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Feel the passion of William Alexander in our art prints.

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William Alexander
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William Alexander

William Alexander

    April 10, 1767   -   July 23, 1816
Nonclassified artists   •   Wikipedia: William Alexander

The drawings and illustrations of William Alexander shaped the European image of Chinese culture until the 20th century. China, and especially the Chinese Imperial Palace, became places of longing on the one hand, and on the other hand the targets of concrete economic hopes. The strangeness of Chinese culture fascinated Alexander's contemporaries, and many hopes for unimaginable economic profit in the Middle Kingdom captivated the imagination. The projections lived from the mysterious that surrounded Chinese culture. Little information reached Europe, as the empire shut itself off from the outside world and looked with contempt at the rest of the world. In 1792, a British government expedition set out for the Forbidden City with the aim of moving the Middle Kingdom to the British Empire for trade relations. The 25-year-old budding draughtsman and painter William Alexander was given the chance of a lifetime and was commissioned as assistant to the painter Thomas Hickey to provide artistic guidance for the expedition. Williams had been selected for an art education in London at the age of 15 because of his talent and had attracted the attention of the royal court painter and president of the Royal Academy Joshua Reynolds at the Royal Academy Schools. He accompanied the art education of the young student and supported him. On Reynolds' recommendation, Williams was finally accepted into the artistic staff of the political expedition to China.

During the two-year journey and the stay in China Williams took over the artistic leadership in the escort team, because the designated Thomas Hickey with psychological problems became a total failure, who did not manage to produce any drawings and illustrations in the whole time. The young Williams, on the other hand, went through the foreign world of the Chinese Empire with open eyes and became a chronicler of the foreign with thousands of drawings. Williams found himself confronted with a culture that claimed to be economically, technologically and intellectually far superior. The Middle Kingdom was at the height of its power in the Quing Dynasty at the end of the 18th century and ruled over an area that extended far beyond the borders of present-day China. With over 300 million inhabitants, the emperor ruled over an empire that went beyond the imagination of the Europeans.

The Macartney expedition became a complete failure because, among other things, the British envoy refused to make the ceremonial gesture of submission, the kowtow, before the Emperor. The 2000 drawings of Chinese culture and everyday life in the Middle Kingdom were used as illustrations for the official travelogues after the expedition's return in 1794 and achieved outstanding popularity in Great Britain and throughout Europe. Between 1798 and 1814, three illustrated books were published, based on the drawings. The splendour and pomp of the imperial court, the people and the culture were reproduced by Williams in detail and true to life, without the colonial sense of superiority and posturing of other artists.

William Alexander

    April 10, 1767   -   July 23, 1816
Nonclassified artists   •   Wikipedia: William Alexander William Alexander

The drawings and illustrations of William Alexander shaped the European image of Chinese culture until the 20th century. China, and especially the Chinese Imperial Palace, became places of longing on the one hand, and on the other hand the targets of concrete economic hopes. The strangeness of Chinese culture fascinated Alexander's contemporaries, and many hopes for unimaginable economic profit in the Middle Kingdom captivated the imagination. The projections lived from the mysterious that surrounded Chinese culture. Little information reached Europe, as the empire shut itself off from the outside world and looked with contempt at the rest of the world. In 1792, a British government expedition set out for the Forbidden City with the aim of moving the Middle Kingdom to the British Empire for trade relations. The 25-year-old budding draughtsman and painter William Alexander was given the chance of a lifetime and was commissioned as assistant to the painter Thomas Hickey to provide artistic guidance for the expedition. Williams had been selected for an art education in London at the age of 15 because of his talent and had attracted the attention of the royal court painter and president of the Royal Academy Joshua Reynolds at the Royal Academy Schools. He accompanied the art education of the young student and supported him. On Reynolds' recommendation, Williams was finally accepted into the artistic staff of the political expedition to China.

During the two-year journey and the stay in China Williams took over the artistic leadership in the escort team, because the designated Thomas Hickey with psychological problems became a total failure, who did not manage to produce any drawings and illustrations in the whole time. The young Williams, on the other hand, went through the foreign world of the Chinese Empire with open eyes and became a chronicler of the foreign with thousands of drawings. Williams found himself confronted with a culture that claimed to be economically, technologically and intellectually far superior. The Middle Kingdom was at the height of its power in the Quing Dynasty at the end of the 18th century and ruled over an area that extended far beyond the borders of present-day China. With over 300 million inhabitants, the emperor ruled over an empire that went beyond the imagination of the Europeans.

The Macartney expedition became a complete failure because, among other things, the British envoy refused to make the ceremonial gesture of submission, the kowtow, before the Emperor. The 2000 drawings of Chinese culture and everyday life in the Middle Kingdom were used as illustrations for the official travelogues after the expedition's return in 1794 and achieved outstanding popularity in Great Britain and throughout Europe. Between 1798 and 1814, three illustrated books were published, based on the drawings. The splendour and pomp of the imperial court, the people and the culture were reproduced by Williams in detail and true to life, without the colonial sense of superiority and posturing of other artists.

Artworks by William Alexander

Artworks by William Alexander

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878 artworks found

William Alexander
f.63 168 Temples. , from an Alb...
Undated | Pencil and watercolour on paper

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William Alexander
The approach of the Emperor of C...
1799 | watercolour on paper

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William Alexander
Scene in a Cochin-Chinese Opera,...
1806 | coloured aquatint

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William Alexander
170 Temple ‘On the Road side bet...
Undated | Pencil and watercolour on paper

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William Alexander
View of Golden Mountain Island i...
Undated | pen, ink and wash

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William Alexander
St.Bartholomews Church, Fingest,...
Undated | watercolour

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William Alexander
f.63 166 Temple. , from an Album...
Undated | Pencil and watercolour on paper

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William Alexander
A Quan or Mandarin Bearing a Let...
1796 | engraving

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William Alexander
152 Boat ‘near the Payho.’ , fr...
Undated | Pencil and watercolour on paper

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William Alexander
Chinese Barges of the Embassy Pa...
1796 | engraving

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William Alexander
 
Undated | Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper

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William Alexander
22 Man, probably of Turon Bay. ...
Undated | Pencil and watercolour on paper

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William Alexander
Trackers in rainy weather, from ...
Undated | Pencil and watercolour on paper

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William Alexander
A group of Chinese on the bank o...
1793 | watercolour on paper

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William Alexander
Druidical remains, Park Place, H...
Undated | watercolour

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William Alexander
A Chinese Comedian, illustration...
1805 | engraving

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William Alexander
6 Woman at ‘Rio d'Janeiro. from...
Undated | Pencil and watercolour on paper

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William Alexander
f.11 58 Studies of Chinese, fr...
Undated | Pencil and watercolour on paper

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William Alexander
View near Turon Bay, Cochin China
Undated | Watercolor on paper

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William Alexander
f.63 167 Temple. , from an Albu...
Undated | Pencil and watercolour on paper

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William Alexander
Remarkable supported poles, in P...
Undated | watercolour

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William Alexander
Poo Ta La, or Great Temple of Fo...
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William Alexander
Waltham Cross, 1812 (wc on paper)
1812 | watercolour on paper

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William Alexander
Chinese Sailor Smoking in his Ju...
1795 | watercolour on paper

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William Alexander
 
Undated | Watercolor over graphite on medium, slightly textured, beige, wove paper, mounted on, medium, moderately textured, cream, wove paper

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William Alexander
 
Undated | Watercolor and graphite on medium, slightly textured, cream wove paper

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William Alexander
136. A junk, from an Album of 37...
Undated | Pencil and watercolour on paper

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William Alexander
f.11 55 Studies of Chinese, fr...
Undated | Pencil and watercolour on paper

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William Alexander
Plans, Sections and Elevations o...
1796 | engraving

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William Alexander
11 11 ‘One of the Crew of the Vi...
Undated | Pencil and watercolour on paper

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William Alexander
184 ‘Theatre. Cochin China,’ , ...
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William Alexander
Pringze Men, the Western Gate of...
Undated | watercolour

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William Alexander
33v ‘Batavia’ from an Album of ...
Undated | Pencil and watercolour on paper

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William Alexander
View of Santa Cruz, plate 3 from...
1806 | coloured aquatint

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William Alexander
 
Undated | Graphite and gray wash on moderately thick, moderately textured, blued white laid paper

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William Alexander
10 ‘A Seapoy.’ from an Album of...
Undated | Pencil and watercolour on paper

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William Alexander
 
Undated | Pencil and watercolour on paper

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William Alexander
A Scene in an Historical Play Ex...
1796 | engraving

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William Alexander
Figure studies.Album of 278 draw...
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William Alexander
f.58 145v Boat.’ River Lim-po. N...
Undated | Pencil and watercolour on paper

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William Alexander
The Great Wall of China, from Al...
Undated | watercolour on paper

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William Alexander
The Fou-yen of Canton (watercolo...
Undated | watercolour over graphite, on paper

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William Alexander
f.62 160’ Nov 22. Vessels at Tin...
Undated | Pencil and watercolour on paper

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William Alexander
f.4 23 Man, woman and child of ‘...
Undated | Pencil and watercolour on paper

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William Alexander
f.59 148v ‘Opposite the city Shi...
Undated | Pencil and watercolour on paper

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William Alexander
 
Undated | watercolour

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William Alexander
A Quan or Mandarin Bearing a Let...
1796 | engraving

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William Alexander
f.11 57 Studies of Chinese, fr...
Undated | Pencil and watercolour on paper

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William Alexander
 
Undated | Watercolor. pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper

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William Alexander
 
Undated | Pencil and watercolour on paper

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William Alexander
29 Boatman of ‘Turon Bay.’ from...
Undated | Pencil and watercolour on paper

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William Alexander
[f.57 140v Figure studies, Chine...
Undated | Pencil and watercolour on paper

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William Alexander
Porto Praya in the Island of St....
1806 | coloured aquatint

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William Alexander
120 Boats ‘between Limpo River &...
Undated | Pencil and watercolour on paper

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William Alexander
WD 961 f.58 'The Emperor of Chin...
Undated | pencil, pen and ink, wash and watercolour on paper

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William Alexander
 
Undated | Pencil and watercolour on paper

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William Alexander
 
Undated | Pencil and watercolour on paper

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William Alexander
 
Undated | Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper

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William Alexander
7’ Figures from Madiera. 1792.’ ...
Undated | Pencil and watercolour on paper

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William Alexander
WD 959 section 2 f.070
Undated | Pencil and watercolour on paper

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William Alexander
 
Undated | Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper

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William Alexander
30 Two men of ‘Turon Bay.’ from...
Undated | Pencil and watercolour on paper

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William Alexander
 
Undated | watercolour

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William Alexander
 
Undated | Gray wash and graphite on medium, slightly textured, cream laid paper

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William Alexander
165 Figure studiesand shrine. ,...
Undated | Pencil and watercolour on paper

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William Alexander
146 Boats. ‘Nov 18.’ , from an...
Undated | Pencil and watercolour on paper

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William Alexander
33 Boat in Cochin China, from ...
Undated | Pencil and watercolour on paper

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William Alexander
Indian village
Undated | watercolour

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William Alexander
WD 961 f.58 'The Emperor of Chin...
Undated | pencil, pen and ink, wash and watercolour on paper

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William Alexander
185v. Cochin Chinese player. , f...
Undated | Pencil and watercolour on paper

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William Alexander
WD 959 section 1 f.94, Tchien Lu...
Undated | Pencil and watercolour on paper

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William Alexander
Chinese harbour scene
Undated | watercolour

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William Alexander
Samoyed woman with her baby and ...
1814 | engraving

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William Alexander
View near the City of Tientsin, ...
18th century | watercolour over graphite on wove paper

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William Alexander
f.67 192 Figure studies, with bo...
Undated | Pencil and watercolour on paper

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William Alexander
Man in Chinese costume (holding ...
Undated | watercolour

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William Alexander
Sophia, Princess Palatine of the...
1825 | engraving

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William Alexander
Figure studies and buildings inc...
Undated | Pencil and watercolour on paper

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William Alexander
Mandarin with Pipe Bearer, 1795 ...
1795 | watercolour on paper

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William Alexander
 
Undated |

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William Alexander
The Calvinistic Church in Batavi...
1806 | coloured aquatint

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William Alexander
 
Undated | Brown ink over graphite on thick, smooth, beige wove paper

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William Alexander
WD 961 Emperor receiving the Emb...
Undated | pencil, pen and ink, wash and watercolour on paper

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William Alexander
 
Undated |

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William Alexander
 
Undated | Pencil, watercolour

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William Alexander
Chinese barges of the Embassy pa...
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William Alexander
 
Undated |

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William Alexander
The Discovery on the Rocks in Qu...
Undated | engraving

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William Alexander
f.65 179 Man's head, racoon, goa...
Undated | Pencil and watercolour on paper

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William Alexander
 
Undated | Pencil and watercolour on paper

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William Alexander
from an Album of 372 drawings of...
Undated | Pencil and watercolour on paper

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William Alexander
109 Chinese figure study, from a...
Undated | Pencil and watercolour on paper

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William Alexander
 
Undated | watercolour

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William Alexander
An Offering of First Fruits to t...
1806 | coloured aquatint

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William Alexander
Figures in a Barn Doorway at Par...
Undated | Pencil and watercolour on paper

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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
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