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Feel the passion of Ford Madox Brown in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Ford Madox Brown
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Museum Quality Art Prints
Customization Options Available
Ford Madox Brown

Ford Madox Brown

    April 16, 1821   -   October 11, 1893
Pre Raphaelites   •   Wikipedia: Ford Madox Brown

Disgruntled, with almost poutingly contorted lips, the British painter Ford Madox Brown looks at us from one of his most famous paintings. For "The Last of England"(1852-55) not only he himself was a model, but also his second wife Emma and his little daughter Catherine Emily. While the blonde girl mischievously peeps out behind a woman's back and bites into an apple, the wife looks wistfully into the distance. The boat she is sitting in is rocking on the waves, it is raining and it is cold. The white rocks of Dover slowly disappear in the distance.

To be able to show exactly this facial expression, Madox Brown let his family sit outside in bad weather. This way he was able to reproduce the painful face of his wife very realistically. And even the painter himself seems to have lost sight of the cheerfulness in English rainy weather. This striving for an almost extremely lifelike and realistic representation was something the painter had in common with the pre-Raphaelite artists who caused a furore in England in the middle of the 19th century. This group of artists, whose driving force was the painter and poet Dante Gabriel Rossetti, also wanted to remain faithful to nature in their works, to paint it in all its details. Ford Madox Ford showed this interest for a realistic and lifelike representation early on. Already in the 1840s he studied corpses at University College London in order to get to know the human body and finally to be able to paint it as it really was. Because of his realistic painting style, he is therefore compared with the German painter Adolph Menzel, who is regarded as the formative artist of realism in the 19th century. Ford Madox Brown created paintings with historical subjects, but also immortalized themes of his time on canvas. As he himself was very socially committed, some of his works also deal with contemporary social problems and concerns.

Ford Madox Brown and Dante Gabriel Rossetti were close friends for many years. His eldest daughter Emma Lucy, from his first marriage, even lived with the Rossetti family for a while and eventually married Dante's brother. Artistically, however, Ford Madox Brown and Dante Gabriel Rossetti were not always in agreement. In 1848 Rossetti was Ford Madox Brown's pupil for a short time and took painting lessons from him. In the end, however, the free-spirited Rossetti could not make friends with the old academic teaching methods that Madox Brown advocated. As head of the Pre-Raphaelites, Rossetti rejected precisely this academic painting. This was perhaps one reason for Ford Madox Brown not to join this group of artists. He wanted to remain independent, not be tied to a manifesto, and paint what he wanted and how he wanted. But Madox Brown took over the use of vibrant, bright colors from the Pre-Raphaelites.

Ford Madox Brown

    April 16, 1821   -   October 11, 1893
Pre Raphaelites   •   Wikipedia: Ford Madox Brown Ford Madox Brown

Disgruntled, with almost poutingly contorted lips, the British painter Ford Madox Brown looks at us from one of his most famous paintings. For "The Last of England"(1852-55) not only he himself was a model, but also his second wife Emma and his little daughter Catherine Emily. While the blonde girl mischievously peeps out behind a woman's back and bites into an apple, the wife looks wistfully into the distance. The boat she is sitting in is rocking on the waves, it is raining and it is cold. The white rocks of Dover slowly disappear in the distance.

To be able to show exactly this facial expression, Madox Brown let his family sit outside in bad weather. This way he was able to reproduce the painful face of his wife very realistically. And even the painter himself seems to have lost sight of the cheerfulness in English rainy weather. This striving for an almost extremely lifelike and realistic representation was something the painter had in common with the pre-Raphaelite artists who caused a furore in England in the middle of the 19th century. This group of artists, whose driving force was the painter and poet Dante Gabriel Rossetti, also wanted to remain faithful to nature in their works, to paint it in all its details. Ford Madox Ford showed this interest for a realistic and lifelike representation early on. Already in the 1840s he studied corpses at University College London in order to get to know the human body and finally to be able to paint it as it really was. Because of his realistic painting style, he is therefore compared with the German painter Adolph Menzel, who is regarded as the formative artist of realism in the 19th century. Ford Madox Brown created paintings with historical subjects, but also immortalized themes of his time on canvas. As he himself was very socially committed, some of his works also deal with contemporary social problems and concerns.

Ford Madox Brown and Dante Gabriel Rossetti were close friends for many years. His eldest daughter Emma Lucy, from his first marriage, even lived with the Rossetti family for a while and eventually married Dante's brother. Artistically, however, Ford Madox Brown and Dante Gabriel Rossetti were not always in agreement. In 1848 Rossetti was Ford Madox Brown's pupil for a short time and took painting lessons from him. In the end, however, the free-spirited Rossetti could not make friends with the old academic teaching methods that Madox Brown advocated. As head of the Pre-Raphaelites, Rossetti rejected precisely this academic painting. This was perhaps one reason for Ford Madox Brown not to join this group of artists. He wanted to remain independent, not be tied to a manifesto, and paint what he wanted and how he wanted. But Madox Brown took over the use of vibrant, bright colors from the Pre-Raphaelites.

Artworks by Ford Madox Brown

Artworks by Ford Madox Brown

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242 artworks found

Ford Madox Brown
 
1863 | oil on canvas

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Ford Madox Brown
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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
 
1852 | Oil on panel

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Ford Madox Brown
Jacob and Joseph's Coat, 1871 (p...
1871 | oil on wood

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Ford Madox Brown
 
1847 |

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Ford Madox Brown
 
Undated | pigment, varnish, gum & wax on panel

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Ford Madox Brown
 
1867 | watercolor

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Ford Madox Brown
John Kay, Inventor of the Fly Sh...
Undated | mural

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Ford Madox Brown
The Stages of Cruelty, 1890
1890 | ink/watercolour/pen

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Ford Madox Brown
Elijah Restoring the Widows Son,...
1868 | watercolour

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Ford Madox Brown
Cordelia led away from Goneril a...
1850 | etching

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
Romeo and Juliet, 1876 (pen und ...
1876 | pen and ink and black chalk

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Ford Madox Brown
The Seeds and Fruit of English P...
1845 | oil on canvas

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Ford Madox Brown
Finding of Don Juan by Haidee, c...
Undated |

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Ford Madox Brown
Geoffrey Chaucer at the court of...
Undated | colour lithograph

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Ford Madox Brown
The Body of Harold brought befor...
Undated | oil on canvas

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Ford Madox Brown
King Lear, c.1860 (oil on board ...
Undated | oil on board adhered to canvas

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
The Bromley Children, 1843
1843 | oil on canvas

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Ford Madox Brown
Waiting: an English fireside of ...
Undated |

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Ford Madox Brown
Male Nude - Academic Study, thre...
1847 |

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Ford Madox Brown
Portrait of William Shakespeare ...
Undated | oil on canvas

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Dante Gabriel Rossetti
Beata Beatrix, 1877
Undated |

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Dante Gabriel Rossetti
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Ford Madox Brown
Study for `The Spirit of Justice...
Undated | pencil, watercolour and bodycolour on paper

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Ford Madox Brown
King Lear, c. 1860.
Undated |

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Ford Madox Brown
'Elijah Restoring the Widow's So...
1943 |

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Ford Madox Brown
 
1851 | Oil on panel

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Ford Madox Brown
 
1873 | Oil on panel

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Ford Madox Brown
F.M.Brown, Das irische Mädchen
1860 | painting

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Ford Madox Brown
Work, 1863.
Undated |

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Ford Madox Brown
The Nosegay, 19th century
Undated | watercolour on paper

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Ford Madox Brown
The Pretty Baa-Lambs, 1852
1852 | oil on wood

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Ford Madox Brown
Waiting- an English fireside of ...
1851 | Oil on panel

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
Portrait of William Shakespeare ...
Undated |

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Ford Madox Brown
The Ascension (oil on canvas)
Undated | oil on canvas

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Ford Madox Brown
Scene from Shakespeares Romeo an...
1860 |

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Ford Madox Brown
Cordelia's Portion, 1867-75
Undated | oil on canvas

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Ford Madox Brown
 
1847 |

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Ford Madox Brown
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Ford Madox Brown
 
Undated | pen and oil on paper on panel

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Ford Madox Brown
Chaucer at the Court of Edward I...
Undated | colour lithograph

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Ford Madox Brown
The Nosegay, 1865
1865 | oil/watercolour

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
Oure Ladye of Saturday Night - S...
1847 |

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Ford Madox Brown
Haydee findet den Leichnam Don J...
1878 | painting

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Ford Madox Brown
The First Translation of the Bib...
Undated | oil on canvas

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Ford Madox Brown
 
1854 | painting

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Ford Madox Brown
The Pretty Baa-Lambs, 1859.
1859 | oil painting

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Ford Madox Brown
Manfred in the Chamois Hunters H...
1850 | oil on canvas

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
Study for the painting 'Work', c...
Undated | watercolour on paper

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
 
Undated |

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Ford Madox Brown
Chaucer at the court of Edward III
Undated |

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Ford Madox Brown
Portrait of William Michael Ross...
1856 | Oil on panel

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Ford Madox Brown
`Take your Son, Sir
undatiert | oil on canvas

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Ford Madox Brown
Academic nude Study, half-length...
Undated | black chalk on paper

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Ford Madox Brown
 
Undated | black chalk on paper

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Ford Madox Brown
 
Undated | color lithograph

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Ford Madox Brown
Study for the painting 'Work', c...
Undated | watercolour on paper

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Ford Madox Brown
Haydee discovering the body of D...
Undated | oil on canvas

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Ford Madox Brown
The Death of Sir Tristan, from '...
Undated | stained glass

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Ford Madox Brown
Self Portrait, 1877
1877 | oil on canvas

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
 
1877 | oil on canvas

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
 
Undated | oil on canvas

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Ford Madox Brown
Family Group (The Bromley Family...
Undated | oil on canvas

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Ford Madox Brown
Dalton collecting Marsh Gas, ill...
Undated | lithograph

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Ford Madox Brown
Ascension (oil)
Undated | oil

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Ford Madox Brown
 
1844 |

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Ford Madox Brown
Wycliffe reading is his translat...
1848 | woodcut

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Ford Madox Brown
 
1852 | etching on paper

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Ford Madox Brown
 
Undated | watercolour on paper

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Ford Madox Brown
 
Undated | watercolour on paper

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Philip Webb
Cartoon for a Stained Glass Wind...
1862 | chalk/pen

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Ford Madox Brown
Lear and Cordelia
1849 | engraving

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Ford Madox Brown
'Work'
Undated | oil on canvas

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Ford Madox Brown
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Ford Madox Brown
Parisinas Sleep
1842 |

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Ford Madox Brown
Elijah restoring the Widow's Son...
Undated |

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Ford Madox Brown
The finding of Don Juan by Haidée
1869 | Oil on Leiwand

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Ford Madox Brown
Work, 1863
1863 | oil on canvas

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Ford Madox Brown
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Ford Madox Brown
Pretty Baa-Lambs, 1850s.
Undated |

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Ford Madox Brown
 
1851 | painting

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Ford Madox Brown
'Work'
Undated | oil on canvas

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Ford Madox Brown
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Ford Madox Brown
Cromwell on His Farm, 1874, 1918
1874 | oil painting

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Ford Madox Brown
The Stages of Cruelty, 1890 (wat...
1890 | watercolour and bodycolour with pen and black ink

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Ford Madox Brown
 
Undated | pigment, varnish, gum & wax on panel

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Ford Madox Brown
 
1872 | coloured chalks on paper

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Ford Madox Brown
Haydee decouvrant le corps de Do...
Undated |

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Ford Madox Brown
Sketch for 'Wycliffe Reading His...
1847 | Oil on cardboard

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Ford Madox Brown
 
Undated | oil on panel

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Ford Madox Brown
Byron´s Dream
1889 | watercolor

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Do you have any questions?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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