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Feel the passion of John Martin in our art prints.

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John Martin
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Museum Quality Art Prints
Individual Customization Options
John Martin

John Martin

    July 19, 1789   -   February 17, 1854
Romanticism   •   Wikipedia: John Martin

Melodramatic scenes of apocalyptic events, biblical and fantastical themes characterize the works of John Martin, an English engraver, illustrator and artist of the nineteenth century. He was a devout Christian, but defended deism and was a follower of natural religion. Works like "The Last Judgement", "The Great Day of His Wrath" and "The Heavenly Planes" reflect the artist's personality. His works are characterized by small figures in wide architectural and landscape settings, perfected by dramatic lighting, imagination and attention to detail. Above all, the motif of the landscape, in which he was largely inspired by the nature of Northumberland, made him a great representative of Romanticism. His dark, oppressive but at the same time stirring character made him stand out from his competitors.

With his master, the Italian artist Bonifacio Musso, he moved to London where he married at the age of nineteen. Apart from selling his paintings, John Martin also earned his money through drawing lessons and glass and porcelain painting. From 1812 onwards, he received greater attention for his works; however, the public only really became aware of him when his brother Jonathan Martin, also known as "Mad Martin", set a fire in the York Minister. Although he met with public enthusiasm, his wish - to become a member of the Royal Academy - remained unfulfilled, as critics like John Ruskin described his work as vulgar. Instead, he joined the Society of British Artists from 1824 to 1838. He also became the official history painter of Prince Leopold of Saxe-Coburg and was awarded the Leopold Order for his paintings. Besides painting, John Martin had a keen interest in architecture, which is why he was involved in drawing up plans for London's water supply, sewerage and railway systems.

Although the artist lost more and more prestige, he left his mark even after his death in 1854: his works encouraged the American artist Thomas Cole in particular to found the Hudson River School. He also inspired the Pre-Raphaelites, especially the British painter and poet Dante Gabriel Charles Rossetti. Some of Martin's paintings, for example "The Destruction of Sodom and Gomorrah", "Clytie" and "The Bard", can now be seen in the Laing Art Gallery in Newcastle.

John Martin

    July 19, 1789   -   February 17, 1854
Romanticism   •   Wikipedia: John Martin John Martin

Melodramatic scenes of apocalyptic events, biblical and fantastical themes characterize the works of John Martin, an English engraver, illustrator and artist of the nineteenth century. He was a devout Christian, but defended deism and was a follower of natural religion. Works like "The Last Judgement", "The Great Day of His Wrath" and "The Heavenly Planes" reflect the artist's personality. His works are characterized by small figures in wide architectural and landscape settings, perfected by dramatic lighting, imagination and attention to detail. Above all, the motif of the landscape, in which he was largely inspired by the nature of Northumberland, made him a great representative of Romanticism. His dark, oppressive but at the same time stirring character made him stand out from his competitors.

With his master, the Italian artist Bonifacio Musso, he moved to London where he married at the age of nineteen. Apart from selling his paintings, John Martin also earned his money through drawing lessons and glass and porcelain painting. From 1812 onwards, he received greater attention for his works; however, the public only really became aware of him when his brother Jonathan Martin, also known as "Mad Martin", set a fire in the York Minister. Although he met with public enthusiasm, his wish - to become a member of the Royal Academy - remained unfulfilled, as critics like John Ruskin described his work as vulgar. Instead, he joined the Society of British Artists from 1824 to 1838. He also became the official history painter of Prince Leopold of Saxe-Coburg and was awarded the Leopold Order for his paintings. Besides painting, John Martin had a keen interest in architecture, which is why he was involved in drawing up plans for London's water supply, sewerage and railway systems.

Although the artist lost more and more prestige, he left his mark even after his death in 1854: his works encouraged the American artist Thomas Cole in particular to found the Hudson River School. He also inspired the Pre-Raphaelites, especially the British painter and poet Dante Gabriel Charles Rossetti. Some of Martin's paintings, for example "The Destruction of Sodom and Gomorrah", "Clytie" and "The Bard", can now be seen in the Laing Art Gallery in Newcastle.

Artworks by John Martin

Artworks by John Martin

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255 artworks found

John Martin
 
1851 | oil on canvas

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John Martin
Pandemonium, 1841
1841 | oil on canvas

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John Martin
 
Undated |

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John Martin
Satan Viewing the Ascent to Heav...
1827 | mezzotint

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John Martin
Solitude, 1843
1843 | oil on canvas

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John Martin
The Great Day of His Wrath, engr...
1857 | hand coloured engraving

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John Martin
The Feast of Belshazzar, 1820.
Undated |

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John Martin
Sadak in Search of the Waters of...
1812 | oil on canvas

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John Martin
Joshua Commanding the Sun to Sta...
Undated |

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John Martin
 
1851 | oil on canvas

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John Martin
The Destruction of Sodom and Gom...
1852 | oil on canvas

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John Martin
Satan presiding at the Infernal ...
1824 | engraving

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John Martin
The Great Day of his Wrath, c.18...
1851 | colour lithograph

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John Martin
'One of the Seven Plagues of Egy...
1809 | oil painting

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John Martin
The Bard, c.1817
Undated | oil on canvas

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John Martin
Fishermen in a Lakeland Landscape
Undated | oil on canvas

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John Martin
 
Undated | oil on canvas

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John Martin
Manfred on the Jungfrau, 1837
1837 | watercolour on paper

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John Martin
The country of the Iguanodon
1837 | Watercolor on paper

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John Martin
The Creation of Light, c.1827 (m...
1827 | mezzotint

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John Martin
Satan and the Fallen Angels, c.1...
1827 | mezzotint

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John Martin
 
Undated | oil on canvas

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John Martin
The Celestial City and the River...
1841 | oil on canvas

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John Martin
The Bard, c.1817
Undated | oil on canvas

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John Martin
Twilight in the Woodlands, 1850 ...
1850 | oil on paper laid down on canvas

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John Martin
 
Undated |

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John Martin
 
Undated | Mezzotint with etching in black on ivory wove paper

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John Martin
God verwijt Adam en Eva hun zond...
Undated | paper

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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
Joshua Commanding the Sun to Sta...
Undated | oil on canvas

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John Martin
Plesiosaurus battling Temnodonto...
1840 | engraving

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John Martin
View of the Temple of Suryah and...
Undated | sepia aquatint

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John Martin
Destruction of the Pharoah's Hos...
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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
Bracket clock, c.1700
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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
 
1828 | mezzotint with etching

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John Martin
Landscape, Classical Composition
Undated | watercolour on paper

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John Martin
The Last Judgement, engraved by ...
1856 | Mixed method engraving

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John Martin
 
Undated | Watercolor, gouache, and brown ink over graphite with scratching out on moderately thick, slightly textured, beige wove paper

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John Martin
Ruins of an Ancient City, c.1810-20
Undated | oil on paper, mounted on canvas

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John Martin
Shadrach, Meshack and Abed-Nego ...
Undated | Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper

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John Martin
The Daughter of Pharoah Finding ...
Undated | Mezzotint in black on ivory wove paper

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John Martin
Paradise Lost: The Creation of L...
Undated | mezzotint/mezzotint/mezzotint

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John Martin
 
Undated | oil on canvas

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John Martin
Overtaken by the Sirocco, illust...
Undated | lithograph

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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
The Proposed Triumphal Arch from...
1820 | lithograph

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John Martin
Joshua Commanding the Sun to Sta...
1816 | oil on canvas

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John Martin
 
Undated | brown wash with graphite

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John Martin
The Expulsion of Adam and Eve fr...
Undated | oil on canvas

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John Martin
Belshazzar"s Feast, 1820
1820 | oil on canvas

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John Martin
Seventh Plague, c.1824 (mezzotint)
1824 | mezzotint

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John Martin
 
Undated | Mezzotint with etching in black on ivory wove paper

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John Martin
 
Undated | Watercolor and pen and brown ink over graphite with scratching out on moderately thick, moderately textured, cream wove paper

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John Martin
The country of the Iguanodon
1837 |

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John Martin
Heaven-the Rivers of Bliss ..., ...
1827 | mezzotint

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John Martin
 
Undated | oil on panel

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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
The Deluge, 1828 (mezzotint with...
1828 | mezzotint with etching

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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
Kensington Gardens, 1815
1815 | oil on canvas

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John Martin
Landscape: View in Richmond Park...
1850 | oil on paper marouflé onto sunderland A board with cellofas

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John Martin
The Proposed Triumphal Arch from...
1820 | lithograph

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John Martin
Adam en Eva bewenen Abel en God ...
Undated | paper

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John Martin
 
Undated | Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper

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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
The Valley of the Tyne, My Nativ...
Undated |

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John Martin
Cadmus and the Dragon
Undated | oil on canvas

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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
Adam Hearing the Voice of the Al...
1827 | mezzotint

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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
Edwin and Angelina or, The Hermi...
Undated | oil on canvas

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John Martin
 
Undated | Brown wash and graphite on medium, slightly textured, cream wove paper

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John Martin
 
Undated | oil on canvas

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John Martin
 
Undated | oil on canvas

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John Martin
The Fall of the Rebel Angels, c....
1827 | mezzotint

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John Martin
Mozes breekt de tafelen der wet ...
Undated | paper

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John Martin
Marcus Curtius, c.1827
Undated | oil on canvas

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John Martin
A Man Playing a Harp with other ...
Undated |

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John Martin
 
Undated | Mezzotint in black on ivory wove paper

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John Martin
The Fall of Nineveh (print)
Undated |

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John Martin
Josua beveelt de zon om stil te ...
Undated | paper

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John Martin
 
Undated | Gray wash, brown wash, and graphite on thick, slightly textured, cream wove paper

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John Martin
The Thames, Twickenham (watercol...
Undated | watercolour on paper

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John Martin
Figures Seated by a Lake in a Wo...
Undated |

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John Martin
 
1815 | oil on canvas

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John Martin
Fall of Nineveh, 1826
1826 | mezzotint and etching

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John Martin
 
Undated | Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper

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John Martin
 
Undated | Mezzotint and line etching

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John Martin
 
Undated | watercolor, gouache and gum arabic with graphite underdrawing, sanding, and scraping

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John Martin
 
1851 | Oil on panel

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John Martin
The destruction of Jerusalem
Undated | engraving

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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