
| Born | 1788 (London) |
| Died | 1863 (London) |
| Nationality | United Kingdom of Great Britain and Northern Ireland |
| Epochs | Palladianismus |
| Profession | architect, art historian |
| Family | Father: Samuel Pepys Cockerell Mother: Anne Wetham Spouse: Anna Rennie Child: Frederick Pepys Cockerell, Samuel Pepys, II Cockerell Sibling: Anne Cockerell, Richard Howe Cockerell |
| Memberships | German Archaeological Institute, Royal Academy of Arts, Accademia delle Arti del Disegno, Académie des beaux-arts |
| Notable works | The Temple of Venus in the Port at Aegina: Elevations (1811), Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence t (1816) |
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| Born | 1788 (London) |
| Died | 1863 (London) |
| Nationality | United Kingdom of Great Britain and Northern Ireland |
| Epochs | Palladianismus |
| Profession | architect, art historian |
| Family | Father: Samuel Pepys Cockerell Mother: Anne Wetham Spouse: Anna Rennie Child: Frederick Pepys Cockerell, Samuel Pepys, II Cockerell Sibling: Anne Cockerell, Richard Howe Cockerell |
| Memberships | German Archaeological Institute, Royal Academy of Arts, Accademia delle Arti del Disegno, Académie des beaux-arts |
| Notable works | The Temple of Venus in the Port at Aegina: Elevations (1811), Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence t (1816) |