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Feel the passion of William Daniell in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

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William Daniell
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Museum Quality Art Prints
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Museum Quality Art Prints
Individual Customization Options
William Daniell

William Daniell

    1769   -   August 16, 1837
Nonclassified artists   •   Wikipedia: William Daniell

William Daniell was an English graphic artist, landscape and marine painter. The young Daniell came to art through an unfortunate stroke of fate, which was to give his life a whole new turn. His father was a bricklayer and his parents owned a small inn. When Daniell was 10 years old, his father died suddenly. Since he was the older son and the mother could not afford to pay for both sons, William Daniell was sent to his uncle Thomas Daniell. Thomas Daniell was a landscape painter, who was especially interested in orientalistic motives. William Daniell was apprenticed to his uncle and at the age of 15 accompanied him on a journey through India for almost 10 years. At the beginning of the journey, the young Daniell was still his uncle's assistant and was mainly responsible for preparing and sketching the motifs. In the course of the journey, however, the balance must have shifted. For on their return to London in 1794, uncle and nephew were partners at eye level.

In London, William Daniell and his uncle worked together to publish some selected paintings from their journey through India. The illustrations were to be printed in aquatint. As a contemporary and friend of Daniell's, the landscape painter Joseph Farington, writes in his diary, William Daniell is said to have worked from 6 a.m. to midnight for 7 years to perfect his technique. Her work "Journey to India" was published in 6 parts and comprised 150 pictures. It became a great success. In spite of all the work William Daniell managed to exhibit a total of 168 paintings at the Royal Academy between 1795 and 1838. In contrast to his uncle, he concentrated less on the landscape, but preferred to paint small scenes with people on the water and other imaginative, oriental motifs.

Daniell was admitted to the Royal Academy School in 1799. He later became an associate and eventually a full member of the Royal Academy. Around 1813 Daniell decided to start a new large travel project, independent of his uncle. It was to be the biggest challenge of his life. Because he planned to paint the landscape, the sights along the coast and the people of the different regions during a journey around the whole coast of Great Britain. Daniell not only wanted to create a work in pictures, but also to provide them with written comments. To this end he entered into a partnership with the writer Richard Ayton, who accompanied him during some parts of the journey. Due to weather conditions, Daniell only travelled in stages of 6 months. Thus the project dragged on for 10 years. During the trip Daniell made the sketches, which he later completed in London in aquatint. Sometimes up to 5 years passed between drawing and printing. This suggests that Daniell had an excellent memory. The work "Voyage Round Great Britain" became his greatest artistic achievement and his most important legacy.

William Daniell

    1769   -   August 16, 1837
Nonclassified artists   •   Wikipedia: William Daniell William Daniell

William Daniell was an English graphic artist, landscape and marine painter. The young Daniell came to art through an unfortunate stroke of fate, which was to give his life a whole new turn. His father was a bricklayer and his parents owned a small inn. When Daniell was 10 years old, his father died suddenly. Since he was the older son and the mother could not afford to pay for both sons, William Daniell was sent to his uncle Thomas Daniell. Thomas Daniell was a landscape painter, who was especially interested in orientalistic motives. William Daniell was apprenticed to his uncle and at the age of 15 accompanied him on a journey through India for almost 10 years. At the beginning of the journey, the young Daniell was still his uncle's assistant and was mainly responsible for preparing and sketching the motifs. In the course of the journey, however, the balance must have shifted. For on their return to London in 1794, uncle and nephew were partners at eye level.

In London, William Daniell and his uncle worked together to publish some selected paintings from their journey through India. The illustrations were to be printed in aquatint. As a contemporary and friend of Daniell's, the landscape painter Joseph Farington, writes in his diary, William Daniell is said to have worked from 6 a.m. to midnight for 7 years to perfect his technique. Her work "Journey to India" was published in 6 parts and comprised 150 pictures. It became a great success. In spite of all the work William Daniell managed to exhibit a total of 168 paintings at the Royal Academy between 1795 and 1838. In contrast to his uncle, he concentrated less on the landscape, but preferred to paint small scenes with people on the water and other imaginative, oriental motifs.

Daniell was admitted to the Royal Academy School in 1799. He later became an associate and eventually a full member of the Royal Academy. Around 1813 Daniell decided to start a new large travel project, independent of his uncle. It was to be the biggest challenge of his life. Because he planned to paint the landscape, the sights along the coast and the people of the different regions during a journey around the whole coast of Great Britain. Daniell not only wanted to create a work in pictures, but also to provide them with written comments. To this end he entered into a partnership with the writer Richard Ayton, who accompanied him during some parts of the journey. Due to weather conditions, Daniell only travelled in stages of 6 months. Thus the project dragged on for 10 years. During the trip Daniell made the sketches, which he later completed in London in aquatint. Sometimes up to 5 years passed between drawing and printing. This suggests that Daniell had an excellent memory. The work "Voyage Round Great Britain" became his greatest artistic achievement and his most important legacy.

Artworks by William Daniell

Artworks by William Daniell

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310 artworks found

William Daniell
The European Factories, Canton, ...
1806 | oil on canvas

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William Daniell
The Long Walk, Windsor Park, fro...
Undated | colour lithograph

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William Daniell
'Nelson's Tower, Forres', Moray,...
1821 | engraving

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William Daniell
A Peng'anten Wadon or Bride, pla...
Undated | coloured aquatint

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William Daniell
European trading posts (East Ind...
Undated | engraving

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William Daniell
Near view of one of the Shiant I...
1829 | coloured engraving

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William Daniell
A Javan of the Lower Class, plat...
1817 | coloured aquatint

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William Daniell
A Ronggeng or Dancing Girl, plat...
1817 | coloured aquatint

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William Daniell
A Javan in Court Dress, pl. 6 fr...
1817 | coloured aquatint

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William Daniell
A Javan Woman of the Lower Class...
1817 | coloured aquatint

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William Daniell
'Near view of one of the Shiant ...
1829 | engraving

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William Daniell
A Javan Chief in his Ordinary Dr...
1817 | coloured aquatint

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William Daniell
A Peng'anten Lanang or Bridegroo...
1817 | coloured aquatint

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William Daniell
A Javan in the War Dress, pl. 5 ...
Undated | coloured aquatint

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William Daniell
Dover, from Shakespeare's Cliff,...
1829 | engraving

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William Daniell
Culzean Castle in Ayrshire in Sc...
Undated | engraving

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William Daniell
Bathing Scene at the Ghat on the...
Undated |

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William Daniell
The Battle of the Nile
Undated | oil on canvas

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William Daniell
The Rope Bridge near the Lightho...
1829 | coloured engraving

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William Daniell
The European Factories, Canton, ...
1806 | oil on canvas

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William Daniell
Eton College, 1827
1827 | watercolour on paper

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William Daniell
View of Arran, With Sailing Vess...
1814 | oil on canvas

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William Daniell
Windsor Castle from the Brocas M...
Undated |

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George Dance
Double London Bridge proposed fo...
1802 | oil painting

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William Daniell
View of the town of St. George a...
1819 | hand-coloured aquatint

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William Daniell
 
Undated | Brown wash with gouache over graphite on medium, slightly textured, beige wove paper, pasted on contemporary mount made of thick, slightly textured, beige card

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William Daniell
'The Rope Bridge near the Lighth...
1829 | engraving

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William Daniell
In the Garden House Reach, Calcu...
1786 | watercolour

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William Daniell
Mivagissey, Cornwall, from Volum...
1825 | aquatint

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William Daniell
 
Undated | Graphite with red pencil on thin, smooth, cream wove paper

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William Daniell
Westminster Bridge, from 'Genera...
1804 | colour lithograph

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William Daniell
 
Undated | Watercolor and graphite with scraping out on thick, moderately textured, cream wove paper

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William Daniell
 
Undated | oil on board

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William Daniell
View of London with the Improvem...
Undated |

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William Daniell
St. Paul's Cathedral and the Cit...
Undated | aquatint

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William Daniell
Edinburgh, from Calton Hill, fro...
1829 | coloured engraving

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William Daniell
 
1804 | aquatint

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William Daniell
Windsor Park: the Royal Lodge, c...
Undated |

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William Daniell
 
Undated | Graphite with red pencil on thin, slightly textured, cream wove paper

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William Daniell
Windsor Castle from the River Th...
Undated |

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William Daniell
Windsor Castle from the River Th...
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William Daniell
The South East View of Bijaigarh...
Undated | pencil and watercolour

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William Daniell
Windsor Castle from the River Th...
Undated | coloured engraving

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William Daniell
View of the Town and Part of the...
Undated | Colored aquatint

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William Daniell
Westminster Bridge from Somerset...
1805 | watercolour

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William Daniell
The Jama Masjid, Delhi,
Undated | pencil and watercolour

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William Daniell
The Royal Lodge, Windsor Park,
Undated | pencil and watercolour

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William Daniell
 
Undated | Graphite on medium, slightly textured, cream wove paper

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William Daniell
Eton College, from "Select Views...
1831 | hand-coloured aquatint

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William Daniell
Dover, from Shakespeare's Cliff,...
1829 | coloured engraving

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William Daniell
The Cathedral at Iona, from 'A V...
1817 | aquatint

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William Daniell
 
Undated | Graphite with red chalk on thin, slightly textured, cream wove paper

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William Daniell
 
1790 | oil on canvas

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William Daniell
Windsor Castle from the River Th...
Undated | coloured engraving

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William Daniell
Steam boat on the Clyde near Dum...
1829 | coloured engraving

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William Daniell
 
Undated | Graphite and red chalk on medium, slightly textured, cream wove paper mounted on moderately thick, moderately textured, beige laid paper

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William Daniell
 
Undated | Black chalk and graphite on moderately thick, slightly textured, cream wove paper

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William Daniell
Eton Colleage
Undated | pencil and watercolour

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William Daniell
 
Undated | Gray wash with graphite on medium, slightly textured, cream laid paper

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William Daniell
Castle on Holy Island, Northumbe...
1822 | aquatint

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William Daniell
 
1827 | pencil and watercolour

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William Daniell
 
Undated | Watercolor, with pen in brown ink, gouache and graphite on moderately thick, slightly textured, blued white, wove paper

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William Daniell
Chunar Gur,c1786-1791, 1935
1796 | watercolour

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William Daniell
Calcutta, from Garden house reac...
1835 |

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William Daniell
'The Longships Lighthouse off th...
1814 | aquatint

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William Daniell
Entrance to Fingal's Cave, Staff...
1817 | coloured engraving

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William Daniell
The Emperor Humayoon
Undated | engraving

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William Daniell
Lyme Regis, from Charmouth, Dors...
Undated | aquatint

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William Daniell
The Orford Nefs Lighthouses, Suf...
1822 | aquatint

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William Daniell
Windsor Castle, from near Brocas...
1827 | watercolour and pen and ink on paper laid on mount

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William Daniell
 
Undated | Soft-ground etching on moderately thick, slightly textured, cream wove paper

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William Daniell
Scarborough, Yorkshire, from Vol...
1822 | aquatint

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William Daniell
Greenwich Park, London, 1804
1804 | aquatint

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William Daniell
Scene In The Himalayas
Undated | oil on canvas

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William Daniell
Culzean Castle, Ayrshire, Scotland
Undated | engraving

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William Daniell
View in the Garden of the Palace...
1835 |

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William Daniell
'Hastings, from the East Cliff',...
1823 | engraving

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William Daniell
Mausoleum of Sufter Jung, Delhi,...
1835 |

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William Daniell
 
Undated | Graphite on medium, slightly textured, blued white wove paper

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William Daniell
The longships lighthouse of Land...
1814 | aquatint

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William Daniell
 
1803 | aquatint

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William Daniell
In Fingal's Cave, Staffa, from '...
1829 | coloured engraving

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William Daniell
Lighthouse on Flamborough Head, ...
1822 | coloured engraving

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William Daniell
Black Marble Quarry near Red Wha...
1815 | coloured engraving

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William Daniell
 
Undated | Graphite and red chalk on medium, slightly textured, cream wove paper mounted on moderately thick, moderately textured, beige laid paper

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William Daniell
Rassella, near Kilmartin, Loch C...
1817 | aquatint

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William Daniell
Windsor Castle from the Brocas M...
Undated | coloured engraving

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William Daniell
Dover Castle, from 'A Voyage Aro...
1823 | coloured engraving

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William Daniell
View of Newcastle upon Tyne, Tak...
Undated | oil on canvas

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William Daniell
 
Undated | Graphite and red chalk on medium, slightly textured, cream laid paper mounted on moderately thick, moderately textured, beige laid paper

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William Daniell
'Brixham, Torbay, Devon', 1825
1825 | aquatint

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William Daniell
 
Undated | Watercolor with gouache and scraping over graphite on medium, slightly textured, cream wove paper, pasted on very thick, slightly textured, cream card

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William Daniell
The Bernar Pagoda, Benares, 1835.
1835 |

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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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