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Feel the passion of Stefano della Bella in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

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Stefano della Bella
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Stefano della Bella

Stefano della Bella

    18 May 1610   -   July 16, 1664
Nonclassified artists   •   Wikipedia: Stefano della Bella

The Florentine Stefano della Bella was an important draughtsman and etcher of the 17th century. His works have influenced many European artists. As a child he learned to draw and the art of engraving from a goldsmith in Florence. In the following years he copied works by Jacques Callot, among others. The artist came from Nancy in Lorraine. Callot was known for his drawings and etchings which he made for the court of the Medici family. Remigio Cantagallina, Jacques Callot's teacher, taught Stefano della Bella and supported his education. della Bella's work was strongly influenced by Callots masterly figurative representations. Stefano della Bella expanded his artistic skills in various studios in Florence. Besides drawing, he also devoted himself to painting. Callots teacher put him in contact with Cesare Dandini, who gave Stefano della Bella additional training in the art of painting. In 1632 della Bella created the figure of Copernicus for the edition Dialogo sopra i due massimi sistemi by Galileo Galilei. Today's art historians suspect that the artist did not create an individual portrait, but an archetype. He drew Copernicus in the posture of a scholar typical of the time.

Stefano della Bella was given the opportunity to work in Rome by the de Medici family, where he also distinguished himself through his exceptional skills. He deepened his knowledge of painting and made numerous etchings. Masterly views of Rome, Tivoli and the Roman Campagna were created. Della Bella captured Roman ruins and interesting street scenes in his drawings. He also created sea views and his first topographical works. Finally, the artist took the special opportunity to join a legation travelling to the French court. The legation sent official congratulations on the birth of the future Sun King Louis XIV. Della Bella was commissioned by Cardinal Richelieu to paint a representation of the besieged city of Arras. This was the prelude to further architectural views of the artist. della Bella also made drawings and etchings for the theatre. For example, he designed the title page for the opera La Finta Pazza and drew ballets of animals that appeared between the scenes.

Della Bella created more than a thousand drawings and etchings during his life. His motifs were war battles, military depictions and hunting scenes. He also produced maps, sea charts and realistic depictions of animals. His drawing of an elephant dying in Florence is still known today. della Bella's work also includes entertaining capriccios. The playful drawings were first introduced to the art of etching by Jacques Callot. The highlight of della Bella's creative power was his honorary admission to the Accademia degli Apasti, an important literary circle in Florence. Stefano della Bella spent the last years of his life in Florence, where he gave drawing lessons to the son of the Grand Duke of Tuscany. The artist died in 1664 in his home town.

Stefano della Bella

    18 May 1610   -   July 16, 1664
Nonclassified artists   •   Wikipedia: Stefano della Bella Stefano della Bella

The Florentine Stefano della Bella was an important draughtsman and etcher of the 17th century. His works have influenced many European artists. As a child he learned to draw and the art of engraving from a goldsmith in Florence. In the following years he copied works by Jacques Callot, among others. The artist came from Nancy in Lorraine. Callot was known for his drawings and etchings which he made for the court of the Medici family. Remigio Cantagallina, Jacques Callot's teacher, taught Stefano della Bella and supported his education. della Bella's work was strongly influenced by Callots masterly figurative representations. Stefano della Bella expanded his artistic skills in various studios in Florence. Besides drawing, he also devoted himself to painting. Callots teacher put him in contact with Cesare Dandini, who gave Stefano della Bella additional training in the art of painting. In 1632 della Bella created the figure of Copernicus for the edition Dialogo sopra i due massimi sistemi by Galileo Galilei. Today's art historians suspect that the artist did not create an individual portrait, but an archetype. He drew Copernicus in the posture of a scholar typical of the time.

Stefano della Bella was given the opportunity to work in Rome by the de Medici family, where he also distinguished himself through his exceptional skills. He deepened his knowledge of painting and made numerous etchings. Masterly views of Rome, Tivoli and the Roman Campagna were created. Della Bella captured Roman ruins and interesting street scenes in his drawings. He also created sea views and his first topographical works. Finally, the artist took the special opportunity to join a legation travelling to the French court. The legation sent official congratulations on the birth of the future Sun King Louis XIV. Della Bella was commissioned by Cardinal Richelieu to paint a representation of the besieged city of Arras. This was the prelude to further architectural views of the artist. della Bella also made drawings and etchings for the theatre. For example, he designed the title page for the opera La Finta Pazza and drew ballets of animals that appeared between the scenes.

Della Bella created more than a thousand drawings and etchings during his life. His motifs were war battles, military depictions and hunting scenes. He also produced maps, sea charts and realistic depictions of animals. His drawing of an elephant dying in Florence is still known today. della Bella's work also includes entertaining capriccios. The playful drawings were first introduced to the art of etching by Jacques Callot. The highlight of della Bella's creative power was his honorary admission to the Accademia degli Apasti, an important literary circle in Florence. Stefano della Bella spent the last years of his life in Florence, where he gave drawing lessons to the son of the Grand Duke of Tuscany. The artist died in 1664 in his home town.

Artworks by Stefano della Bella

Artworks by Stefano della Bella

1530 artworks found
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1.530 artworks found

Stefano della Bella
Escutcheon, Rinceaux, No. 16 fro...
Undated | etching on paper

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Stefano della Bella
Esctucheons and Details for Escu...
Undated | Etching, red crayon on paper

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Stefano della Bella
Plate 7, from "Desseins de Quele...
Undated | engraving on paper

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Stefano della Bella
Two Men in Masquerade Costumes: ...
Undated | pen/ink

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Stefano della Bella
 
Undated | etching on paper

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Stefano della Bella
Plate 18: a noblewoman walking t...
Undated | etching

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Stefano della Bella
Plate 1: a young man sitting on ...
1650 | etching/etching

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Stefano della Bella
Dessins de quelques Conduites de...
Undated | etchings

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Stefano della Bella
Plate 9: bust of Minerva, wearin...
1650 | etching/etching

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Stefano della Bella
A woman on horseback seen from b...
1652 | etching

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Stefano della Bella
Plate 1: the genius of drawing, ...
Undated | etching

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Stefano della Bella
Plate 8, from "Desseins de Quele...
Undated | Medium: wool embroidery on linen foundation Technique: embroidered on plain weave foundation Label: linen embroidered with wool

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Stefano della Bella
Vijfde scène: de hel Scena quin...
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Pierre Jean Mariette
Eight Vases, from "Raccol
Undated | Etching on white laid paper

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Stefano della Bella
Mounted Peasant with a Child in ...
Undated | etching on ivory laid paper

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Stefano della Bella
Plate 3: two horsemen crossing a...
1641 | etching

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Stefano della Bella
Plate 10: two heads of old soldi...
1641 | etching/etching

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Stefano della Bella
Rinceaux with Two Children Holdi...
Undated | etching/etching

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Stefano della Bella
Plate 4: a horse in profile faci...
Undated | etching

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Stefano della Bella
Baths of Diocletian and Shepherd...
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Stefano della Bella
Head of Minerva, from 'Various h...
Undated | etching/etching

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Stefano della Bella
Battle Scene, from "Desseins de ...
Undated | Medium: silk Technique: plain weave with discontinuous supplementary wefts

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Stefano della Bella
The Departure of Jacob to Egypt,...
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Stefano della Bella
The Fisherman, from the series Q...
Undated | etching

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Stefano della Bella
Escutcheon, No 18 from "Raccolta...
Undated | Etching on paper; verso: black chalk

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Stefano della Bella
Head of a Bald and Bearded Old M...
Undated | etching/etching

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Stefano della Bella
A rowboat full of men in center,...
1639 | etching/etching

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Stefano della Bella
Plate 15: a Polish nobleman, fac...
Undated | etching

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Stefano della Bella
Frontispiece for The Fall of Lon...
1656 | etching/etching

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Stefano della Bella
Camel viewed from behind, pub. 1...
1640 | engraving

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Stefano della Bella
Plate 11: bust of a man wearing ...
1650 | etching/etching

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Stefano della Bella
Polish horseman facing right, a ...
Undated | etching/etching

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Stefano della Bella
Two Camel Heads [recto], probabl...
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Stefano della Bella
Raoul ... Louis le Jeune..., fr...
1644 | etching/etching

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Stefano della Bella
Naval battle, a rowboat filled w...
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Stefano della Bella
Rest on the Flight into Egypt, c...
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Stefano della Bella
A woman carrying a child in cent...
1643 | etching/etching

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Stefano della Bella
Pluto, from Game of Mythology Je...
1644 | etching/etching

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Stefano della Bella
Collection of Various Caprices a...
Undated | etching

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Stefano della Bella
Plate 20: an old Polish nobleman...
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Stefano della Bella
Plate 6: two studies of children...
Undated | etching/etching

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Stefano della Bella
The Rock of Aeolus, 1652.
Undated | etching/etching

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Stefano della Bella
 
Undated | pen and brown ink over graphite on laid paper; laid down

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Stefano della Bella
 
Undated | etching on laid paper [restrike]

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Stefano della Bella
Plate 13: ruins of an ancient te...
1643 | etching/etching

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Stefano della Bella
Plate 4: head of an old woman wi...
1650 | etching/etching

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Stefano della Bella
Plate 8: a seated horse to right...
Undated | etching

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Stefano della Bella
Gold Coast, from 'Game of Geogra...
Undated | etching/etching

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Stefano della Bella
Young Satyr About to Bathe in a ...
Undated | etching

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Stefano della Bella
Plate 7: a triton in the water, ...
1646 | etching/etching

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Stefano della Bella
Plate 6: head of an old bearded ...
1650 | etching/etching

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Stefano della Bella
Hoofd van een jongeman, rechts n...
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Stefano della Bella
New Model for a Cartouche, 1647.
Undated | etching/etching/etching

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Stefano della Bella
Brazil, from 'Game of Geography'...
Undated | etching/etching

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Stefano della Bella
 
Undated | etching on paper

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Stefano della Bella
Collection of Various Caprices a...
Undated | etching

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Stefano della Bella
Plate 14: head of a woman, in pr...
1649 | etching/etching

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Stefano della Bella
Plate 2: A cannon to the left, a...
1641 | etching/etching

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Stefano della Bella
Peasant Seated on a Horse with C...
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Stefano della Bella
A bust of a young man wearing a ...
1650 | etching

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Stefano della Bella
 
Undated | etching on cream laid paper

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Stefano della Bella
Several heads in the Persian sty...
Undated | etching

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Stefano della Bella
Popayan, from 'Game of Geography...
Undated | etching/etching

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Stefano della Bella
New Model for a Cartouche, 1647.
Undated | etching/etching/etching

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Stefano della Bella
Groom with a Camel, 1649.
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Stefano della Bella
Title Page for "Entry into Rome ...
Undated | etching

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Stefano della Bella
Plate 10: a horseman and a woman...
Undated | etching

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Stefano della Bella
Stag at bay, from Animal hunts C...
Undated | etching/etching

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Stefano della Bella
The Procession of the Holy Sacra...
1648 | etching

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Stefano della Bella
The Journey of Jacob in Egypt, c...
Undated | etching

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Stefano della Bella
A bust of a young man wearing a ...
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Stefano della Bella
Caprices: Mounted Cavalier
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Stefano della Bella
Quivira, from 'Game of Geography...
Undated | etching

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Stefano della Bella
Various Figures and Landscapes: ...
Undated | etching/etching/etching

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Stefano della Bella
Fifth scene, the Inferno, from T...
1637 | etching/etching

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Stefano della Bella
Plate 17: a man wearing a plumed...
Undated | etching

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Stefano della Bella
Plate 5: two pilgrims with hats ...
Undated | etching

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Stefano della Bella
Title Page for Diverses figures ...
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Stefano della Bella
Salmacis and Hermaphrodite, from...
1644 | etching/etching

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Stefano della Bella
 
Undated | etching on laid paper [restrike]

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Stefano della Bella
 
Undated | etching on laid paper [restrike]

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Stefano della Bella
Female Satyr Nursing a Child in ...
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Stefano della Bella
Plate 11: shepherdess seated to ...
Undated | etching

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Stefano della Bella
Plate 2: Campo Vaccino, a buffal...
1643 | etching/etching

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Stefano della Bella
Altar for Corpus Christi Day, pr...
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Stefano della Bella
Moorish horseman in profile faci...
Undated | etching/etching

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Stefano della Bella
Plate 19: Landscape with a Caval...
Undated | etching/etching

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Stefano della Bella
Sixth scene, the heavens, from T...
Undated | etching/etching

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Stefano della Bella
Herdsman on horseback drives ani...
Undated | etching/etching

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Stefano della Bella
 
Undated | Medium: linen Technique: damask

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Stefano della Bella
Parade float in the form of a sh...
Undated | engraving/etching

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Stefano della Bella
Plate 1: A horse drawn cart carr...
Undated | etching

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Stefano della Bella
 
Undated | black chalk, pen and brown ink and grey wash on paper

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Stefano della Bella
A valet taking two horses to bat...
1662 | etching/etching

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

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Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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