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Max Klinger

Max Klinger fused Symbolism with psychological depth, creating visionary worlds between dream and reality that continue to fascinate and profoundly shape the evolution of modern art.


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Max Klinger
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Max Klinger

Germany · 1857–1920 · Symbolism · 607 artworks found
Max Klinger fused Symbolism with psychological depth, creating visionary worlds between dream and reality that continue to fascinate and profoundly shape the evolution of modern art. more about the artist
Max Klinger
1857–1920
BornFebruary 18, 1857 (Leipzig)
DiedJuly 4, 1920 (Großjena) at the age of 63
NationalityGermany
EpochsSymbolism
Professionsculptor, painter, university teacher, writer, graphic artist, exlibrist, etcher, medalist, art historian
Family
Spouse: Gertrud Bock
TeacherKarl Gussow, Emile Wauters, Ludwig Des Coudres
MembershipsBerlin Secession, Academy of Arts, Berlin
Notable worksParaphrase über den Fund eines Handschuhs (1878), Die Blüte Griechenlands (1909), Das Urteil des Paris (1886), Die blaue Stunde" (1890), Eine Gesandtschaft (1882)
MuseumsStaatliche Kunsthalle Karlsruhe, Art Institute of Chicago, Staatliche Museen zu Berlin, Saint Louis Art Museum, Nasjonalmuseet
Max Klinger

Max Klinger

Max Klinger, who worked as a painter, sculptor and graphic artist, is considered an important representative of Symbolism. Born in Leipzig in 1857, his artistic path led him first to Karlsruhe, where he also made a name for himself as a pianist. From 1875 Klinger studied at the Prussian Academy of Arts in Berlin, where he discovered the realist Adolph Menzel as an artistic model. After successfully completing his studies, Klinger took part in his first exhibitions in Berlin, where his main focus at that time was on pen and ink drawings. One example of this is "The Action": an ice skater bends down after a glove that a lady skating in front of him had lost.

Klinger was considered a reclusive artist, regardless of whether he lived in Berlin, Brussels or Paris. Theoretically, he dealt extensively with Darwin's theories. Painterly, the Spanish Francisco de Goya and the French caricaturist Daumier as well as the Symbolist Pauvis de Chavannes were great models for him. In Klinger's own work, the Symbolist element can be clearly recognized. The unconscious, the fantastic, the decorative and the landscape of the soul are evident in his series "Dead Mother" or "The Plague". Numerous journeys took Klinger to Spain, Italy, England, Greece and the Netherlands. An encounter with Rodin in 1900 was formative.

Max Klinger is considered a great sculptor. Multicoloured stone, life-size sculptures and vividness were important to him. "Summer Landscape" and "Rock Ravine", on the other hand, prove that Klinger was also a master of delicate tones. Decay and beauty are closely related in the Symbolists' work. Munch, Barlach, Beckmann: all referred to Klinger, who was not only a gifted graphic artist and courageous sculptor, but also an interested intellectual.

Artworks by Max Klinger

607 artworks found
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Max Klinger
Der pinkelnde Tod
1880 |

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Max Klinger
 
1890 | Etching and aquatint in black ink on ivory wove paper, laid down on ivory wove plate paper (chine collé)

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Max Klinger
 
1910 | chalk on paper

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Max Klinger
Bear and Elf (Bär und Elfe): pl.1
1881 | etching and aquatint

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Max Klinger
Tote Mutter. 1889
Undated | Etching and copper engraving

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Max Klinger
Entf?hrung (Abduction), from the...
Undated | etching and aquatint

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Max Klinger
Night, from On Death, Part I, Op...
1889 | etching and aquatint

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Max Klinger
Amor (Cupid), from the series Ei...
Undated | etching

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Max Klinger
 
1895 | print

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Max Klinger
Dead Mother, from the 'Of Death,...
1898 | etching

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Max Klinger
Rest on the Flight to Egypt, 1912
1912 | oil on canvas

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Max Klinger
The Philosopher, from the 'Of De...
1898 | etching

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Max Klinger
Spring, 1912
1912 | oil on canvas

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Max Klinger
Neue Träume Von Glück (New Dream...
1909 | etching with engraving and aquatint

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Max Klinger
Genie (Künstler) (Vom Tode, Zwei...
1904 |

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Max Klinger
The Seizure, from 'Paraphrase on...
1878 | Indian ink wash and pen on paper

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Max Klinger
Bust of Friedrich Nietzsche (184...
1902 | bronze

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Max Klinger
Bestürmung (Zelt, Opus XIV, 2. T...
1915 |

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Max Klinger
Herrscher (Vom Tode, Zweiter The...
1910 |

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Max Klinger
Versuchung (Vom Tode, Zweiter Th...
1898 |

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Max Klinger
Krieg (Vom Tode, Zweiter Theil, ...
1910 |

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Max Klinger
Und doch! (Vom Tode, Zweiter The...
1898 |

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Max Klinger
Die große Göttin (Zelt, Opus XIV...
1915 |

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Max Klinger
Vergewaltigung (Zelt, Opus XIV, ...
1915 |

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Max Klinger
 
Undated | oil on canvas

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Max Klinger
Pest (Vom Tode, Zweiter Theil, O...
1904 |

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Max Klinger
Sea Gods in the Surf, 1884-85
Undated | oil on canvas

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Max Klinger
Ein Mord (Dramen, Opus IX, Blatt 7)
1883 |

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Max Klinger
Genie (Künstler) (Vom Tode, Zwei...
1904 |

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Max Klinger
Die Schwäne (Zelt, Opus XIV, 1. ...
1915 |

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Max Klinger
Königin und Göttin (Zelt, Opus X...
1915 |

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Max Klinger
 
1880 | etching on paper

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Max Klinger
Drohung (Zelt, Opus XIV, 2. Teil...
1915 |

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Max Klinger
 
1887 | etching with engraving and aquatint

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Max Klinger
Waldnacht (Zelt, Opus XIV, 2. Te...
1915 |

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Max Klinger
Krieg (Vom Tode, Zweiter Theil, ...
1910 |

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Max Klinger
Bär und Elfe.
1881 |

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Max Klinger
Ein Mord (A murder), from Dramen...
1883 |

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Max Klinger
Ein Mord A Murder, 1883.
Undated | aquatint/etching/drypoint

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Max Klinger
Nacht (Zelt, Opus XIV, 1. Teil, ...
1915 |

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Max Klinger
Tanz (Zelt, Opus XIV, 2. Teil, N...
1915 |

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Max Klinger
Der Schuss (Zelt, Opus XIV, 1. T...
1915 |

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Max Klinger
Mädchen und Schütze (Zelt, Opus ...
1915 |

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Max Klinger
Bereitung zum Tanz (Zelt, Opus X...
1915 |

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Max Klinger
Pyramus and Thisbe II From the s...
Undated | aquatint

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Max Klinger
Durch Sümpfe (Zelt, Opus XIV, 1....
1915 |

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Max Klinger
Geschenke (Zelt, Opus XIV, 2. Te...
1915 |

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Max Klinger
Ein Mord
1882 |

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Max Klinger
The Blue Hour (oil on canvas)
Undated |

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Max Klinger
Anguish from a series of ten pla...
1878 | washed indian ink and pen

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Max Klinger
Versuchung (Vom Tode, Zweiter Th...
1898 |

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Max Klinger
Place from 'Paraphrase on the Di...
1878 | washed Indian ink and pen on paper

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Max Klinger
 
1881 | Etching and aquatint on ivory laid paper

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Max Klinger
Third Future, plate six from Eve...
1880 | Etching on light gray wove paper, laid down on ivory wove card

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Max Klinger
Detail of Dedication to Brahms (...
1909 | marble

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Max Klinger
Vertreibung (Zelt, Opus XIV, 2. ...
1915 |

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Max Klinger
Dedication to Brahms, 1909 (marb...
1909 | marble

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Max Klinger
Salvage from 'Paraphrase on the ...
1878 | Indian ink wash and pen on paper

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Max Klinger
Night, from On Death, Part I, Op...
Undated |

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Max Klinger
Rettung (Rescue), from the serie...
Undated | etching

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Max Klinger
 
Undated |

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Max Klinger
Christus im Olymp
Undated |

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Max Klinger
Ende (Zelt, Opus XIV, 2. Teil, N...
1915 |

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Max Klinger
Girls on the Shore, c.1884-85
Undated | oil on canvas

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Max Klinger
Opus VI, from Paraphrase on the ...
Undated | aquatint

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Max Klinger
Downfall, plate twelve from A Life
1884 | Etching, with aquatint and drypoint on ivory China paper, laid down on cream laid paper

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Max Klinger
Vom Tode I, (Opus II, 1889) No. 4
1889 | etching and aquatint

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Max Klinger
A Glove: Amor, 1880.
Undated | etching/etching/etching

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Max Klinger
Opus VI, from Paraphrase on the ...
Undated | aquatint

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Max Klinger
Vom Tode I, Opus II, 1889 No. 3.
Undated |

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Max Klinger
Zeit und Ruhm (Vom Tode, Zweiter...
1898 |

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Max Klinger
Am See (Zelt, Opus XIV, 1. Teil,...
1915 |

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Max Klinger
On the Tracks Auf den Schienen, ...
Undated | etching

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Max Klinger
Vom Tode I, (Opus II, 1889) No. 8
Undated | etching and aquatint

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Max Klinger
The Action
1880 | etching

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Max Klinger
Zauberer und Ritter (Zelt, Opus ...
1915 |

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Max Klinger
On Death Part Two, Opus XIII Pri...
Undated | etching/etching/etching

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Max Klinger
 
1889 | etching and aquatint

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Max Klinger
Dedication to Brahms, 1909 (marb...
1909 | marble

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Max Klinger
Opus XII, Brahms Phantasy, 1894.
Undated | aquatint

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Max Klinger
 
1884 | Etching on ivory China paper, laid down on cream laid paper

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Max Klinger
Das Lager (Zelt, Opus XIV, 1. Te...
1915 |

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Max Klinger
Herrenbildnis
Undated | Oil on cardboard

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Max Klinger
Einbruch (Zelt, Opus XIV, 1. Tei...
1915 |

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Max Klinger
A Glove: The Abduction
1880 | etching

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Max Klinger
 
1884 | Aquatint and etching on ivory China paper laid down on cream laid paper

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Max Klinger
Opus XII, Brahms Phantasy, 1894.
Undated | aquatint

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Max Klinger
 
1883 |

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Max Klinger
Handlung (Action), from the seri...
Undated | etching

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Max Klinger
Dedication to Brahms, 1909 (marb...
1909 | marble

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Max Klinger
Frontispiece to "Six Lieder opus...
1886 | lithograph

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Max Klinger
 
1884 | Etching and aquatint on ivory China paper, laid down on cream laid paper

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Max Klinger
The Surf, 1884-85
Undated | oil on canvas

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Max Klinger
Vom Tode I, Opus II, 1889 No. 4.
Undated |

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About the artist

Max Klinger
Max Klinger
1857–1920
BornFebruary 18, 1857 (Leipzig)
DiedJuly 4, 1920 (Großjena) at the age of 63
NationalityGermany
EpochsSymbolism
Professionsculptor, painter, university teacher, writer, graphic artist, exlibrist, etcher, medalist, art historian
Family
Spouse: Gertrud Bock
TeacherKarl Gussow, Emile Wauters, Ludwig Des Coudres
MembershipsBerlin Secession, Academy of Arts, Berlin
Notable worksParaphrase über den Fund eines Handschuhs (1878), Die Blüte Griechenlands (1909), Das Urteil des Paris (1886), Die blaue Stunde" (1890), Eine Gesandtschaft (1882)
MuseumsStaatliche Kunsthalle Karlsruhe, Art Institute of Chicago, Staatliche Museen zu Berlin, Saint Louis Art Museum, Nasjonalmuseet

Max Klinger, who worked as a painter, sculptor and graphic artist, is considered an important representative of Symbolism. Born in Leipzig in 1857, his artistic path led him first to Karlsruhe, where he also made a name for himself as a pianist. From 1875 Klinger studied at the Prussian Academy of Arts in Berlin, where he discovered the realist Adolph Menzel as an artistic model. After successfully completing his studies, Klinger took part in his first exhibitions in Berlin, where his main focus at that time was on pen and ink drawings. One example of this is "The Action": an ice skater bends down after a glove that a lady skating in front of him had lost.

Klinger was considered a reclusive artist, regardless of whether he lived in Berlin, Brussels or Paris. Theoretically, he dealt extensively with Darwin's theories. Painterly, the Spanish Francisco de Goya and the French caricaturist Daumier as well as the Symbolist Pauvis de Chavannes were great models for him. In Klinger's own work, the Symbolist element can be clearly recognized. The unconscious, the fantastic, the decorative and the landscape of the soul are evident in his series "Dead Mother" or "The Plague". Numerous journeys took Klinger to Spain, Italy, England, Greece and the Netherlands. An encounter with Rodin in 1900 was formative.

Max Klinger is considered a great sculptor. Multicoloured stone, life-size sculptures and vividness were important to him. "Summer Landscape" and "Rock Ravine", on the other hand, prove that Klinger was also a master of delicate tones. Decay and beauty are closely related in the Symbolists' work. Munch, Barlach, Beckmann: all referred to Klinger, who was not only a gifted graphic artist and courageous sculptor, but also an interested intellectual.



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+43 4257 29415
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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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