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William Daniell
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Museum Quality Art Prints
Individual Customization Options

William Daniell

United Kingdom of Great Britain and Northern Ireland · 1769–1837 · Nonclassified artists · 337 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
William Daniell
1769–1837
Born 1769 (Kingston-upon-Thames)
Died 1837 (Camden Town)
Nationality United Kingdom of Great Britain and Northern Ireland
Genre marine painting
Profession painter, illustrator, watercolorist, copper engraver
Family
Child: Sophia Daniell
Memberships Royal Academy of Arts
Notable works View of Monghyr, Bihar (1788), Portrait Study of Thomas Hearne (1811), Joseph Farington (1811), Charles Catton, R. A. (1811), Thomas Banks, the Sculptor (1811)
Museums Yale Center for British Art, Art Institute of Chicago, National Gallery of Art, Smithsonian Institution
William Daniell

William Daniell

    1769   -   August 16, 1837

William Daniell was an English graphic artist, landscape and marine painter. The young Daniell came to art through an unfortunate stroke of fate, which was to give his life a whole new turn. His father was a bricklayer and his parents owned a small inn. When Daniell was 10 years old, his father died suddenly. Since he was the older son and the mother could not afford to pay for both sons, William Daniell was sent to his uncle Thomas Daniell. Thomas Daniell was a landscape painter, who was especially interested in orientalistic motives. William Daniell was apprenticed to his uncle and at the age of 15 accompanied him on a journey through India for almost 10 years. At the beginning of the journey, the young Daniell was still his uncle's assistant and was mainly responsible for preparing and sketching the motifs. In the course of the journey, however, the balance must have shifted. For on their return to London in 1794, uncle and nephew were partners at eye level.

In London, William Daniell and his uncle worked together to publish some selected paintings from their journey through India. The illustrations were to be printed in aquatint. As a contemporary and friend of Daniell's, the landscape painter Joseph Farington, writes in his diary, William Daniell is said to have worked from 6 a.m. to midnight for 7 years to perfect his technique. Her work "Journey to India" was published in 6 parts and comprised 150 pictures. It became a great success. In spite of all the work William Daniell managed to exhibit a total of 168 paintings at the Royal Academy between 1795 and 1838. In contrast to his uncle, he concentrated less on the landscape, but preferred to paint small scenes with people on the water and other imaginative, oriental motifs.

Daniell was admitted to the Royal Academy School in 1799. He later became an associate and eventually a full member of the Royal Academy. Around 1813 Daniell decided to start a new large travel project, independent of his uncle. It was to be the biggest challenge of his life. Because he planned to paint the landscape, the sights along the coast and the people of the different regions during a journey around the whole coast of Great Britain. Daniell not only wanted to create a work in pictures, but also to provide them with written comments. To this end he entered into a partnership with the writer Richard Ayton, who accompanied him during some parts of the journey. Due to weather conditions, Daniell only travelled in stages of 6 months. Thus the project dragged on for 10 years. During the trip Daniell made the sketches, which he later completed in London in aquatint. Sometimes up to 5 years passed between drawing and printing. This suggests that Daniell had an excellent memory. The work "Voyage Round Great Britain" became his greatest artistic achievement and his most important legacy.

Artworks by William Daniell

337 artworks found
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337 artworks found

William Daniell
A Peng'anten Lanang or Bridegroo...
1817 | coloured aquatint

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William Daniell
A Javan Chief in his Ordinary Dr...
1817 | coloured aquatint

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William Daniell
European trading posts (East Ind...
1805 | engraving

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William Daniell
'Nelson's Tower, Forres', Moray,...
1821 | engraving

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William Daniell
Dover, from Shakespeare's Cliff,...
1829 | engraving

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William Daniell
A Peng'anten Wadon or Bride, pla...
1817 | coloured aquatint

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William Daniell
A Javan Woman of the Lower Class...
1817 | coloured aquatint

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William Daniell
Bathing Scene at the Ghat on the...
Undated |

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William Daniell
'Near view of one of the Shiant ...
1829 | engraving

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William Daniell
A Javan in Court Dress, pl. 6 fr...
1817 | coloured aquatint

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William Daniell
The European Factories, Canton, ...
1806 | oil on canvas

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William Daniell
A Ronggeng or Dancing Girl, plat...
1817 | coloured aquatint

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William Daniell
A Javan of the Lower Class, plat...
1817 | coloured aquatint

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William Daniell
A Javan in the War Dress, pl. 5 ...
1817 | coloured aquatint

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William Daniell
Near view of one of the Shiant I...
1829 | coloured engraving

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William Daniell
The Long Walk, Windsor Park, fro...
Undated | colour lithograph

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William Daniell
Black Marble Quarry near Red Wha...
1815 | coloured engraving

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William Daniell
The Banks of the Ganges, c.1820-30
Undated | oil on canvas

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William Daniell
Mivagissey, Cornwall, from Volum...
1825 | aquatint

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William Daniell
 
Undated | Watercolor, with pen in brown ink, gouache and graphite on moderately thick, slightly textured, blued white, wove paper

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William Daniell
'Conway Castle', 1789-1837
1789 | oil painting

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William Daniell
 
1825 | oil on cardboard

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William Daniell
 
1815 |

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William Daniell
 
1808 | Graphite and red chalk on medium, slightly textured, cream wove paper mounted on moderately thick, moderately textured, beige laid paper

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William Daniell
View of London, 1804
1804 | aquatint

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William Daniell
Westminster Bridge from Somerset...
1805 | watercolour

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William Daniell
The European Factories, Canton, ...
1806 | oil on canvas

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William Daniell
Hastings, from the East Cliff, f...
1823 | coloured engraving

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William Daniell
 
1827 | pencil and watercolour

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William Daniell
Windsor Castle from the River Th...
Undated | coloured engraving

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William Daniell
A View in China: Cultivating the...
Undated | oil on canvas

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William Daniell
London Bridge, 1804
1804 | aquatint

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William Daniell
View of Arran, With Sailing Vess...
1814 | oil on canvas

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William Daniell
Windsor Castle from the River Me...
Undated | colour lithograph

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William Daniell
The Orford Nefs Lighthouses, Suf...
1822 | aquatint

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William Daniell
A Madurese of the Rank of Mantu,...
1817 | coloured aquatint

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William Daniell
'The Longships Lighthouse off th...
1814 | aquatint

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William Daniell
The Battle of the Nile
Undated | oil on canvas

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William Daniell
East Front of the 2nd Covent Gar...
Undated |

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William Daniell
Windsor Castle from the Thames (...
Undated | oil on millboard

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William Daniell
 
1790 | oil on canvas

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William Daniell
Windsor Castle, from a compilati...
Undated | colour lithograph

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William Daniell
View of Arundel Castle from the ...
1823 | oil on canvas

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William Daniell
In Fingal's Cave, Staffa, from '...
1829 | coloured engraving

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William Daniell
 
1788 | Gray wash with graphite on moderately thick, moderately textured, cream laid paper

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William Daniell
Letting down a boat from the pla...
1829 | coloured engraving

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William Daniell
 
1820 | Brown wash, brown ink, and white chalk over graphite on moderately thick, slightly textured, brown wove paper

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William Daniell
The Prince of Wales laying the f...
1808 | pencil, pen and brown ink and watercolour heightened with touches of bodycolour and with scratching out

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William Daniell
A View of the East India Docks, ...
Undated |

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William Daniell
Dungeness Lighthouse, from 'A Vo...
1823 | hand-coloured engraving

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William Daniell
 
1804 | Watercolor and graphite with scraping out on thick, moderately textured, cream wove paper

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William Daniell
A ferry arriving at Leith, from ...
1829 | coloured engraving

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William Daniell
 
1815 | Graphite on medium, slightly textured, cream wove paper

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William Daniell
Edinburgh with part of the North...
Undated |

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William Daniell
 
1803 | aquatint

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William Daniell
Obelisk at Forres, from 'A Voyag...
1821 | coloured engraving

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William Daniell
View of Newcastle upon Tyne, Tak...
Undated | oil on canvas

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William Daniell
Lighthouse on the South Stack, H...
1815 | coloured engraving

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William Daniell
 
1813 | Brown wash with gouache over graphite on medium, slightly textured, beige wove paper, pasted on contemporary mount made of thick, slightly textured, beige card

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William Daniell
 
1806 | oil on canvas

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William Daniell
 
Undated | Watercolor over graphite on moderately thick, slightly textured, cream wove paper

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William Daniell
Westminster Bridge, from 'Genera...
1804 | colour lithograph

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William Daniell
 
1825 | oil on canvas

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William Daniell
View of Caenarvon Castle from An...
1814 | coloured engraving

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William Daniell
 
Undated | brown wash over graphite on laid paper

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William Daniell
Windsor Castle from the River Th...
Undated |

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William Daniell
The South East View of Bijaigarh...
1790 | pencil and watercolour

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William Daniell
The Rope Bridge near the Lightho...
1829 | coloured engraving

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William Daniell
View of the town of St. George a...
1819 | hand-coloured aquatint

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William Daniell
Entrance to Fingal's Cave, Staff...
1817 | coloured engraving

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William Daniell
 
1823 | Hand-colored aquatint

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William Daniell
Stornaway on the Isle of Lewis, ...
1819 | coloured engraving

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William Daniell
The Agra Gate, Chauter Serai, 18...
1835 |

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William Daniell
Nelson's Tower, Forres, from 'A ...
1821 | coloured engraving

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William Daniell
 
1808 | Graphite with red pencil on thin, slightly textured, cream wove paper

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William Daniell
Dover, from Shakespeare's Cliff,...
1829 | coloured engraving

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William Daniell
Windsor Park: the Royal Lodge, c...
Undated |

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William Daniell
Corfe Castle, from 'A Voyage Aro...
1823 | aquatint

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William Daniell
The Emperor Humayoon
Undated | engraving

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William Daniell
Steam boat on the Clyde near Dum...
1829 | coloured engraving

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William Daniell
Port Looe, Cornwall, from 'A Voy...
Undated | aquatint

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William Daniell
The Perry shipyards (then Green)...
1803 | oil on canvas

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William Daniell
 
1798 | Graphite and red chalk on medium, slightly textured, cream laid paper

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William Daniell
Glen in Windsor Park near Bishop...
Undated | coloured engraving

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William Daniell
'Druidical Stone at Strather nea...
1820 | aquatint

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William Daniell
'Lowestoft, Suffolk', 1814-1825
1814 | aquatint

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About the artist

William Daniell
William Daniell
1769–1837
Born1769 (Kingston-upon-Thames)
Died1837 (Camden Town)
NationalityUnited Kingdom of Great Britain and Northern Ireland
Genremarine painting
Professionpainter, illustrator, watercolorist, copper engraver
Family
Child: Sophia Daniell
MembershipsRoyal Academy of Arts
Notable worksView of Monghyr, Bihar (1788), Portrait Study of Thomas Hearne (1811), Joseph Farington (1811), Charles Catton, R. A. (1811), Thomas Banks, the Sculptor (1811)
MuseumsYale Center for British Art, Art Institute of Chicago, National Gallery of Art, Smithsonian Institution

William Daniell was an English graphic artist, landscape and marine painter. The young Daniell came to art through an unfortunate stroke of fate, which was to give his life a whole new turn. His father was a bricklayer and his parents owned a small inn. When Daniell was 10 years old, his father died suddenly. Since he was the older son and the mother could not afford to pay for both sons, William Daniell was sent to his uncle Thomas Daniell. Thomas Daniell was a landscape painter, who was especially interested in orientalistic motives. William Daniell was apprenticed to his uncle and at the age of 15 accompanied him on a journey through India for almost 10 years. At the beginning of the journey, the young Daniell was still his uncle's assistant and was mainly responsible for preparing and sketching the motifs. In the course of the journey, however, the balance must have shifted. For on their return to London in 1794, uncle and nephew were partners at eye level.

In London, William Daniell and his uncle worked together to publish some selected paintings from their journey through India. The illustrations were to be printed in aquatint. As a contemporary and friend of Daniell's, the landscape painter Joseph Farington, writes in his diary, William Daniell is said to have worked from 6 a.m. to midnight for 7 years to perfect his technique. Her work "Journey to India" was published in 6 parts and comprised 150 pictures. It became a great success. In spite of all the work William Daniell managed to exhibit a total of 168 paintings at the Royal Academy between 1795 and 1838. In contrast to his uncle, he concentrated less on the landscape, but preferred to paint small scenes with people on the water and other imaginative, oriental motifs.

Daniell was admitted to the Royal Academy School in 1799. He later became an associate and eventually a full member of the Royal Academy. Around 1813 Daniell decided to start a new large travel project, independent of his uncle. It was to be the biggest challenge of his life. Because he planned to paint the landscape, the sights along the coast and the people of the different regions during a journey around the whole coast of Great Britain. Daniell not only wanted to create a work in pictures, but also to provide them with written comments. To this end he entered into a partnership with the writer Richard Ayton, who accompanied him during some parts of the journey. Due to weather conditions, Daniell only travelled in stages of 6 months. Thus the project dragged on for 10 years. During the trip Daniell made the sketches, which he later completed in London in aquatint. Sometimes up to 5 years passed between drawing and printing. This suggests that Daniell had an excellent memory. The work "Voyage Round Great Britain" became his greatest artistic achievement and his most important legacy.



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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        Austria
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        support@meisterdrucke.com
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