Wheatfield with Crows (Vincent van Gogh)
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Early Renaissance: Perspective, proportion and the study of nature

In the 15th century painters such as Masaccio and Fra Angelico brought the new linear perspective into the picture: spaces gain real depth, bodies palpable weight.


Discover Early Renaissance now!

Österreichische Kunstmanufaktur Erfahrungen & Bewertungen zu Meisterdrucke auf ProvenExpert.com

Early Renaissance: Perspective, proportion and the study of nature

In the 15th century painters such as Masaccio and Fra Angelico brought the new linear perspective into the picture: spaces gain real depth, bodies palpable weight.

Discover Early Renaissance now!
Early Renaissance
Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Individual Customization Options


The pioneers of the Quattrocento

The pioneers of the Quattrocento

Early Renaissance: 40 artists found
Sandro Botticelli
Sandro Botticelli
Fra Angelico
Fra Angelico
Benozzo di Lese di Sandro Gozzoli
Benozzo di Lese di Sandro Gozzoli
Hans Memling
Hans Memling
Antonello da Messina
Antonello da Messina
Giovanni Bellini
Giovanni Bellini
Piero della Francesca
Piero della Francesca
Andrea Mantegna
Andrea Mantegna
Vittore Carpaccio
Vittore Carpaccio
Jean Fouquet
Jean Fouquet
Fra Filippo Lippi
Fra Filippo Lippi
Paolo Uccello
Paolo Uccello
Giovanni di Paolo
Giovanni di Paolo
Carlo Crivelli
Carlo Crivelli
Gentile da Fabriano
Gentile da Fabriano
Taddeo Crivelli
Taddeo Crivelli
Tommaso Masaccio
Tommaso Masaccio
Donatello
Donatello
Master of Moulins
Master of Moulins
Andrea del Verrocchio
Andrea del Verrocchio
Antonio Pisanello
Antonio Pisanello
Bernhard Strigel
Bernhard Strigel
Francesco Botticini
Francesco Botticini
Fernando Gallego
Fernando Gallego
Jacopo del Sellaio
Jacopo del Sellaio
Master Francke
Master Francke
Konrad Witz
Konrad Witz
Sano di Pietro
Sano di Pietro
Bernardo Daddi
Bernardo Daddi
Antonio Vivarini
Antonio Vivarini
Jean (after) Fouquet
Jean (after) Fouquet
Nicolas Froment
Nicolas Froment
Jacopo della Quercia
Jacopo della Quercia
Lorenzo Monaco
Lorenzo Monaco
Filippo Brunelleschi
Filippo Brunelleschi
Jan Mostaert
Jan Mostaert
Ercole de Roberti
Ercole de Roberti
Hans Multscher
Hans Multscher
Domenico Veneziano
Domenico Veneziano
Juan de Borgoña
Juan de Borgoña
Sandro Botticelli
Sandro Botticelli
Fra Angelico
Fra Angelico
Benozzo di Lese di Sandro Gozzoli
Benozzo di Lese di Sandro Gozzoli
Hans Memling
Hans Memling
Antonello da Messina
Antonello da Messina
Giovanni Bellini
Giovanni Bellini
Piero della Francesca
Piero della Francesca
Andrea Mantegna
Andrea Mantegna
Vittore Carpaccio
Vittore Carpaccio
Jean Fouquet
Jean Fouquet
Fra Filippo Lippi
Fra Filippo Lippi
Paolo Uccello
Paolo Uccello
Giovanni di Paolo
Giovanni di Paolo
Carlo Crivelli
Carlo Crivelli
Gentile da Fabriano
Gentile da Fabriano
Taddeo Crivelli
Taddeo Crivelli
Tommaso Masaccio
Tommaso Masaccio
Donatello
Donatello
Master of Moulins
Master of Moulins
Andrea del Verrocchio
Andrea del Verrocchio
Antonio Pisanello
Antonio Pisanello
Bernhard Strigel
Bernhard Strigel
Francesco Botticini
Francesco Botticini
Fernando Gallego
Fernando Gallego
Jacopo del Sellaio
Jacopo del Sellaio
Master Francke
Master Francke
Konrad Witz
Konrad Witz
Sano di Pietro
Sano di Pietro
Bernardo Daddi
Bernardo Daddi
Antonio Vivarini
Antonio Vivarini
Jean (after) Fouquet
Jean (after) Fouquet
Nicolas Froment
Nicolas Froment
Jacopo della Quercia
Jacopo della Quercia
Lorenzo Monaco
Lorenzo Monaco
Filippo Brunelleschi
Filippo Brunelleschi
Jan Mostaert
Jan Mostaert
Ercole de Roberti
Ercole de Roberti
Hans Multscher
Hans Multscher
Domenico Veneziano
Domenico Veneziano
Juan de Borgoña
Juan de Borgoña

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Early Renaissance

Freshly applied lime plaster leaves the painter only hours: fresco demands that each day's section sit, and it hardly forgives corrections. Beside it stood the panel, egg tempera, paint mixed with egg yolk, on gold ground, finely layered and built to last. With these two techniques, and with the perspective construction that Filippo Brunelleschi demonstrated around 1420 with a mirror experiment at the Florentine Baptistery, the Quattrocento, the Italian fifteenth century, worked out a new pictorial world for itself.

For some painters perspective became a passion. Paolo Uccello composed his three panels of the Battle of San Romano around 1440 as studies of staggered lances and foreshortened bodies; they hang today divided between Florence, London and Paris. Piero della Francesca wrote a treatise of his own on perspective and painted figures of geometric calm. In 1474, in the ducal palace of Mantua, Andrea Mantegna opened the ceiling of the Camera degli Sposi with a painted circular view into the sky, the first of its kind.

Other paths led through colour and devotion. Fra Angelico furnished the cells of the Florentine monastery of San Marco with frescoes of great stillness between 1438 and 1445. Antonello da Messina brought a refined oil technique to Venice in 1475, from which Giovanni Bellini developed the soft light of Venetian painting. And around 1480 Sandro Botticelli joined the new fidelity to nature with myth in the Primavera.

Early Renaissance

Freshly applied lime plaster leaves the painter only hours: fresco demands that each day's section sit, and it hardly forgives corrections. Beside it stood the panel, egg tempera, paint mixed with egg yolk, on gold ground, finely layered and built to last. With these two techniques, and with the perspective construction that Filippo Brunelleschi demonstrated around 1420 with a mirror experiment at the Florentine Baptistery, the Quattrocento, the Italian fifteenth century, worked out a new pictorial world for itself.

For some painters perspective became a passion. Paolo Uccello composed his three panels of the Battle of San Romano around 1440 as studies of staggered lances and foreshortened bodies; they hang today divided between Florence, London and Paris. Piero della Francesca wrote a treatise of his own on perspective and painted figures of geometric calm. In 1474, in the ducal palace of Mantua, Andrea Mantegna opened the ceiling of the Camera degli Sposi with a painted circular view into the sky, the first of its kind.

Other paths led through colour and devotion. Fra Angelico furnished the cells of the Florentine monastery of San Marco with frescoes of great stillness between 1438 and 1445. Antonello da Messina brought a refined oil technique to Venice in 1475, from which Giovanni Bellini developed the soft light of Venetian painting. And around 1480 Sandro Botticelli joined the new fidelity to nature with myth in the Primavera.


What our customers think about us



Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Famous artists
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Erfahrungen & Bewertungen zu Meisterdrucke
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Kaiser Franz Joseph

Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Legal Notice & Contact
· Contact
· Legal Notice
· Terms & Conditions
· Privacy Policy
· Right of Cancellation
· Returns & Complaints
· About Us

Additional Information
· Your Image
· Sell your art
· Quality
· Photos of our work
· Vouchers
· Order Sample

Kaiser Franz Joseph
Post.at DHL Express Quehenberger Cargoboard


               

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