| Born | 1800 (London) |
| Died | 1895 (England) |
| Nationality | United Kingdom of Great Britain and Northern Ireland |
| Epochs | Portrait painting |
| Genre | portrait |
| Profession | painter |
| Family | Father: Charles Hayter Child: George John Barry Hayter, Charles George Hayter Sibling: George Hayter |
| Notable works | Portrait of a Lady, called Mademoiselle Sontag (1805), Miss Moore Grant (1790s-1828), Youngest Daughter of Anne Grant of Laggan (1817), Stapleton Cotton (1773-1865), Field Marshal Viscount Combermere, GCB, KST (1839), Viscountess Dungannon (d.1880) (1839), Lady Augusta FitzClarence Kennedy-Erskine (d.1860), Natural Daughter of King William IV and Wife of the Honourable John Erskine, with Her Children, Wiliam Henry, Wilhelmina and Millicent Ann Mary |
| Museums | Art Institute of Chicago |
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| Born | 1800 (London) |
| Died | 1895 (England) |
| Nationality | United Kingdom of Great Britain and Northern Ireland |
| Epochs | Portrait painting |
| Genre | portrait |
| Profession | painter |
| Family | Father: Charles Hayter Child: George John Barry Hayter, Charles George Hayter Sibling: George Hayter |
| Notable works | Portrait of a Lady, called Mademoiselle Sontag (1805), Miss Moore Grant (1790s-1828), Youngest Daughter of Anne Grant of Laggan (1817), Stapleton Cotton (1773-1865), Field Marshal Viscount Combermere, GCB, KST (1839), Viscountess Dungannon (d.1880) (1839), Lady Augusta FitzClarence Kennedy-Erskine (d.1860), Natural Daughter of King William IV and Wife of the Honourable John Erskine, with Her Children, Wiliam Henry, Wilhelmina and Millicent Ann Mary |
| Museums | Art Institute of Chicago |