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Feel the passion of Eugene Emmanuel Viollet-le-Duc in our art prints.

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Eugene Emmanuel Viollet-le-Duc
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Museum Quality Art Prints
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Eugene Emmanuel Viollet-le-Duc

Eugene Emmanuel Viollet-le-Duc

    January 27, 1814   -   September 17, 1879
Nonclassified artists   •   Wikipedia: Eugene Emmanuel Viollet-le-Duc

Eugène-Emmanuel Viollet-le-Duc was superintendent of all sacred buildings in France in the mid-19th century and involved in the preservation of other important medieval buildings. Thus, the architect, monument conservator, architectural theorist and art historian was responsible, among other things, for the Cathedral of Notre-Dame, which had to endure such a devastating fire in 2019, for the basilica in Saint-Denis, for the cathedral in Amiens, for the city fortifications and castle complexes of Carcassonne or the illustrious medieval castle of Pierrefonds, located north of Paris. The latter was to be developed by Viollet-le-Duc into a private residence for Napoleon III, but an early overthrow of Louis-Napoléon Bonaparte put paid to this. At least the Bavarian King Ludwig II was able to inspect the reconstruction work in the castle during a stay in Paris and take away ideas for his planned new building in Neuschwanstein.

Viollet-le-Duc wanted to restore Notre-Dame to its original medieval state, just like, for example, the castle complex of Carcassonne, located on the border with Spain and within sight of the Pyrenees. Romanticism certainly influenced him in this respect, with its preference for stylized and picturesque ruins that served as places of longing. Viollet-le-Duc himself went so far as to claim that he was striving for a condition for the historical buildings that, in his eyes, not only took up the medieval ideal, but improved upon it. This he wanted to see enforced, regardless of whether the buildings told a different story, which they had accumulated over the centuries and which did not fit in with the ideal ideas of a 19th century master builder. This radical reduction of the surviving buildings to a medieval fictional ideal and an alleged stylistic "improvement" earned Viollet-le-Duc the disrespectful term "restoration vandal" from his opponents. This did not prevent the Royal Academy in London from accepting him into its ranks, even though it was contrary to John Ruskin's views, who in England was simultaneously striving for the preservation of the existing state of a monument, with all its losses and every stylistic faux pas. An approach, incidentally, that was also followed in the German monument conservation of the time.

For his ten-volume dictionary of 11th- to 16th-century French architecture, Viollet-le-Duc made high-quality drawings, probed floor plans, elevations, and drew details. He was deeply involved in the building techniques of the Middle Ages and was one of their best connoisseurs. One may be critical of the restoration work he did, but the photos of the famous gargoyles he created or had created in the Galerie des Chimères at lofty heights on Notre-Dame are now world famous. Already in Viollet-le-Duc's time, they were no longer the originals from the Middle Ages, but had already been replaced due to their poor condition.

Eugene Emmanuel Viollet-le-Duc

    January 27, 1814   -   September 17, 1879
Nonclassified artists   •   Wikipedia: Eugene Emmanuel Viollet-le-Duc Eugene Emmanuel Viollet-le-Duc

Eugène-Emmanuel Viollet-le-Duc was superintendent of all sacred buildings in France in the mid-19th century and involved in the preservation of other important medieval buildings. Thus, the architect, monument conservator, architectural theorist and art historian was responsible, among other things, for the Cathedral of Notre-Dame, which had to endure such a devastating fire in 2019, for the basilica in Saint-Denis, for the cathedral in Amiens, for the city fortifications and castle complexes of Carcassonne or the illustrious medieval castle of Pierrefonds, located north of Paris. The latter was to be developed by Viollet-le-Duc into a private residence for Napoleon III, but an early overthrow of Louis-Napoléon Bonaparte put paid to this. At least the Bavarian King Ludwig II was able to inspect the reconstruction work in the castle during a stay in Paris and take away ideas for his planned new building in Neuschwanstein.

Viollet-le-Duc wanted to restore Notre-Dame to its original medieval state, just like, for example, the castle complex of Carcassonne, located on the border with Spain and within sight of the Pyrenees. Romanticism certainly influenced him in this respect, with its preference for stylized and picturesque ruins that served as places of longing. Viollet-le-Duc himself went so far as to claim that he was striving for a condition for the historical buildings that, in his eyes, not only took up the medieval ideal, but improved upon it. This he wanted to see enforced, regardless of whether the buildings told a different story, which they had accumulated over the centuries and which did not fit in with the ideal ideas of a 19th century master builder. This radical reduction of the surviving buildings to a medieval fictional ideal and an alleged stylistic "improvement" earned Viollet-le-Duc the disrespectful term "restoration vandal" from his opponents. This did not prevent the Royal Academy in London from accepting him into its ranks, even though it was contrary to John Ruskin's views, who in England was simultaneously striving for the preservation of the existing state of a monument, with all its losses and every stylistic faux pas. An approach, incidentally, that was also followed in the German monument conservation of the time.

For his ten-volume dictionary of 11th- to 16th-century French architecture, Viollet-le-Duc made high-quality drawings, probed floor plans, elevations, and drew details. He was deeply involved in the building techniques of the Middle Ages and was one of their best connoisseurs. One may be critical of the restoration work he did, but the photos of the famous gargoyles he created or had created in the Galerie des Chimères at lofty heights on Notre-Dame are now world famous. Already in Viollet-le-Duc's time, they were no longer the originals from the Middle Ages, but had already been replaced due to their poor condition.

Artworks by Eugene Emmanuel Viollet-le-Duc

Artworks by Eugene Emmanuel Viollet-le-Duc

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Eugene Emmanuel Viollet-le-Duc
Project of for restoration of we...
1843 | Pencil and watercolour on paper

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Eugene Emmanuel Viollet-le-Duc
View of Carcassonne from the wes...
Undated | engraving

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Eugene Emmanuel Viollet-le-Duc
Drawing for the restoration of t...
1855 | pen and ink on paper

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Eugene Emmanuel Viollet-le-Duc
Notre Dame de Paris en 1642 - il...
Undated | engraving

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Eugene Emmanuel Viollet-le-Duc
Isometric view of ideal cathedra...
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Eugene Emmanuel Viollet-le-Duc
Reconstruction of the Louvre dur...
1895 | lithograph

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Eugene Emmanuel Viollet-le-Duc
Gargoyle from the balustrade of ...
Undated | stone

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Eugene Emmanuel Viollet-le-Duc
Château de Pierrefonds, 1866
1866 | Brush on paper

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Eugene Emmanuel Viollet-le-Duc
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Eugene Emmanuel Viollet-le-Duc
Drawing for the restoration of t...
1864 | pen and ink on paper

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Eugene Emmanuel Viollet-le-Duc
Reconstitution of a huge catapul...
Undated | engraving

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Eugene Emmanuel Viollet-le-Duc
Gargoyle on the balustrade of th...
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Eugene Emmanuel Viollet-le-Duc
Demon gargoyle from the balustra...
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Eugene Emmanuel Viollet-le-Duc
Gargoyle from the balustrade of ...
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Eugene Emmanuel Viollet-le-Duc
Gargoyle from the balustrade of ...
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Eugene Emmanuel Viollet-le-Duc
Gargoyles on the balustrade of t...
Undated | stone

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Eugene Emmanuel Viollet-le-Duc
Drawing from the 13th 'Entretien...
1872 | engraving

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Eugene Emmanuel Viollet-le-Duc
Basilica of St. Sernin, Toulouse...
Undated | Pencil and watercolour on paper

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Eugene Emmanuel Viollet-le-Duc
High Altar in neo-gothic style, ...
1856 | photograph

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Eugene Emmanuel Viollet-le-Duc
Carcassonne, Stadtmauer, stark b...
1835 | gravure

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Eugene Emmanuel Viollet-le-Duc
Opera Garnier in Paris in 1850 b...
Undated | watercolour

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Eugene Emmanuel Viollet-le-Duc
Gargoyle from the balustrade of ...
Undated | stone

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Eugene Emmanuel Viollet-le-Duc
Pelican gargoyl from the balustr...
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Eugene Emmanuel Viollet-le-Duc
Monkey gargoyle, from the balust...
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Eugene Emmanuel Viollet-le-Duc
France, Paris, Designs submitted...
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Eugene Emmanuel Viollet-le-Duc
Armchair for the Golden room, Ch...
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Eugene Emmanuel Viollet-le-Duc
Column capital with Christ Bless...
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Eugene Emmanuel Viollet-le-Duc
Gargoyle from the balustrade of ...
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Eugene Emmanuel Viollet-le-Duc
Gargoyles from the balustrade of...
Undated | stone

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Eugene Emmanuel Viollet-le-Duc
Gargoyle from the balustrade of ...
Undated | stone

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Eugene Emmanuel Viollet-le-Duc
Women Dining at the Tuileries in...
Undated | Watercolor on paper

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Eugene Emmanuel Viollet-le-Duc
Elephant and lion gargoyles from...
Undated | stone

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Eugene Emmanuel Viollet-le-Duc
Competition project for the Oper...
Undated | Brush on paper

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Eugene Emmanuel Viollet-le-Duc
Gargoyles from the balustrade of...
Undated | stone

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Eugene Emmanuel Viollet-le-Duc
Gargoyles from the balustrade of...
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Eugene Emmanuel Viollet-le-Duc
Drawing from 'Dictionnaire raiso...
1861 | engraving

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Eugene Emmanuel Viollet-le-Duc
Two gargoyles from the balustrad...
Undated | stone

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Eugene Emmanuel Viollet-le-Duc
Design of the cornice for Mademo...
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Eugene Emmanuel Viollet-le-Duc
Gargoyle from the balustrade of ...
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Eugene Emmanuel Viollet-le-Duc
 
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Eugene Emmanuel Viollet-le-Duc
Architectural details for the re...
Undated | lithograph

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Eugene Emmanuel Viollet-le-Duc
View of the Abbey of Cluny and t...
Undated | engraving

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Eugene Emmanuel Viollet-le-Duc
Capital illustrating the vice of...
Undated | Brush on paper

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Eugene Emmanuel Viollet-le-Duc
 
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Eugene Emmanuel Viollet-le-Duc
Interior of Cluny Cathedral
Undated | engraving

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Eugene Emmanuel Viollet-le-Duc
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Eugene Emmanuel Viollet-le-Duc
Dinner at the Tuileries
Undated | oil on canvas

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Eugene Emmanuel Viollet-le-Duc
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Eugene Emmanuel Viollet-le-Duc
Basilica of St. Sernin, Toulouse...
Undated | Pencil and watercolour on paper

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Eugene Emmanuel Viollet-le-Duc
'King Arthur and the Knights of ...
Undated | colour lithograph

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Eugene Emmanuel Viollet-le-Duc
South rose window (stained glass)
Undated | stained glass

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Eugene Emmanuel Viollet-le-Duc
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Eugene Emmanuel Viollet-le-Duc
Front cover of 'Histoire d'un Ho...
Undated | engraving

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Eugene Emmanuel Viollet-le-Duc
The Facade of La Madeleine de Ve...
Undated | pen and ink and watercolour on paper

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Eugene Emmanuel Viollet-le-Duc
Low back chair and writing desk ...
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Eugene Emmanuel Viollet-le-Duc
Motifs for a bathroom tile, Chat...
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Eugene Emmanuel Viollet-le-Duc
Decorative scheme with King Arth...
Undated | colour lithograph

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Eugene Emmanuel Viollet-le-Duc
Paris. The grand staircase in Tu...
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Eugene Emmanuel Viollet-le-Duc
Architectural project for the ho...
Undated | Watercolor, graphite, pen and black ink

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Eugene Emmanuel Viollet-le-Duc
Viollet-le-Duc on his travels th...
Undated | ink on paper

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Eugene Emmanuel Viollet-le-Duc
Architectural details for the re...
Undated | lithograph

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Eugene Emmanuel Viollet-le-Duc
Motifs for bathroom tiles, Chate...
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Eugene Emmanuel Viollet-le-Duc
 
Undated | Watercolor and opaque watercolor, over graphite, on blue-gray wove paper, laid down on Japanese paper

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Eugene Emmanuel Viollet-le-Duc
Motifs for bathroom tiles, Chate...
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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