis Hassler

Photography

In 1910, the world looked different. William Davis Hassler came to New York from a small Pennsylvanian town with his wife and son in 1905 and worked there as a professional photographer from 1909. Joseph P. Day, a land broker who had already sold large parts of Brooklyn and Queens, saw the future in the Bronx. "The man who sold the Bronx" commissioned Hassler to photograph the Bronx, undeveloped lots, but also the Bronx already built on. For New York electric companies, Hassler shot photos of electrical installations, close-ups of electrical parts such as a lamp socket, and images of electricity, for example, beautifully (electrically) lit streets and storefronts. One spectacular photo shows the Manhattan Bridge from above, photographed from Brooklyn Tower, with the old piers on the East River in the background.

But in many of the more than 5,000 photographs preserved at the New-York Historical Society, Hassler's family and his residential neighborhood of Inwood play the starring role. Inwood is the northernmost neighborhood in Manhattan, bounded by the Hudson River to the west and the Harlem River to the north and east. At the time, Inwood still had an almost rural, provincial feel. Hassler photographed parks, school classes, fire engines, old-fashioned steaming and still pulled by horses, the somehow "quintessentially American" police couple of the neighborhood, rows of houses, streets, also the many dirt roads, factories, boathouses on the Harlem River, excursion boats, community festivals. Many photos show his apartment, everyday life indoors and out, family celebrations, the family in the allotment, outings, and in a great many shots also his son, his cats Reddy and Peach: Peach in a basket in the middle of a still life of corn on the cob and tomatoes; William Gray, about eight years old, fast asleep, with teddy bear in his arms; William Gray and the cat Reddy having breakfast at the small children's table. The scenes seem like snapshots - but: each photo was carefully staged. For the children's cat breakfast, a candle burns decoratively next to a package of "Quakers Puffed Rice Cereal", a typical American ready-made morning porridge - the photo was probably a commissioned advertising shot. Capturing the startled, astonished look on the boy's face as the cat stands up to lick milk from the little table - that's just Hassler's great photographic art.

Because: spontaneously shooting photos with a cell phone? That didn't exist in 1915. William Davis Hassler used the Kodak No. 8 Cirkut outfit for professionals, which with a tripod could even shoot panoramic photos at 180 degrees. But the whole camera equipment weighed about 20 kilograms. And in analog photography, there were negatives that had to be developed first. Hassler used glass plates, the most common photographic medium before films made of rollable celluloid could provide good photo quality. The glass plates were coated with a light-sensitive emulsion - a film of black-and-white gelatin - and developed into a negative after the photograph was taken. Exposure times, and thus the pure shot, were much longer than today, which is why the tripod was needed. On the other hand, the glass plate process produces black and white photos with beautiful gray tones and areas of blur while maintaining high detail.

Why do Hassler's photographs touch us? Is it the look back into our past, into a long gone world in New York?

Artworks by William Davis Hassler

Artworks by William Davis Hassler

336 artworks found
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336 artworks found

William Davis Hassler
Group of little girls posed on a...
1911 | black and white photograph

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William Davis Hassler
Sherman Creek power station, W. ...
1916 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1911 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1911 | black and white photograph

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William Davis Hassler
Group portrait of English boxer ...
1911 | black and white photograph

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William Davis Hassler
William Gray Hassler in straw ha...
1911 | black and white photograph

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William Davis Hassler
K.E. Barry squatter's shack, loc...
1911 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1911 | black and white photograph

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William Davis Hassler
Prescott Cottage fire at night, ...
1914 | black and white photograph

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William Davis Hassler
Times Square, crowded with cars,...
1917 | black and white photograph

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William Davis Hassler
Sign for the Palace Restaurant, ...
1916 | black and white photograph

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William Davis Hassler
Northern border of New York City...
1914 | black and white photograph

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William Davis Hassler
Group portrait of unidentified l...
1910 | black and white photograph

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William Davis Hassler
Harriet E. Hassler and William G...
1911 | black and white photograph

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William Davis Hassler
Illuminated sign for the Winter ...
1917 | black and white photograph

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William Davis Hassler
Informal group portrait of unide...
1915 | black and white photograph

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William Davis Hassler
Group of little girls posed on t...
1911 | black and white photograph

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William Davis Hassler
The Jefferson Theatre, New York ...
1917 | black and white photograph

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William Davis Hassler
Travelling cranes, Pennsylvania ...
1912 | black and white photograph

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William Davis Hassler
High-angle view of the intersect...
1916 | black and white photograph

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William Davis Hassler
Outdoor performance of 'Hiawatha...
1913 | black and white photograph

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William Davis Hassler
Unidentified sewer workers pose ...
1911 | black and white photograph

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William Davis Hassler
Graduating class of girls from t...
1912 | black and white photograph

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William Davis Hassler
Unidentified branch of the Queen...
1910 | black and white photograph

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William Davis Hassler
William Gray Hassler in straw ha...
1911 | black and white photograph

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William Davis Hassler
Lit up store fronts advertising ...
1910 | black and white photograph

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William Davis Hassler
Illuminated sign for advertising...
1917 | black and white photograph

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William Davis Hassler
Evangelist Committee lesson at M...
1916 | black and white photograph

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William Davis Hassler
Bathers at Brighton Beach, Brook...
1912 | black and white photograph

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William Davis Hassler
Two patients being examined, Den...
1914 | black and white photograph

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William Davis Hassler
View along the boardwalk from Be...
1915 | black and white photograph

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William Davis Hassler
Children seated, listening in th...
1910 | black and white photograph

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William Davis Hassler
Group portrait of a girls' choru...
1911 | black and white photograph

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William Davis Hassler
Evangelistic Society children's ...
1914 | black and white photograph

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William Davis Hassler
Fifth floor workshop, Geyser Ele...
1914 | black and white photograph

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William Davis Hassler
Members of the Salvation Army re...
1913 | black and white photograph

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William Davis Hassler
Family poses beside their backya...
1910 | black and white photograph

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William Davis Hassler
Two men loading wheat sheaves on...
1913 | black and white photograph

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William Davis Hassler
Western Union office sign at W. ...
1916 | black and white photograph

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William Davis Hassler
Docks and boats on unidentified ...
1910 | black and white photograph

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William Davis Hassler
Italian signs outside the Thalia...
1916 | black and white photograph

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William Davis Hassler
Sixth floor workshop, Geyser Ele...
1914 | black and white photograph

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William Davis Hassler
William Gray Hassler asleep with...
1913 | black and white photograph

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William Davis Hassler
Illuminated marquee for the Rial...
1917 | black and white photograph

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William Davis Hassler
Portrait of 'Batta', young woman...
1912 | black and white photograph

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William Davis Hassler
Flowing the tops of wooden caske...
1916 | black and white photograph

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William Davis Hassler
Unidentified woman demonstrating...
1913 | black and white photograph

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William Davis Hassler
Cows resting under a tree, proba...
1913 | black and white photograph

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William Davis Hassler
Seven children pose in front of ...
1910 | black and white photograph

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William Davis Hassler
View of lane leading to water, 8...
1914 | black and white photograph

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William Davis Hassler
Two unidentified boys pose aimin...
1915 | black and white photograph

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William Davis Hassler
Seymour boy posed with tricycle ...
1912 | black and white photograph

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William Davis Hassler
Group portrait of children in fr...
1910 | black and white photograph

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William Davis Hassler
High-angle view of Ebbets Field,...
1914 | black and white photograph

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William Davis Hassler
Worker fitting a piece of a cask...
1916 | black and white photograph

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William Davis Hassler
William Gray Hassler in straw ha...
1911 | black and white photograph

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William Davis Hassler
Two children play with wood scra...
1910 | black and white photograph

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William Davis Hassler
63 Downing Street, New York City...
1916 | black and white photograph

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William Davis Hassler
Campus of the City College of Ne...
1914 | black and white photograph

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William Davis Hassler
Beach Scene, Coney Island, c.191...
1910 | black and white photograph

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William Davis Hassler
Unidentified construction site, ...
1914 | black and white photograph

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William Davis Hassler
William Gray Hassler posing with...
1912 | black and white photograph

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William Davis Hassler
Subway Sun, May 25, 1920
1920 | black and white photograph

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William Davis Hassler
New York Public Library and Brya...
1910 | black and white photograph

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William Davis Hassler
Group of little girls posed on a...
1911 | black and white photograph

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William Davis Hassler
Outdoor portrait shot of an unid...
1915 | black and white photograph

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William Davis Hassler
Children with a dog and puppy ga...
1913 | black and white photograph

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William Davis Hassler
The Henry W. Merriam House, Newt...
1911 | black and white photograph

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William Davis Hassler
Seven unidentified men pose near...
1910 | black and white photograph

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William Davis Hassler
Aerial view of the Polo Grounds,...
1914 | black and white photograph

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William Davis Hassler
Ethel Gray Magaw Hassler, Willia...
1913 | black and white photograph

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William Davis Hassler
Unidentified informal group port...
1910 | black and white photograph

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William Davis Hassler
Unidentified funeral chapel inte...
1915 | black and white photograph

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William Davis Hassler
Interior view of the 95th Street...
1915 | black and white photograph

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William Davis Hassler
Men working in the W. 129th Stre...
1911 | black and white photograph

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William Davis Hassler
Small girls pose in and in front...
1910 | black and white photograph

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William Davis Hassler
Outdoor portrait shot of four ch...
1915 | black and white photograph

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William Davis Hassler
Unidentified man loading milk on...
1913 | black and white photograph

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William Davis Hassler
Harriet E. Hassler with a group ...
1912 | black and white photograph

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William Davis Hassler
Children working in the garden a...
1915 | black and white photograph

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William Davis Hassler
Bease group portrait: men, women...
1910 | black and white photograph

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William Davis Hassler
Illuminated sign for Chalmers Un...
1917 | black and white photograph

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William Davis Hassler
Group portrait of unidentified l...
1910 | black and white photograph

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William Davis Hassler
Group portrait of unidentified l...
1910 | black and white photograph

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William Davis Hassler
Sign for Lawson Pianos, 372 E. 1...
1916 | black and white photograph

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William Davis Hassler
Group of children in cart, with ...
1910 | black and white photograph

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William Davis Hassler
 
Undated | black and white photograph

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William Davis Hassler
William Gray Hassler in straw ha...
1911 | black and white photograph

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William Davis Hassler
Harriet E. Hassler with a group ...
1912 | black and white photograph

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William Davis Hassler
View of Hell Gate and the East R...
1914 | black and white photograph

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William Davis Hassler
Quinn family group portrait, c.1...
1911 | black and white photograph

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William Davis Hassler
Direct load coal elevators, Inte...
1911 | black and white photograph

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William Davis Hassler
Children seated, listening in th...
1910 | black and white photograph

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William Davis Hassler
Illuminated signs in Times Squar...
1917 | black and white photograph

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William Davis Hassler
Children listen to a woman in th...
1910 | black and white photograph

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William Davis Hassler
'America' statue outside the Cus...
1912 | black and white photograph

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William Davis Hassler
View of the boardwalk and beach ...
1915 | black and white photograph

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William Davis Hassler
Toddler 'Duffy,' on front stoop ...
1913 | black and white photograph

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William Davis Hassler
Children reading in the reading ...
1910 | black and white photograph

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William Davis Hassler
Cows resting under a tree, proba...
1913 | black and white photograph

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Post.at DHL Express Quehenberger Cargoboard


               

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