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William Daniell
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Museum Quality Art Prints
Individual Customization Options

William Daniell

United Kingdom of Great Britain and Northern Ireland · 1769–1837 · Nonclassified artists · 337 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
William Daniell
1769–1837
Born1769 (Kingston-upon-Thames)
Died1837 (Camden Town)
NationalityUnited Kingdom of Great Britain and Northern Ireland
Genremarine painting
Professionpainter, illustrator, watercolorist, copper engraver
Family
Child: Sophia Daniell
MembershipsRoyal Academy of Arts
Notable worksView of Monghyr, Bihar (1788), Portrait Study of Thomas Hearne (1811), Joseph Farington (1811), Charles Catton, R. A. (1811), Thomas Banks, the Sculptor (1811)
MuseumsYale Center for British Art, Art Institute of Chicago, National Gallery of Art, Smithsonian Institution
William Daniell

William Daniell

William Daniell was an English graphic artist, landscape and marine painter. The young Daniell came to art through an unfortunate stroke of fate, which was to give his life a whole new turn. His father was a bricklayer and his parents owned a small inn. When Daniell was 10 years old, his father died suddenly. Since he was the older son and the mother could not afford to pay for both sons, William Daniell was sent to his uncle Thomas Daniell. Thomas Daniell was a landscape painter, who was especially interested in orientalistic motives. William Daniell was apprenticed to his uncle and at the age of 15 accompanied him on a journey through India for almost 10 years. At the beginning of the journey, the young Daniell was still his uncle's assistant and was mainly responsible for preparing and sketching the motifs. In the course of the journey, however, the balance must have shifted. For on their return to London in 1794, uncle and nephew were partners at eye level.

In London, William Daniell and his uncle worked together to publish some selected paintings from their journey through India. The illustrations were to be printed in aquatint. As a contemporary and friend of Daniell's, the landscape painter Joseph Farington, writes in his diary, William Daniell is said to have worked from 6 a.m. to midnight for 7 years to perfect his technique. Her work "Journey to India" was published in 6 parts and comprised 150 pictures. It became a great success. In spite of all the work William Daniell managed to exhibit a total of 168 paintings at the Royal Academy between 1795 and 1838. In contrast to his uncle, he concentrated less on the landscape, but preferred to paint small scenes with people on the water and other imaginative, oriental motifs.

Daniell was admitted to the Royal Academy School in 1799. He later became an associate and eventually a full member of the Royal Academy. Around 1813 Daniell decided to start a new large travel project, independent of his uncle. It was to be the biggest challenge of his life. Because he planned to paint the landscape, the sights along the coast and the people of the different regions during a journey around the whole coast of Great Britain. Daniell not only wanted to create a work in pictures, but also to provide them with written comments. To this end he entered into a partnership with the writer Richard Ayton, who accompanied him during some parts of the journey. Due to weather conditions, Daniell only travelled in stages of 6 months. Thus the project dragged on for 10 years. During the trip Daniell made the sketches, which he later completed in London in aquatint. Sometimes up to 5 years passed between drawing and printing. This suggests that Daniell had an excellent memory. The work "Voyage Round Great Britain" became his greatest artistic achievement and his most important legacy.

Artworks by William Daniell

337 artworks found
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William Daniell
The Long Walk, Windsor Park, fro...
Undated | colour lithograph

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William Daniell
A Peng'anten Wadon or Bride, pla...
1817 | coloured aquatint

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William Daniell
Near view of one of the Shiant I...
1829 | coloured engraving

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William Daniell
A Peng'anten Lanang or Bridegroo...
1817 | coloured aquatint

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William Daniell
A Javan Woman of the Lower Class...
1817 | coloured aquatint

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William Daniell
A Javan in Court Dress, pl. 6 fr...
1817 | coloured aquatint

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William Daniell
A Javan in the War Dress, pl. 5 ...
1817 | coloured aquatint

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William Daniell
A Ronggeng or Dancing Girl, plat...
1817 | coloured aquatint

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William Daniell
A Javan of the Lower Class, plat...
1817 | coloured aquatint

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William Daniell
European trading posts (East Ind...
1805 | engraving

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William Daniell
'Near view of one of the Shiant ...
1829 | engraving

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William Daniell
A Javan Chief in his Ordinary Dr...
1817 | coloured aquatint

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William Daniell
The European Factories, Canton, ...
1806 | oil on canvas

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William Daniell
Dover, from Shakespeare's Cliff,...
1829 | engraving

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William Daniell
'Nelson's Tower, Forres', Moray,...
1821 | engraving

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William Daniell
Bathing Scene at the Ghat on the...
Undated |

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William Daniell
A View of the Frigates Stationed...
1804 |

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William Daniell
 
1802 |

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William Daniell
 
1814 |

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William Daniell
 
1809 |

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William Daniell
 
1808 | Graphite and red chalk on medium, slightly textured, cream wove paper mounted on moderately thick, moderately textured, beige laid paper

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William Daniell
 
1788 |

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William Daniell
 
1814 |

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William Daniell
 
Undated | Graphite and red chalk on medium, slightly textured, cream wove paper mounted on moderately thick, moderately textured, beige laid paper

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William Daniell
 
1809 |

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William Daniell
 
1808 | Graphite with red pencil on thin, slightly textured, cream wove paper

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William Daniell
 
Undated | Graphite with red pencil on thin, smooth, cream wove paper

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William Daniell
Liverpool, taken from the opposi...
1815 | coloured engraving

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William Daniell
The Battle of the Nile
Undated | oil on canvas

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William Daniell
Black Marble Quarry near Red Wha...
1815 | coloured engraving

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William Daniell
 
1810 |

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William Daniell
 
1803 | Black chalk and graphite on moderately thick, slightly textured, cream wove paper

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William Daniell
Eton College, 1827
1827 | watercolour on paper

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William Daniell
 
1802 |

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William Daniell
Isle of Arran seen from Ardrossa...
1817 | hand coloured engraving

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William Daniell
 
1808 | Graphite with red pencil on thin, slightly textured, cream wove paper

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William Daniell
 
1808 | Graphite and red chalk on moderately thick, moderately textured, cream laid paper

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William Daniell
 
1798 | Graphite and red chalk on medium, slightly textured, cream laid paper

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William Daniell
Lighthouse on the South Stack, H...
1815 | coloured engraving

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William Daniell
 
Undated | Soft-ground etching on moderately thick, slightly textured, cream wove paper

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William Daniell
 
1809 |

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William Daniell
 
1827 | Pencil and watercolour on paper

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William Daniell
New Dock, Wapping, 1808 (hand-co...
1808 | hand-coloured aquatint

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William Daniell
 
1808 |

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William Daniell
Eton Colleage
1827 | pencil and watercolour

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William Daniell
Windsor Castle from the Brocas M...
Undated | coloured engraving

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William Daniell
 
1813 | oil on board

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William Daniell
 
1809 |

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William Daniell
The Perry shipyards (then Green)...
1803 | oil on canvas

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William Daniell
 
Undated | Graphite on medium, slightly textured, cream wove paper

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William Daniell
Dover, from Shakespeare's Cliff,...
1829 | coloured engraving

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William Daniell
 
1808 | Graphite with red chalk on thin, slightly textured, cream wove paper

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William Daniell
 
1808 | Graphite and red chalk on medium, slightly textured, cream laid paper mounted on moderately thick, moderately textured, beige laid paper

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William Daniell
View of the town of St. George a...
1819 | hand-coloured aquatint

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William Daniell
 
1804 | aquatint

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William Daniell
St. Paul's Cathedral and the Cit...
Undated | aquatint

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William Daniell
 
Undated | brown wash over graphite on laid paper

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William Daniell
A View of the Bridge now Buildin...
1810 |

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William Daniell
Edinburgh, from Calton Hill, fro...
1829 | coloured engraving

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William Daniell
Glen in Windsor Park near Bishop...
Undated | coloured engraving

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William Daniell
Eton College, from "Select Views...
1831 | hand-coloured aquatint

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William Daniell
 
1810 |

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William Daniell
Windsor Park: the Royal Lodge, c...
Undated |

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William Daniell
Castle on Holy Island, Northumbe...
1822 | aquatint

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William Daniell
A ferry arriving at Leith, from ...
1829 | coloured engraving

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William Daniell
London Bridge, 1804
1804 | aquatint

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William Daniell
View of London, 1804
1804 | aquatint

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William Daniell
Windsor Castle from the River Me...
Undated | colour lithograph

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William Daniell
Weymouth Harbour, from 'A Voyage...
1829 | coloured engraving

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William Daniell
 
1814 |

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William Daniell
 
1811 | Soft-ground etching on moderately thick, slightly textured, beige wove paper

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William Daniell
 
Undated | Graphite and red chalk on medium, slightly textured, cream wove paper

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William Daniell
Windsor Castle, from a compilati...
Undated | colour lithograph

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William Daniell
 
Undated | Graphite and red chalk on medium, slightly textured, cream wove paper mounted on moderately thick, moderately textured, beige laid paper

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William Daniell
 
Undated | Gray wash with graphite on medium, slightly textured, cream laid paper

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William Daniell
Arros Castle, Isle of Mull, from...
1818 | hand coloured engraving

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William Daniell
 
1815 | Graphite on medium, slightly textured, cream wove paper

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William Daniell
 
1813 | Brown wash with gouache over graphite on medium, slightly textured, beige wove paper, pasted on contemporary mount made of thick, slightly textured, beige card

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William Daniell
Windsor Castle from the River Th...
Undated | coloured engraving

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William Daniell
 
1827 | watercolour on paper

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William Daniell
Dungeness Lighthouse, from 'A Vo...
1823 | hand-coloured engraving

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About the artist

William Daniell
William Daniell
1769–1837
Born1769 (Kingston-upon-Thames)
Died1837 (Camden Town)
NationalityUnited Kingdom of Great Britain and Northern Ireland
Genremarine painting
Professionpainter, illustrator, watercolorist, copper engraver
Family
Child: Sophia Daniell
MembershipsRoyal Academy of Arts
Notable worksView of Monghyr, Bihar (1788), Portrait Study of Thomas Hearne (1811), Joseph Farington (1811), Charles Catton, R. A. (1811), Thomas Banks, the Sculptor (1811)
MuseumsYale Center for British Art, Art Institute of Chicago, National Gallery of Art, Smithsonian Institution

William Daniell was an English graphic artist, landscape and marine painter. The young Daniell came to art through an unfortunate stroke of fate, which was to give his life a whole new turn. His father was a bricklayer and his parents owned a small inn. When Daniell was 10 years old, his father died suddenly. Since he was the older son and the mother could not afford to pay for both sons, William Daniell was sent to his uncle Thomas Daniell. Thomas Daniell was a landscape painter, who was especially interested in orientalistic motives. William Daniell was apprenticed to his uncle and at the age of 15 accompanied him on a journey through India for almost 10 years. At the beginning of the journey, the young Daniell was still his uncle's assistant and was mainly responsible for preparing and sketching the motifs. In the course of the journey, however, the balance must have shifted. For on their return to London in 1794, uncle and nephew were partners at eye level.

In London, William Daniell and his uncle worked together to publish some selected paintings from their journey through India. The illustrations were to be printed in aquatint. As a contemporary and friend of Daniell's, the landscape painter Joseph Farington, writes in his diary, William Daniell is said to have worked from 6 a.m. to midnight for 7 years to perfect his technique. Her work "Journey to India" was published in 6 parts and comprised 150 pictures. It became a great success. In spite of all the work William Daniell managed to exhibit a total of 168 paintings at the Royal Academy between 1795 and 1838. In contrast to his uncle, he concentrated less on the landscape, but preferred to paint small scenes with people on the water and other imaginative, oriental motifs.

Daniell was admitted to the Royal Academy School in 1799. He later became an associate and eventually a full member of the Royal Academy. Around 1813 Daniell decided to start a new large travel project, independent of his uncle. It was to be the biggest challenge of his life. Because he planned to paint the landscape, the sights along the coast and the people of the different regions during a journey around the whole coast of Great Britain. Daniell not only wanted to create a work in pictures, but also to provide them with written comments. To this end he entered into a partnership with the writer Richard Ayton, who accompanied him during some parts of the journey. Due to weather conditions, Daniell only travelled in stages of 6 months. Thus the project dragged on for 10 years. During the trip Daniell made the sketches, which he later completed in London in aquatint. Sometimes up to 5 years passed between drawing and printing. This suggests that Daniell had an excellent memory. The work "Voyage Round Great Britain" became his greatest artistic achievement and his most important legacy.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        Austria
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        support@meisterdrucke.com
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Post.at DHL Express Quehenberger Cargoboard


               

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