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Wilhelm Gause

Whilst Vienna danced, Wilhelm Gause drew. The press illustrator from Krefeld became the visual chronicler of the Danube Monarchy and its festivities.


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Wilhelm Gause
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Museum Quality Art Prints
Individual Customization Options

Wilhelm Gause

Whilst Vienna danced, Wilhelm Gause drew. The press illustrator from Krefeld became the visual chronicler of the Danube Monarchy and its festivities. more about the artist
Germany · 1853–1916 · Nonclassified artists · 56 artworks found
Wilhelm Gause
1853–1916
BornMarch 27, 1853 (Krefeld)
DiedJune 13, 1916 (Krems) at the age of 63
NationalityGermany
Genreportrait
Professionpainter, illustrator
Notable worksArmenspeisung (1911)

Wilhelm Gause

A dancer in light blue twirls across the polished parquet floor of the Vienna Hofburg, her train trailing behind her. On the right, where the uniforms begin, an elderly gentleman in a white jacket with a full sideburn, Emperor Franz Joseph I, is speaking, surrounded by Hungarian magnates and members of the high nobility in fur-trimmed coats. Chandeliers, palm trees, a gallery filled with people - the watercolour ‘Court Ball at the Hofburg, 1900’ captures an entire society on a single sheet of paper. One has to imagine the music; the swaying dresses and the gleaming parquet floor set the rhythm all by themselves.

This scene was painted by a newcomer. Born on 27 March 1853 in Krefeld and trained at the Düsseldorf Academy, under Eduard von Gebhardt amongst others, Wilhelm Gause moved to Vienna in 1879 - a German who became an Austrian; both countries count him among their own. As a painter and press illustrator, he drew for the major illustrated magazines of his time, *Die Gartenlaube* and *Die Illustrirte Zeitung*; he found his true calling where the city observed itself: at balls and festivals. His watercolours earned him an honorary diploma in Dresden in 1889, as well as a silver medal in Paris.

A second ball scene, ‘Der Wiener Ball’, leads into another hall: Gothic in layout, with red velvet curtains and flowers reaching up to the stone figures; instead of uniforms, the black tailcoat prevails; no one is dancing at the moment; people are standing, greeting one another, seeing and being seen. The arts and culture columnist Eduard Pötzl of the *Neues Wiener Tagblatt* was Gause’s client and a close friend; when Pötzl was barely able to write following a case of food poisoning, he dedicated his final article, published on 26 March 1913, to his friend Wilhelm Gause.

Gause continued to follow high society even beyond Vienna. In 1896, a magnificent volume published by the Deutsche Verlagsanstalt in Stuttgart brought together 29 of his Karlovy Vary watercolours as heliogravures - exquisite intaglio prints. ‘Am Mühlbrunnen’, named after one of Karlsbad’s healing springs, captures a rainy day: black umbrellas crowd in front of the colonnade, the wet paving reflects the sky, a lady holds her umbrella aloft against the weather, and the spa guests take refuge under the roof. The print ‘Karlsbad’ adopts a bird’s-eye view, showing two ladies on a rock, with the spa town nestled in the valley basin below them. By then, the painter had long since withdrawn from public life: as early as 1889, he had moved from Vienna to Stein an der Donau, where he sketched Midsummer bonfires and the Wachau landscape, and watched his daughters Mini, Grete and Isolde grow up, all of whom became painters.

56s master prints of works by Wilhelm Gause; the originals are predominantly watercolours and engravings. The customers’ favourite is the court ball print, followed by several views of Karlsbad. The two ball scenes visibly complement one another: here, the white uniforms of the Hofburg; there, the black tailcoats beneath Gothic arches.

Wilhelm Gause and the Emperor, whom he had drawn so often, both died in 1916. The painter’s date of death was 13 June; he died in Stein an der Donau, now part of Krems - the little town that was his home for almost three decades.

Artworks by Wilhelm Gause

56 artworks found
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Wilhelm Gause
Court Ball at the Hofburg, 1900
19th century | watercolour

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Wilhelm Gause
Am Mühlbrunnen (At the Mill Spring)
1894 | watercolour

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Wilhelm Gause
Gemse am Hirschensprung (The Cha...
1895 | watercolour

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Wilhelm Gause
Findlaters Tempel (Findlater's T...
1895 | watercolour

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Wilhelm Gause
 
1895 | watercolour

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Wilhelm Gause
Schloßbrunnen (The Castle Spring)
1895 | watercolour

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Wilhelm Gause
 
Undated |

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Wilhelm Gause
Rote oder weiße Rosen? (Red or w...
1895 | watercolour

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Wilhelm Gause
Reunion im Kurhaus (Ball in the ...
1894 | watercolour

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Wilhelm Gause
Ball in Vienna's cityhall (oil o...
Undated |

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Wilhelm Gause
Courtball in the Redoutensaele, ...
Undated |

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Wilhelm Gause
Weißer Schwan (The Schiller House)
1895 | watercolour

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Wilhelm Gause
Die Lasterallee im Prater
Undated |

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Wilhelm Gause
Court ball at the Vienna Hofburg...
Undated |

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Wilhelm Gause
Theater-Vestibül (The Vestibule ...
1895 | watercolour

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Wilhelm Gause
Party on the Ice, 1909
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Wilhelm Gause
Representation of a ballet: “Pyg...
1882 | engraving

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Wilhelm Gause
The archduchess receiving empero...
1898 | engraving

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Wilhelm Gause
Städtischer Lawn-Tennis-Platz (M...
1895 | watercolour

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Wilhelm Gause
Das Vestibül des Kaiserbads (The...
1896 | watercolour

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Wilhelm Gause
The Graben, central square in do...
Undated |

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Wilhelm Gause
Mühlbrunn-Colonnade (The Mill Sp...
1895 | watercolour

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Wilhelm Gause
The Christmas Fair Am Hof , 1901.
Undated |

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Wilhelm Gause
Denkmal Peters des Großen (Monum...
1895 | watercolour

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Wilhelm Gause
The Student Brasserie of the Thu...
Undated | colour lithograph

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Wilhelm Gause
 
1887 | engraving

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Wilhelm Gause
Crown prince Rudolf at an editor...
Undated | woodcut

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Wilhelm Gause
Morgen-Promenade (Morning Promen...
1894 | watercolour

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Wilhelm Gause
The Sprudel-Colonnade (watercolour)
1894 | watercolour

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Wilhelm Gause
The Flower Market, 1901.
1901 |

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Wilhelm Gause
Abend-Konzert im Stadtpark (Nigh...
1895 | watercolour

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Wilhelm Gause
 
1909 | watercolour

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Wilhelm Gause
An der Tepl (Along the Teplá River)
1894 | watercolour

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Wilhelm Gause
Vienna Lord Mayor Karl Lueger ri...
Undated |

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Wilhelm Gause
The Austrian Imperial couple in ...
Undated | engraving

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Wilhelm Gause
 
1910 | watercolour

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Wilhelm Gause
Der Viennese Zahlkellner
19th century | engraving

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Wilhelm Gause
Queen Victoria and Emperor Franz...
19th century | engraving

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Wilhelm Gause
Emperor Franz Joseph I and czar ...
19th century | engraving

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Wilhelm Gause
Der Sprudel (Hot Spring)
1894 | watercolour

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Wilhelm Gause
Emperor Franz Joseph I of Austri...
Undated | pencil on card

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Wilhelm Gause
Hunting party - Emperor Franz Jo...
1898 | engraving

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Wilhelm Gause
Ball at court - reasoning of the...
1898 | engraving

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Wilhelm Gause
Emperor Franz Joseph I and czar ...
19th century | engraving

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Wilhelm Gause
Ball at court - reasoning of the...
19th century | engraving

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Wilhelm Gause
Kaiserbad (Imperial Baths)
1896 | watercolour

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Wilhelm Gause
Hunting party - Emperor Franz Jo...
19th century | engraving

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Wilhelm Gause
""Une fete sur la glace"" (Party...
1909 |

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Wilhelm Gause
 
1890 | engraving

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About the artist

Wilhelm Gause
1853–1916
BornMarch 27, 1853 (Krefeld)
DiedJune 13, 1916 (Krems) at the age of 63
NationalityGermany
Genreportrait
Professionpainter, illustrator
Notable worksArmenspeisung (1911)

A dancer in light blue twirls across the polished parquet floor of the Vienna Hofburg, her train trailing behind her. On the right, where the uniforms begin, an elderly gentleman in a white jacket with a full sideburn, Emperor Franz Joseph I, is speaking, surrounded by Hungarian magnates and members of the high nobility in fur-trimmed coats. Chandeliers, palm trees, a gallery filled with people - the watercolour ‘Court Ball at the Hofburg, 1900’ captures an entire society on a single sheet of paper. One has to imagine the music; the swaying dresses and the gleaming parquet floor set the rhythm all by themselves.

This scene was painted by a newcomer. Born on 27 March 1853 in Krefeld and trained at the Düsseldorf Academy, under Eduard von Gebhardt amongst others, Wilhelm Gause moved to Vienna in 1879 - a German who became an Austrian; both countries count him among their own. As a painter and press illustrator, he drew for the major illustrated magazines of his time, *Die Gartenlaube* and *Die Illustrirte Zeitung*; he found his true calling where the city observed itself: at balls and festivals. His watercolours earned him an honorary diploma in Dresden in 1889, as well as a silver medal in Paris.

A second ball scene, ‘Der Wiener Ball’, leads into another hall: Gothic in layout, with red velvet curtains and flowers reaching up to the stone figures; instead of uniforms, the black tailcoat prevails; no one is dancing at the moment; people are standing, greeting one another, seeing and being seen. The arts and culture columnist Eduard Pötzl of the *Neues Wiener Tagblatt* was Gause’s client and a close friend; when Pötzl was barely able to write following a case of food poisoning, he dedicated his final article, published on 26 March 1913, to his friend Wilhelm Gause.

Gause continued to follow high society even beyond Vienna. In 1896, a magnificent volume published by the Deutsche Verlagsanstalt in Stuttgart brought together 29 of his Karlovy Vary watercolours as heliogravures - exquisite intaglio prints. ‘Am Mühlbrunnen’, named after one of Karlsbad’s healing springs, captures a rainy day: black umbrellas crowd in front of the colonnade, the wet paving reflects the sky, a lady holds her umbrella aloft against the weather, and the spa guests take refuge under the roof. The print ‘Karlsbad’ adopts a bird’s-eye view, showing two ladies on a rock, with the spa town nestled in the valley basin below them. By then, the painter had long since withdrawn from public life: as early as 1889, he had moved from Vienna to Stein an der Donau, where he sketched Midsummer bonfires and the Wachau landscape, and watched his daughters Mini, Grete and Isolde grow up, all of whom became painters.

56s master prints of works by Wilhelm Gause; the originals are predominantly watercolours and engravings. The customers’ favourite is the court ball print, followed by several views of Karlsbad. The two ball scenes visibly complement one another: here, the white uniforms of the Hofburg; there, the black tailcoats beneath Gothic arches.

Wilhelm Gause and the Emperor, whom he had drawn so often, both died in 1916. The painter’s date of death was 13 June; he died in Stein an der Donau, now part of Krems - the little town that was his home for almost three decades.



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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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