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Charles Cottet

Immerses in somber palettes, blending symbolist melancholy with the rugged reality of Brittany. Evolves from realism to emotionally charged depictions of social themes.


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Charles Cottet
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Charles Cottet

France · 1863–1925 · Post Impressionism, Symbolism · 70 artworks found
Immerses in somber palettes, blending symbolist melancholy with the rugged reality of Brittany. Evolves from realism to emotionally charged depictions of social themes. more about the artist
Charles Cottet
1863–1925
BornJuly 12, 1863 (Le Puy-en-Velay)
DiedSeptember 20, 1925 (14. Arrondissement von Paris) at the age of 62
NationalityFrance
EpochsPost Impressionism, Symbolism
Professionpainter, graphic artist
TeacherÉmile Maillard
StudentAmédée Ozenfant
Notable worksPetit village au pied de la falaise (1905), Low Mass (Brittany) (1902), Selbstbildnis (1889), Trauer (1892), Im Hafen (1895)
MuseumsINHA Bibliotheque numerique (Cariatide), Paris Musées, Museum voor Schone Kunsten Gent, Ohara Museum of Art, Art Institute of Chicago
Charles Cottet

Charles Cottet

In the French Republic in the middle of the 19th century, between the Napoleonic Wars and the Franco-Prussian War, Charles Cottet made a name for himself among the quite numerous and diverse representatives of Post-Impressionism.

The son of a judge found his way to painting at an early age - the well-off family enabled the then 17-year-old to study at one of the most famous art academies in France: the Ecole des beaux-arts des Paris. However, the tendency towards Impressionism and its further development only crystallized for him later. Cottet initially studied the craft of various currents: From the biblical sceneries and wall paintings of an Puvis de Chavannes to the beginning naturalistic open-air painting of Alfred Philippe Roll up to the Academie Julian, where he learned from the representatives of salon and nude painting. The Ecole des beaux-arts des Paris was the decisive center where a young painter was allowed to look into the kaleidoscope of the visual arts.

Cottet didn't stay long in Paris. Four years after he began his studies he travelled to Holland. The rather chromatic, uncontoured landscape painting of the Hague School there probably influenced him. Especially his harbour paintings at the beginning of the 20th century remind of the partly dark style of these painters. Two years later he discovered Brittany for himself and returned there many times. It seems that Cottet was able to combine the impressions from Holland with the reverberating impressionism of France here, to express a feeling of the well-known, the arriving in his works, which can be accompanied by blind joy as well as a certain melancholy. The young painter from France began to find his way.

Almost black silhouettes of small boats in a glassy, fragile evening mood or snapshots of rural get-togethers - he seemed to want to chisel the earthy, full-bodied roots with the land out of his paintings. His brushstrokes are reminiscent of the sculptures of Auguste Rodin, the well-known contemporary sculptor with whom he had a friendship. His strong, dark style of painting inspired. Around him the "Bande noire" was formed, an artists' association that offered a contrast to the light-flooded Impressionism. He also joined the like-minded group "Les Nabis", which devoted itself to design with multiple art techniques. Although the Breton ports and coasts were the focus of his work, he undertook numerous journeys. His main motif, the port, represents Cottet's attachment to the place and his wanderlust at the same time.
His artistic and partly ethnographic merits were honoured in his later years - including the French Order of an Officer of the Legion of Honour. Cottet's creative life finally ended where his career once began: in Paris.

Artworks by Charles Cottet

70 artworks found
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Charles Cottet
Evening Light at the Port of Cam...
1892 | oil on canvas

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Charles Cottet
Fillettes bretonnes
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Charles Cottet
Storm at Sea, Brittany
Undated | oil on canvas

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Charles Cottet
Au Pays de la Mer – Country of t...
Undated | painting

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Charles Cottet
Plougastel's women at the Pardon...
1903 | oil on canvas

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Charles Cottet
Women of Plougastel at the Pardo...
Undated | painting

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Charles Cottet
In the Port, 1895
1895 | oil on canvas

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Charles Cottet
Au Pays de la Mer – Country of t...
1898 | painting

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Charles Cottet
Portrait of Lucien Simon (1864-1...
1907 | oil on canvas

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Charles Cottet
Breton Woman, the Lights of Sain...
1911 | etching and aquatint on wove paper

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Charles Cottet
Seascape with Distant View of Ve...
1896 | oil painting

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Charles Cottet
Women of Plougastel at the Pardo...
1903 | oil on canvas

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Charles Cottet
Country of the Sea - triptych, r...
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Charles Cottet
Portrait of a Woman, c. 1900.
Undated | oil painting

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Charles Cottet
 
1910 | etching and aquatint on wove paper

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Charles Cottet
Card Players, 1883 (oil on card)
1883 | Oil on cardboard

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Charles Cottet
The farewell meal in the land of...
1898 | oil on canvas

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Charles Cottet
The back of the nude
Undated | oil on board

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Charles Cottet
Jura and Lake Leman, c.1895-1900
19th century | oil on canvas

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Charles Cottet
Country of the Sea - triptych, l...
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Charles Cottet
Le Repas DAdieu, 1899.
1899 |

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Charles Cottet
 
1898 | Oil on panel

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Charles Cottet
Evening light, harbour of Camare...
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Charles Cottet
Au Pays de la Mer, 1898
1898 | oil on canvas

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Charles Cottet
Portrait of a man, 1899.
1899 |

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Charles Cottet
 
1908 | Oil on panel

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Charles Cottet
The Farewell Supper, Toilers of ...
1897 | oil painting

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Charles Cottet
Bretonse oude vrouw met kap
Undated | paper

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Charles Cottet
Selbstporträt
1884 | painting

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Charles Cottet
Pecheurs Bretons Debarqunt Du Go...
1903 | oil painting

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Charles Cottet
""Au Pays de la mer. Le Repas d'...
1897 | oil on canvas

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Charles Cottet
Rayons du soir, port de Camaret
1892 | painting

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Charles Cottet
 
19th century | oil on canvas

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Charles Cottet
Young Woman at Ile de Sein, 1909...
1909 | Oil on cardboard

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Charles Cottet
Self-Portrait, c. 1886-1888.
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Charles Cottet
Barques au clair de lune (Boats ...
Undated | drypoint

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Charles Cottet
View of Venice from the Sea, c1896
1896 | oil painting

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Charles Cottet
Au pays de la mer
Undated | painting

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Charles Cottet
Country of the Sea: Pain (painti...
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Charles Cottet
 
1896 | oil on canvas

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Charles Cottet
Breton Women (Bretonnes)
1895 | lithograph

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Charles Cottet
Mourning at Ouessant (oil on can...
Undated | oil on canvas

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Charles Cottet
The Dead Child
Undated | oil on canvas

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Charles Cottet
 
Undated |

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Charles Cottet
Study of an old womans head, 1899.
1899 |

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Charles Cottet
Woman in a Park
Undated | oil on canvas

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Charles Cottet
Pont-en-Royans (grande planche) ...
1903 |

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Charles Cottet
Avila (épreuve b)
1908 |

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Charles Cottet
Pont-en-Royans (grande planche) ...
1903 |

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Charles Cottet
Gens d’Ouessant veillant un enfa...
1899 | painting

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Charles Cottet
Box at the Opera-Comique, 1887
1887 | Oil on panel

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Charles Cottet
Filles Bretonnes, or Bretonnes s...
Undated | lithograph

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Charles Cottet
Douleur au pays de la mer ou Les...
1908 |

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Charles Cottet
Les Feux de la Saint Jean (épreu...
1908 |

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Charles Cottet
Unbekanntes Bild
16 |

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Charles Cottet
View of Venice from the Sea, 1896
1896 | oil on canvas

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Charles Cottet
Entrée de Pont-en-Royans (épreuv...
1903 |

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Charles Cottet
Les Feux de la Saint Jean (épreu...
1908 |

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Charles Cottet
Femme penchée aux larges manches...
1903 |

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Charles Cottet
Avila (épreuve a)
1908 |

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Charles Cottet
Portret van mejuffrouw J.L.B.
1906 |

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Charles Cottet
Douleur au pays de la mer ou Les...
1908 |

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Charles Cottet
Rouw in Ouessant (Bretagne)
Undated |

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Charles Cottet
Pont en Royans (petite planche) ...
1903 |

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Charles Cottet
Bretonnes
Undated |

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Charles Cottet
Messe basse en hiver (Bretagne)
1902 |

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Charles Cottet
Douleur au pays de la mer ou Les...
1908 |

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Page 1 / 1

About the artist

Charles Cottet
Charles Cottet
1863–1925
BornJuly 12, 1863 (Le Puy-en-Velay)
DiedSeptember 20, 1925 (14. Arrondissement von Paris) at the age of 62
NationalityFrance
EpochsPost Impressionism, Symbolism
Professionpainter, graphic artist
TeacherÉmile Maillard
StudentAmédée Ozenfant
Notable worksPetit village au pied de la falaise (1905), Low Mass (Brittany) (1902), Selbstbildnis (1889), Trauer (1892), Im Hafen (1895)
MuseumsINHA Bibliotheque numerique (Cariatide), Paris Musées, Museum voor Schone Kunsten Gent, Ohara Museum of Art, Art Institute of Chicago

In the French Republic in the middle of the 19th century, between the Napoleonic Wars and the Franco-Prussian War, Charles Cottet made a name for himself among the quite numerous and diverse representatives of Post-Impressionism.

The son of a judge found his way to painting at an early age - the well-off family enabled the then 17-year-old to study at one of the most famous art academies in France: the Ecole des beaux-arts des Paris. However, the tendency towards Impressionism and its further development only crystallized for him later. Cottet initially studied the craft of various currents: From the biblical sceneries and wall paintings of an Puvis de Chavannes to the beginning naturalistic open-air painting of Alfred Philippe Roll up to the Academie Julian, where he learned from the representatives of salon and nude painting. The Ecole des beaux-arts des Paris was the decisive center where a young painter was allowed to look into the kaleidoscope of the visual arts.

Cottet didn't stay long in Paris. Four years after he began his studies he travelled to Holland. The rather chromatic, uncontoured landscape painting of the Hague School there probably influenced him. Especially his harbour paintings at the beginning of the 20th century remind of the partly dark style of these painters. Two years later he discovered Brittany for himself and returned there many times. It seems that Cottet was able to combine the impressions from Holland with the reverberating impressionism of France here, to express a feeling of the well-known, the arriving in his works, which can be accompanied by blind joy as well as a certain melancholy. The young painter from France began to find his way.

Almost black silhouettes of small boats in a glassy, fragile evening mood or snapshots of rural get-togethers - he seemed to want to chisel the earthy, full-bodied roots with the land out of his paintings. His brushstrokes are reminiscent of the sculptures of Auguste Rodin, the well-known contemporary sculptor with whom he had a friendship. His strong, dark style of painting inspired. Around him the "Bande noire" was formed, an artists' association that offered a contrast to the light-flooded Impressionism. He also joined the like-minded group "Les Nabis", which devoted itself to design with multiple art techniques. Although the Breton ports and coasts were the focus of his work, he undertook numerous journeys. His main motif, the port, represents Cottet's attachment to the place and his wanderlust at the same time.
His artistic and partly ethnographic merits were honoured in his later years - including the French Order of an Officer of the Legion of Honour. Cottet's creative life finally ended where his career once began: in Paris.



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Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

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Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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