Search by artist, work title or style – e.g. Monet, Starry Night, Impressionism, Hokusai wave, nude. Describe the scene – e.g. green meadow, abstract with lots of red, dark oil painting, standing nude next to a tree.

Feel the passion of John Ruskin in our art prints.

Our art reproductions bring moments of comfort directly into your home.


Discover Artworks Now!
Österreichische Kunstmanufaktur

Feel the passion of John Ruskin in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
John Ruskin
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
John Ruskin

John Ruskin

    February 8, 1819   -   January 20, 1900
Nonclassified artists   •   Wikipedia: John Ruskin

Where to begin, with this Leonardo da Vinci of the 19th century, who pursued such wide-ranging interests and left such a clear mark on the history of art? In his memoirs, John Ruskin mentions that he taught himself to read and write while still at pre-school age. He accompanied his parents on business trips first to the British Isles, later to France, Belgium, Germany and Switzerland. He visited stately homes, gardens, galleries and other culturally interesting institutions with them. Thus the foundation for his interest in architecture, history and art was laid at an early age. The Alps and other extraordinary views of nature made an equally lasting impression on him. Rather unmotivated, he graduated from Oxford and worked for nearly 20 years on his "History of Modern Painting," which produced a close encouragement and attachment to the British painter William Turner. Ruskin was one of the most prominent members of the Arts and Crafts movement, the English counterpart to continental Art Nouveau. He defended the painting style of the Pre-Raphaelite John Everett Millais, although the latter stole his wife. In general, he was unlucky in his relationships with women. He had to settle for platonic friendships or rejected marriage proposals.

All the more enthusiastically Ruskin pursued his art historical studies. With the treatises "The Seven Lamps of Architecture" and "The Stones of Venice" he presented milestones of architectural theory. He laid the foundations for dealing with contemporary architecture as well as for theory and practice in the preservation of historical monuments. The latter were at odds with the views of the Frenchman Eugène Viollet-le-Duc, as Ruskin advocated the preservation of historical transformations in architectural monuments, while Viollet-le-Duc advocated restoring historic buildings to their original condition. Ruskin paid particular attention to the Gothic period, which was readily reinterpreted as neo-Gothic in the 19th century and found its way into architecture as well as decorative arts and painting. He held a chair of art history at Oxford, and for over half a century Ruskin was publicly concerned with nature, geology, architecture, art and literature. He considered economic aspects, contributed to the field of mythology, and discussed ethical, historical, or religious issues. His scepticism about increasing industrialization, his concerns about the loss of manual skills and last but not least his social criticism of capitalism and Marxism influenced numerous personalities, below you for example Mahatma Gandhi.

As a writer, art historian and social philosopher, his work in the field of painting and graphic art concentrated on detailed architectural views, realistic landscape impressions and selected nature studies, which reflect his wide-ranging interests. With his self-portraits, on the other hand, he seemed to have explored purely himself and his manifold interests.

John Ruskin

    February 8, 1819   -   January 20, 1900
Nonclassified artists   •   Wikipedia: John Ruskin John Ruskin

Where to begin, with this Leonardo da Vinci of the 19th century, who pursued such wide-ranging interests and left such a clear mark on the history of art? In his memoirs, John Ruskin mentions that he taught himself to read and write while still at pre-school age. He accompanied his parents on business trips first to the British Isles, later to France, Belgium, Germany and Switzerland. He visited stately homes, gardens, galleries and other culturally interesting institutions with them. Thus the foundation for his interest in architecture, history and art was laid at an early age. The Alps and other extraordinary views of nature made an equally lasting impression on him. Rather unmotivated, he graduated from Oxford and worked for nearly 20 years on his "History of Modern Painting," which produced a close encouragement and attachment to the British painter William Turner. Ruskin was one of the most prominent members of the Arts and Crafts movement, the English counterpart to continental Art Nouveau. He defended the painting style of the Pre-Raphaelite John Everett Millais, although the latter stole his wife. In general, he was unlucky in his relationships with women. He had to settle for platonic friendships or rejected marriage proposals.

All the more enthusiastically Ruskin pursued his art historical studies. With the treatises "The Seven Lamps of Architecture" and "The Stones of Venice" he presented milestones of architectural theory. He laid the foundations for dealing with contemporary architecture as well as for theory and practice in the preservation of historical monuments. The latter were at odds with the views of the Frenchman Eugène Viollet-le-Duc, as Ruskin advocated the preservation of historical transformations in architectural monuments, while Viollet-le-Duc advocated restoring historic buildings to their original condition. Ruskin paid particular attention to the Gothic period, which was readily reinterpreted as neo-Gothic in the 19th century and found its way into architecture as well as decorative arts and painting. He held a chair of art history at Oxford, and for over half a century Ruskin was publicly concerned with nature, geology, architecture, art and literature. He considered economic aspects, contributed to the field of mythology, and discussed ethical, historical, or religious issues. His scepticism about increasing industrialization, his concerns about the loss of manual skills and last but not least his social criticism of capitalism and Marxism influenced numerous personalities, below you for example Mahatma Gandhi.

As a writer, art historian and social philosopher, his work in the field of painting and graphic art concentrated on detailed architectural views, realistic landscape impressions and selected nature studies, which reflect his wide-ranging interests. With his self-portraits, on the other hand, he seemed to have explored purely himself and his manifold interests.

Artworks by John Ruskin

Artworks by John Ruskin

258 artworks found
Sorting

Filter settings

Display settings
258 artworks found

John Ruskin
Part of Saint Mark's Basilica, V...
1846 | watercolour and bodycolour and ink over graphite on grey wove paper

Choose picture

John Ruskin
Study of a Kingfisher, with domi...
1871 | watercolour and bodycolour over graphite on wove paper

Choose picture

John Ruskin
The Ducal Palace, Renaissance Ca...
1851 | lithograph

Choose picture

John Ruskin
The Matterhorn, Switzerland, fro...
1849 | Pencil and watercolour on paper

Choose picture

John Ruskin
Apse of the Duomo, Pisa, 19th ce...
Undated | Pencil and watercolour on paper

Choose picture

John Ruskin
The Duomo of San Martino, Lucca,...
1874 | graphite, watercolour and bodycolour on paper, some lines ruled

Choose picture

John Ruskin
Study of rocks and ferns in a wo...
1843 | watercolour on paper

Choose picture

John Ruskin
The Palazzo Contarini-Fasan, Ven...
1841 | graphite, watercolour and bodycolour, with some scratching out, on grey paper

Choose picture

John Ruskin
Tracery from the Campanile of Gi...
1894 | engraving

Choose picture

John Ruskin
La Cascade de la Folie, Chamonix
Undated | watercolour on paper

Choose picture

John Ruskin
Study of Dawn: purple Clouds, Ma...
1868 | watercolour and bodycolour over faint graphite lines on blue-grey paper

Choose picture

John Ruskin
Dawn Coniston, 1873 (wc on paper)
1873 | watercolour on paper

Choose picture

John Ruskin
Pilaster on the Facade of Sant A...
1869 | watercolour and bodycolour over graphite on paper, some lines ruled

Choose picture

John Ruskin
Aiguilles de Chamonix, c.1850 (p...
Undated | pencil, pen and ink and wash on card

Choose picture

John Ruskin
The Ponte della Pietra, Verona, ...
1869 | watercolour and bodycolour over graphite on grey wove paper

Choose picture

John Ruskin
A Wild Strawberry Plant, 5 - 6 J...
1873 | watercolour and bodycolour over graphite on blue wove paper

Choose picture

John Ruskin
Rochers de Lanfon, Lake Annecy, ...
Undated | watercolour and gouache on paper

Choose picture

John Ruskin
Apse of the Duomo, Pisa, 28 Apri...
1872 | bodycolour/pencil/watercolour

Choose picture

John Ruskin
Part of the Facade of the destro...
1846 | watercolour/pencil

Choose picture

John Ruskin
The Baptistery, Florence: Study ...
1872 | bodycolour/watercolour/pencil

Choose picture

John Ruskin
Alpine Peaks: Jungfrau and other...
1846 | watercolour on paper

Choose picture

Jacopo della Quercia
The Tomb of Ilaria del Caretto i...
1874 | bodycolour/watercolour/pencil

Choose picture

John Ruskin
Sunset at Herne Hill through the...
1876 | watercolour on paper

Choose picture

John Ruskin
Study of the Head of the Angel G...
Undated | graphite, watercolour and bodycolour on blue wove paper

Choose picture

John Ruskin
Afternoon in Spring, with south ...
Undated | watercolour and bodycolour over graphite on pale grey wove paper

Choose picture

John Ruskin
Stormy Sunset
Undated | watercolour on paper

Choose picture

John Ruskin
Study of a Peacock Feather, 1873
1873 | watercolour on paper

Choose picture

John Ruskin
Lake Lugano
Undated | watercolour on paper

Choose picture

John Ruskin
 
1876 | bodycolour/watercolour/pencil

Choose picture

John Ruskin
Study for Detail of the Market-P...
1868 | Graphite on off-white paper

Choose picture

John Ruskin
Study of Rock with Quartz veinin...
Undated | watercolour

Choose picture

John Ruskin
Part of the Facade of the destro...
1845 | bodycolour/watercolour

Choose picture

John Ruskin
 
Undated | pen, brown ink and wash over pencil on paper

Choose picture

John Ruskin
Part of the Façade of the destro...
1846 | watercolour over graphite on wove paper

Choose picture

John Ruskin
Arabian Windows, In Campo Santa ...
1851 | aquatint

Choose picture

John Ruskin
The Glacier des Bossons, Chamoni...
1849 | pen/ink

Choose picture

John Ruskin
Mountain Landscape, Macugnaga, 1...
1845 | pen and brown ink and wash over pencil on paper

Choose picture

John Ruskin
The Tomb of Mastino II, Santa Ma...
Undated | Pencil and watercolour on paper

Choose picture

John Ruskin
Naples, 1841 .
Undated | watercolour

Choose picture

John Ruskin
Study for Detail of the Piazza d...
1841 | pencil/watercolour

Choose picture

John Ruskin
Cornice Moulding, From a Tomb in...
1851 | lithograph

Choose picture

John Ruskin
The Tomb of Frederick II, Palerm...
Undated | watercolour on paper

Choose picture

John Ruskin
Drawing of Abraham parting from ...
1845 | ink/pen

Choose picture

John Ruskin
Gryphon, Verona, 19th century
Undated | watercolour on paper

Choose picture

John Ruskin
Study of a dragons head after Mi...
Undated | ink on paper

Choose picture

John Ruskin
The Gates of the Hills, version ...
Undated | watercolour on paper

Choose picture

John Ruskin
The Gryphon bearing the north Sh...
Undated | watercolour and bodycolour over graphite on wove paper

Choose picture

John Ruskin
Loggia of the Ducal Palace, Veni...
Undated | watercolour

Choose picture

John Ruskin
Stilted Archivolts, from a Ruin ...
1851 | lithograph

Choose picture

John Ruskin
Study of Gneiss Rock, Glenfinlas...
1854 | bodycolour/ink/pen/pencil

Choose picture

John Ruskin
The Northern Arch of the West En...
1856 | watercolour

Choose picture

John Ruskin
Drawing of Abraham parting from ...
1845 | pen and ink over graphite on wove paper

Choose picture

John Ruskin
The Duomo of San Martino, Lucca,...
1874 | bodycolour/pencil/watercolour

Choose picture

John Ruskin
The Valley of Lauterbrunnen, Swi...
Undated | watercolour

Choose picture

John Ruskin
Study of the Marble Inlaying on ...
1845 | watercolour, bodycolour and pen and ink over graphite on pale grey wove paper

Choose picture

John Ruskin
Champagnole
Undated | watercolour on paper

Choose picture

John Ruskin
A Gothic Stairway in Chester Cat...
Undated | watercolour on paper

Choose picture

John Ruskin
Mountains of Savoy seen from the...
Undated | chromolithograph with watercolour and pencil

Choose picture

John Ruskin
 
1874 | bodycolour/pencil/watercolour

Choose picture

John Ruskin
Southern Porch of St. Vulfran, A...
Undated | pencil, ink and wash on paper

Choose picture

John Ruskin
The Rocky Bank of a River - Vers...
Undated | wash with pen and ink over graphite on paper

Choose picture

John Ruskin
Fondaco dei Turchi, Venice
Undated | watercolour on paper

Choose picture

John Ruskin
The Tomb of Cangrande I della Sc...
1869 | watercolour/bodycolour

Choose picture

John Ruskin
The Head of a common Golden Eagl...
1870 | watercolour/bodycolour/pen/ink

Choose picture

John Ruskin
Morning in Spring, with north-ea...
1849 | watercolour/pencil

Choose picture

John Ruskin
A July Thunder Cloud, Val dAosta...
1858 | watercolour and pencil heightened with white on paper

Choose picture

John Ruskin
Fribourg, Switzerland: Pen sketc...
1856 | pen and graphite with white bodycolour on brown wove paper

Choose picture

John Ruskin
The Head of a common Golden Eagl...
1870 | watercolour/bodycolour

Choose picture

John Ruskin
 
Undated | Watercolor, gouache and pen and black ink on medium, slightly textured, cream wove paper

Choose picture

John Ruskin
 
1868 | bodycolour/watercolour

Choose picture

John Ruskin
 
Undated | Watercolor, over traces of graphite, on tan wove paper

Choose picture

John Ruskin
The Gryphon bearing the north Sh...
1869 | bodycolour/watercolour/pencil

Choose picture

John Ruskin
The Head of a Miser: enlarged Dr...
Undated | ink wash and graphite on wove paper

Choose picture

John Ruskin
Study for Detail of the Sarcopha...
1852 | graphite and watercolour on wove paper

Choose picture

John Ruskin
Design Studies for Capitals for ...
Undated | watercolour and gouache over graphite on white paper

Choose picture

John Ruskin
Stormy Sunset from Brantwood, Ru...
Undated | Gouache on paper

Choose picture

John Ruskin
The Palazzo della Ragione and Pi...
1841 | pen/pencil/watercolour/ink

Choose picture

John Ruskin
A Window of the Palazzo Tolomei,...
1870 | watercolour and bodycolour over graphite on blue wove paper

Choose picture

John Ruskin
Study of Gneiss Rock, Glenfinlas...
Undated | pen, wash and gouache on paper

Choose picture

John Ruskin
 
Undated | Pencil heightened with white paint

Choose picture

John Ruskin
Four Studies of Ling, probably 1...
1869 | bodycolour/ink/pen/watercolour

Choose picture

John Ruskin
Snake"s Fritillary, before June ...
1871 | watercolour and bodycolour over graphite on wove paper

Choose picture

John Ruskin
 
Undated | pencil, pen and ink and watercolour heightened with bodycolour on paper

Choose picture

John Ruskin
 
1858 | watercolour

Choose picture

John Ruskin
Study of the Tomb of Mastino II ...
1869 | pencil

Choose picture

John Ruskin
Mont Blanc from Saint-Martin-sur...
1874 | watercolour and bodycolour over graphite on wove paper

Choose picture

John Ruskin
Afternoon in Spring, with south ...
1869 | watercolour/ink/pencil

Choose picture

John Ruskin
Kapelbrucke, Lucerne, 19th century
Undated | watercolour on paper

Choose picture

John Ruskin
Drawing of Tintoretto's Circumci...
1869 | graphite, watercolour and bodycolour on wove paper

Choose picture

John Ruskin
Castello Vecchio, c1839-1900, 1903
1903 | watercolour

Choose picture

John Ruskin
Four Studies of Ling, probably 1...
1869 | watercolour, bodycolour, and pen and ink over graphite on blue wove paper

Choose picture

John Ruskin
 
Undated | watercolor and pen and black ink, heightened with white gouache, over graphite on wove paper laid down on thick, white paper

Choose picture

John Ruskin
Mont Dauphiny, near Chartreuse (...
Undated | watercolour and pencil on paper

Choose picture

John Ruskin
Rocks and vegetation at Chamouni...
1854 | gouache on paper

Choose picture


Page 1 / 3



What our customers think about us



Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
Other languages

                   
Erfahrungen & Bewertungen zu Meisterdrucke
Post.at DHL Express Quehenberger Cargoboard
Kaiser Franz Joseph

Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               


Meisterdrucke 2734 Bewertungen auf ProvenExpert.com

(c) 2025 meisterdrucke.ie