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Franz Hogenberg

In Cologne, Franz Hogenberg engraved his era's grandest portrait of cities - and Europe's earliest images of its wars.


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Franz Hogenberg
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Museum Quality Art Prints
Individual Customization Options

Franz Hogenberg

In Cologne, Franz Hogenberg engraved his era's grandest portrait of cities - and Europe's earliest images of its wars. more about the artist
Belgium · 1535–1590 · Renaissance · 405 artworks found
Franz Hogenberg
1535–1590
Born 1535 (Mechelen)
Died 1590 (Köln)
Nationality Belgium
Epochs Renaissance
Genre portrait
Profession graphic artist, cartographer, painter, copper engraver, publisher, engraver
Family
Sibling: Remigius Hogenberg
Notable works Jerusalem, Lucerna M.CCC.XXXII. Lucern, DECEM ET TRIA LOCA CONFOEDERATORUM HELVETIAE, German troops leaving Antwerp (1579), Portrait of Gerardus Mercator
Museums Staatliche Museen zu Berlin

Franz Hogenberg

    1440   -   1590

Franz Hogenberg, a Flemish copper engraver, etcher and cartographer, was living in the strictly Catholic Free Imperial City of Cologne in 1572 as a Protestant religious refugee. There, together with the theologian Georg Braun, he published the first volume of the “Civitates Orbis Terrarum”, a book of cities that would eventually comprise six volumes and more than 500 city views spanning Europe, Asia, Africa and Latin America. Braun, the soul of the book project, handled its organization, editing and texts; Hogenberg was its principal engraver and co-publisher. In the preface, Braun made his readers a curious promise. Figures in the dress of each country had been placed before every city - partly so that the Turks, whose faith forbade depictions of the human form, could never use these plans for campaigns of conquest. Even the ornamentation of these prints was political.

His origins lay in Mechelen in Flanders, where Franz Hogenberg was born in 1535. His father, the copper engraver Nikolaus Hogenberg, died young; in 1548, his mother married the printer and cartographer Hendrik Terbruggen. The son thus grew up in a household where maps and printing plates were part of everyday life. In 1560, he travelled through France; at the turn of 1562/63, as a religious refugee in Wesel on the Lower Rhine, he signed a Lutheran confession of faith; in 1568, the Spanish authorities under the Duke of Alba banished him from Antwerp, presumably for Protestant sympathies. He subsequently engraved the title page and court portraits in London for an English edition of the Bible commissioned by Archbishop Matthew Parker, including a medallion portrait of Elizabeth I. His brother Remigius, also a copper engraver, remained permanently in England, while Franz settled in Cologne. He shared a lifelong friendship with Abraham Ortelius in Antwerp; from the mid-1560s onward, he engraved maps for Ortelius's “Theatrum Orbis Terrarum”, the first modern atlas. Beginning in 1572, the Civitates was created as its companion work devoted to cities.

Braun's promise was fulfilled print by print. In the “Plan of London from 'Civitates Orbis Terrarum', vol. 1, 1572”, the Thames flows broadly through the image, the bridge is lined with houses, the Tower stands on the riverbank, and in the foreground, on a green rise along the southern bank, four Londoners appear in the dress of their time, as though they had just stepped out of the city. The “Plan of Byzantium, renamed Constantinople (present-day Istanbul)” spreads the Sultan's city between its waterways; in the foreground, a troop of horsemen carrying lances rides past, while medallion portraits of the Ottoman rulers line the lower edge - the very Turks mentioned in Braun's preface. “Palermo, Italy (engraving)” follows the same pattern, with galleys before the harbour and a dense register of churches, monasteries and gates along the bottom of the print. Alongside walls and harbours, the views depict carts, ships and scenes of justice; for Braun and Hogenberg, a city's portrait also encompassed its economic power.

The city views were one half of the workshop's output, the news the other. From 1558 onward, Hogenberg produced the so-called history prints, some 470 engravings and etchings depicting contemporary events - battles, sieges and executions from the French Wars of Religion and the Dutch Revolt, often issued shortly after the events themselves. He is therefore regarded as the earliest major visual reporter of these wars; scholars also understand his prints as a form of visual historiography that itself intervened in the struggle over power, faith and violence. One print from the French Wars of Religion, the “Execution of Amboise conspirators, March 25”, bears its date in the title like a news report: a crowd presses together before the château, spectators stand on the battlements, the condemned hang from the gateway, and on the scaffold the executioner raises his sword to strike. The man who engraved such scenes had himself fled religious conflict. As late as 1589, one year before his death, he published a broadside in Cologne on the execution of Peter Stump, whom his age called the Werewolf of Bedburg.

Cologne never made life easy for him. In 1570, he faced expulsion as a non-Catholic; in 1579, he and his second wife, Agnes Lomar, were arrested for attending secret Reformed services. Nevertheless, he stayed, purchased a house in Glockengasse in 1585 and ran a workshop that became the most important copper-engraving studio in the Rhineland and the centre of a Cologne school of cartography, sustained above all by Dutch religious refugees like himself. Franz Hogenberg died in 1590; he was buried in the Geusenfriedhof, the Protestant cemetery outside the city walls. The workshop continued, first under his widow and then under his son Abraham. The final volume of the Civitates appeared in 1617 - more than a quarter of a century after the death of the exile who had given the cities of Europe their great portrait.

Artworks by Franz Hogenberg

405 artworks found
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405 artworks found

Franz Hogenberg
Palermo, Italy (engraving
Undated | engraving

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Franz Hogenberg
Plan of London from 'Civitates O...
1572 | coloured engraving on paper

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Franz Hogenberg
View of Granada, Spain (etching
Undated | etching

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Franz Hogenberg
Views of Tunis (Tunes) and Mahdi...
Undated | etching

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Franz Hogenberg
Heksesabbath
1590 | woodcut

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Franz Hogenberg
Plan of Marseille, Fance (etching
Undated | etching

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Franz Hogenberg
The Assassination of Henri III (...
1592 |

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Franz Hogenberg
Assassination of Duke Henri of G...
Undated | coloured engraving

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Franz Hogenberg
War of Religions: Assassination ...
Undated |

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Franz Hogenberg
Cuzco, main center of Inca civil...
Undated | engraving

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Franz Hogenberg
Plan of Augsburg (Augusta Vindel...
Undated | etching

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Franz Hogenberg
Town map of Freiberg (Fribergum ...
Undated | etching

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Franz Hogenberg
Map of Mexico (Mexico) and Cuzco...
Undated | etching

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Franz Hogenberg
The Emperor Charles V (1500-58) ...
Undated | coloured engraving

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Franz Hogenberg
Map of Alexandria from 'Civitate...
1572 | coloured engraving

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Franz Hogenberg
Naval Combat between the Beggars...
Undated | coloured engraving

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Franz Hogenberg
Map of Lisbon - Portugal (engraving
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Franz Hogenberg
Naval Combat off the Coast of Th...
1573 | coloured engraving

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Franz Hogenberg
Magdeburg Plan (Magdeburgum), Ge...
Undated | etching

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Franz Hogenberg
Views of Genes (Genua) and Flore...
Undated | etching

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Franz Hogenberg
Views of Aden (Yemen), Mombasa (...
Undated | etching

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Franz Hogenberg
View of Paris (Lutetia), France ...
Undated | etching

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Franz Hogenberg
Rouen - France (engraving
Undated | engraving

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Franz Hogenberg
Map of Messina (Messana), Italy ...
Undated | etching

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Franz Hogenberg
The Ottoman corsair Khayr al-Din...
Undated | engraving

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Franz Hogenberg
Regensburg with the Coat of arms...
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Franz Hogenberg
Map of Algiers - Algeria (engraving
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Franz Hogenberg
The execution of the magistrate ...
Undated | engraving

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Franz Hogenberg
Death of Admiral Gaspard II de C...
Undated | coloured engraving

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Franz Hogenberg
View of Tunis (Tunes), Tunisia, ...
Undated | etching

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Franz Hogenberg
Prague, capital of the Kingdom o...
Undated | engraving

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Franz Hogenberg
View of Jerusalem, from the Atla...
1599 | colour engraving

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Franz Hogenberg
Execution of Catholics in Englan...
Undated | engraving

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Franz Hogenberg
Stake at Bruges during the Gover...
Undated | engraving

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Franz Hogenberg
Map of Milan (engraving
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Franz Hogenberg
Scenes of hanging in the Flander...
1570 | engraving

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Franz Hogenberg
Map of Bruges (Brugae), Belgium ...
Undated | etching

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Franz Hogenberg
 
Undated | engraving

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Franz Hogenberg
View of Frankfurt am Main, Germa...
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Franz Hogenberg
Charles V's army against Tunis
Undated | engraving

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Franz Hogenberg
 
Undated | engraving

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Franz Hogenberg
Seville, Spain.With a punishment...
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Franz Hogenberg
Views of Neuss (Novesium), Bonn ...
Undated | etching

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Franz Hogenberg
Plan of Naples (Neapolis), Italy...
Undated | etching

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Franz Hogenberg
Views of Seville (Sevilla), Cadi...
Undated | etching

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Franz Hogenberg
View of the city of Wittenberg i...
Undated | colour engraving

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Franz Hogenberg
Plan of Kempten (Campidonia), Ge...
Undated | etching

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Franz Hogenberg
View of Alhama de Granada (Alham...
Undated | etching

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Franz Hogenberg
Fighting off the Coast of Gibral...
1607 | coloured engraving

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Franz Hogenberg
'Fin de la Guerre', warship buil...
Undated | lithograph

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Franz Hogenberg
Map of Cambridge (Cantebrigia), ...
Undated | etching

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Franz Hogenberg
The port of Kolding on the Jutla...
Undated | engraving

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Franz Hogenberg
Terracina, Italy (engraving
Undated | engraving

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Franz Hogenberg
Map of Cologne - Germany (engraving
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Franz Hogenberg
The Siege of Tunis or La Goulett...
1599 | engraving

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Franz Hogenberg
 
Undated | engraving

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Franz Hogenberg
Map of Cadiz - Spain (engraving
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Franz Hogenberg
View of Prague (engraving
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Franz Hogenberg
The 'Michelade' at Nimes on 29th...
Undated | coloured engraving

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Franz Hogenberg
Map of Ancona (engraving
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Franz Hogenberg
View of Rouen (Rotomagus), Nimes...
Undated | etching

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Franz Hogenberg
Map of Amsterdam (engraving
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Franz Hogenberg
Map of Bremen (engraving
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Franz Hogenberg
Map of Antwerp (engraving
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Franz Hogenberg
Views of Weimar (Weimaria), Iena...
Undated | etching

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Franz Hogenberg
Map of Jerusalem (Hierosolymorum...
Undated | etching

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Franz Hogenberg
Plan of Cologne (Colonia Agrippa...
Undated | etching

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Franz Hogenberg
Frontispice of the first volume:...
Undated | etching

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Franz Hogenberg
Map of Tunis, Tunisia (engraving
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Franz Hogenberg
Entry of Hercule Francois of Fra...
Undated | engraving

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Franz Hogenberg
 
16th century | engraving

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Franz Hogenberg
View of Algiers (Algerii), Alger...
Undated | etching

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Franz Hogenberg
the defeat of the invicible Span...
1653 | engraving

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Franz Hogenberg
Views of Pozzoli (Puteoli) and B...
Undated | etching

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Franz Hogenberg
Plan d"Anvers
Undated | etching

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Franz Hogenberg
Plan of Maastricht (Traiectum), ...
Undated | etching

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Franz Hogenberg
The episcopal city of Odense, De...
Undated | engraving

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Franz Hogenberg
Valenciennes, France (engraving
Undated | engraving

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Franz Hogenberg
Arras - North France
Undated | engraving

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Franz Hogenberg
 
Undated | engraving

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Franz Hogenberg
Conde's army laying siege on Cha...
Undated | engraving

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Franz Hogenberg
Grenoble and Romans sur Ister, F...
Undated | engraving

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Franz Hogenberg
Scene from French Wars of Religi...
Undated | engraving

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Franz Hogenberg
Tournament during which Henri II...
1559 | coloured engraving

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Franz Hogenberg
William I (1533-84) 'The Silent'...
Undated | colour engraving

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Franz Hogenberg
Wesel in North Rhine Westphalia,...
Undated | engraving

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Franz Hogenberg
Oberwesel and Boppard, Germany (...
Undated | engraving

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Franz Hogenberg
Stade located on the lower Elbe ...
Undated | engraving

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Franz Hogenberg
Map of Bruxelles - Belgium (engr...
Undated |

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Franz Hogenberg
Views of Sibenik (Sibinium, Sibe...
Undated | etching

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Franz Hogenberg
Plan of Avignon, France (etching
Undated | etching

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Franz Hogenberg
Religious war: execution of the ...
1559 | engraving

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Franz Hogenberg
Accurate illustration of the tow...
Undated | engraving

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Franz Hogenberg
Arnhem and Venlo, Netherlands - ...
Undated | engraving

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Franz Hogenberg
Lier, Belgium (engraving
Undated | engraving

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Page 1 / 5

About the artist

Franz Hogenberg
1535–1590
Born1535 (Mechelen)
Died1590 (Köln)
NationalityBelgium
EpochsRenaissance
Genreportrait
Professiongraphic artist, cartographer, painter, copper engraver, publisher, engraver
Family
Sibling: Remigius Hogenberg
Notable worksJerusalem, Lucerna M.CCC.XXXII. Lucern, DECEM ET TRIA LOCA CONFOEDERATORUM HELVETIAE, German troops leaving Antwerp (1579), Portrait of Gerardus Mercator
MuseumsStaatliche Museen zu Berlin

Franz Hogenberg, a Flemish copper engraver, etcher and cartographer, was living in the strictly Catholic Free Imperial City of Cologne in 1572 as a Protestant religious refugee. There, together with the theologian Georg Braun, he published the first volume of the “Civitates Orbis Terrarum”, a book of cities that would eventually comprise six volumes and more than 500 city views spanning Europe, Asia, Africa and Latin America. Braun, the soul of the book project, handled its organization, editing and texts; Hogenberg was its principal engraver and co-publisher. In the preface, Braun made his readers a curious promise. Figures in the dress of each country had been placed before every city - partly so that the Turks, whose faith forbade depictions of the human form, could never use these plans for campaigns of conquest. Even the ornamentation of these prints was political.

His origins lay in Mechelen in Flanders, where Franz Hogenberg was born in 1535. His father, the copper engraver Nikolaus Hogenberg, died young; in 1548, his mother married the printer and cartographer Hendrik Terbruggen. The son thus grew up in a household where maps and printing plates were part of everyday life. In 1560, he travelled through France; at the turn of 1562/63, as a religious refugee in Wesel on the Lower Rhine, he signed a Lutheran confession of faith; in 1568, the Spanish authorities under the Duke of Alba banished him from Antwerp, presumably for Protestant sympathies. He subsequently engraved the title page and court portraits in London for an English edition of the Bible commissioned by Archbishop Matthew Parker, including a medallion portrait of Elizabeth I. His brother Remigius, also a copper engraver, remained permanently in England, while Franz settled in Cologne. He shared a lifelong friendship with Abraham Ortelius in Antwerp; from the mid-1560s onward, he engraved maps for Ortelius's “Theatrum Orbis Terrarum”, the first modern atlas. Beginning in 1572, the Civitates was created as its companion work devoted to cities.

Braun's promise was fulfilled print by print. In the “Plan of London from 'Civitates Orbis Terrarum', vol. 1, 1572”, the Thames flows broadly through the image, the bridge is lined with houses, the Tower stands on the riverbank, and in the foreground, on a green rise along the southern bank, four Londoners appear in the dress of their time, as though they had just stepped out of the city. The “Plan of Byzantium, renamed Constantinople (present-day Istanbul)” spreads the Sultan's city between its waterways; in the foreground, a troop of horsemen carrying lances rides past, while medallion portraits of the Ottoman rulers line the lower edge - the very Turks mentioned in Braun's preface. “Palermo, Italy (engraving)” follows the same pattern, with galleys before the harbour and a dense register of churches, monasteries and gates along the bottom of the print. Alongside walls and harbours, the views depict carts, ships and scenes of justice; for Braun and Hogenberg, a city's portrait also encompassed its economic power.

The city views were one half of the workshop's output, the news the other. From 1558 onward, Hogenberg produced the so-called history prints, some 470 engravings and etchings depicting contemporary events - battles, sieges and executions from the French Wars of Religion and the Dutch Revolt, often issued shortly after the events themselves. He is therefore regarded as the earliest major visual reporter of these wars; scholars also understand his prints as a form of visual historiography that itself intervened in the struggle over power, faith and violence. One print from the French Wars of Religion, the “Execution of Amboise conspirators, March 25”, bears its date in the title like a news report: a crowd presses together before the château, spectators stand on the battlements, the condemned hang from the gateway, and on the scaffold the executioner raises his sword to strike. The man who engraved such scenes had himself fled religious conflict. As late as 1589, one year before his death, he published a broadside in Cologne on the execution of Peter Stump, whom his age called the Werewolf of Bedburg.

Cologne never made life easy for him. In 1570, he faced expulsion as a non-Catholic; in 1579, he and his second wife, Agnes Lomar, were arrested for attending secret Reformed services. Nevertheless, he stayed, purchased a house in Glockengasse in 1585 and ran a workshop that became the most important copper-engraving studio in the Rhineland and the centre of a Cologne school of cartography, sustained above all by Dutch religious refugees like himself. Franz Hogenberg died in 1590; he was buried in the Geusenfriedhof, the Protestant cemetery outside the city walls. The workshop continued, first under his widow and then under his son Abraham. The final volume of the Civitates appeared in 1617 - more than a quarter of a century after the death of the exile who had given the cities of Europe their great portrait.



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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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